Kabali frenzy spreads, ticket prices soaring

July 20, 2016

Chennai, Jul 20: Make hay while Rajinikanth shines! This seems to be the mantra for theatre owners who are making a killing by selling “Kabali” tickets at exorbitant prices — much to the disappointment of hardcore superstar fans.

kabali

With “Kabali” slated to release in over 4,000 screens worldwide on Friday, the demand for its tickets is unprecedented.

“Most theatres across the state (Tamil Nadu) have sold out tickets for the opening weekend. With the average ticket costing Rs 600, most ardent Rajinikanth fans are disappointed that they couldn’t afford the tickets on the first day,” trade analyst Trinath said agency.

Despite Tamil Nadu government’s cap of Rs 120 on movie tickets, theatre owners have been selling “Kabali” tickets at five times higher than the original price.

“We are used to paying Rs 120 for movie tickets. But this sudden exponential increase in ticket price is very unfair. The prices vary according to the show timings. Early morning shows are sold at Rs 500-600 and the prices are slashed through the course of the day,” rues Santhosh Kumar, a second year college student.

Some fans are seething over unavailability of tickets because they were allegedly sold in bulk to corporates.

“We don’t have issues with the ticket prices. It’s once in two or three years, you get a Thalaivar (Rajinikanth’s) film. If you can’t shell out Rs 1,000 for your matinee idol, then what kind of a fan are you,” asks Muralikrishna, a chartered accountant.

Although most theatres give preference to fan club members, this year they seem to have favoured companies.

“Across major multiplexes, tickets on the first day were booked by corporates. Some of these companies booked in bulk even before the online booking started. I somehow managed to get a ticket through a friend.

“But when I tried to book five tickets for my family just minutes after online bookings opened, it didn’t even go through,” said Muralikrishna.

A theatre owner, on condition of anonymity, said the tickets were being sold at such high prices because of the high investment involved.

“The Chengalpet area rights of ‘Kabali’ were bought for a whopping Rs 18 crore. In order to make profits, the film should collect over Rs 30 crore. If the tickets are sold at Rs 120, it’s impossible to recover the investment in the first few days,” he said, and added that the opening weekend is very crucial for big-ticket films.

“The opening weekend is very important to recover as much as investment as possible. In the case of a Rajinikanth-starrer, only when you sell tickets at Rs 400-500, will you be able to see profits, provided the film opens to positive word-of-mouth.

“Despite taking in over Rs 100 crore, Rajinikanth’s ‘Lingaa’ turned out to be a dud because of the high investment involved,” he explained.

Directed by Pa. Ranjith, “Kabali” also stars Radhika Apte, Dinesh, Dhansikaa, Kalaiarasan, Kishore, John Vijay, Ritwika and Winston Chao, among others.

In the US, tickets for “Kabali” premiere on Thursday are priced at $25, as opposed to $14 or $15 for regular releases.

“As an Indian, when I start converting the ticket price into Indian money, it gives me a heart attack. But you don’t get to see two or three Rajinikanth releases in a year. I think it’s worth it for the euphoria his films bring,” Madhusudhan, who has been living in New York for over a decade, told agency.

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News Network
May 1,2020

May 1: Rubbishing reports of hospitalisation, veteran actor Naseeruddin Shah on Thursday said he was "fine" and at home observing the nationwide lockdown.

Shah, 69, in a Facebook post, thanked people for their concern and reassured them about his health.

"I thank all those enquiring after my health and reassure them I am fine," he said.

"I'm at home and observing the lockdown. Please don't believe any rumours," he added.

"A Wednesday" actor's younger son Vivaan Shah also dismissed rumours about his father's health.

"He's alright. These are just rumours," Vivaan said.

Reports about Shah's health started surfacing on social media as the industry was coming to terms with the deaths of Irrfan Khan and Rishi Kapoor.

Rishi Kapoor, aged 67, died on Thursday in a hospital here after a two year-long battle with lukaemia, while Irrfan, 54, passed away on Wednesday due to neuroendocrine tumour, a rare form of cancer.

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January 8,2020

Jan 8: Bollywood star Deepika Padukone on Tuesday visited the Jawaharlal Nehru University (JNU) to express solidarity with the students who were attacked by a mob, but she did not address the crowd.

The actor reached the university campus at around 7.40 pm and attended a public meeting, called by JNU Teacher's Association and JNUSU in response to Sunday's attack on students and teachers by a masked mob armed with sticks and rods.

Deepika stood as former JNUSU president Kanhaiya Kumar was raising azaadi slogans and left by the time current president Aishe Ghosh started speaking.

The actor's decision to not address the crowd prompted Ghosh to comment, "when you are in a position, you should speak up".

"There are many people in Bollywood who do not put forth their views when they are not be aired. They are considered role models. I appeal to them: Make inspiring films after something has happened but when you are in that position, also talk about the story that is currently happening," she said.

Later, Ghosh said that Deepika expressed solidarity with the JNU students.

Deepika is in the capital to promote her upcoming release, Meghna Gulzar-directed "Chhapaak".

On Monday, the 34-year-old actor told a news channel that she feels proud that people have come out and raised their voice without fear, in reference to the protests against the amended Citizenship Act, the National Register of Citizens and violence in JNU.

"I feel proud to see that we aren't scared to express ourselves... I think the fact that we are thinking about the country and its future.... Whatever may be our point of view, it's nice to see," Deepika told NDTV India.

"I feel proud about it that people are coming out -- be it on the streets or wherever they are -- they are raising their voice and expressing themselves as it is important. If we want to see a change in life and society, it is important that a point of view be put forward," she added.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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