Kabali frenzy spreads, ticket prices soaring

July 20, 2016

Chennai, Jul 20: Make hay while Rajinikanth shines! This seems to be the mantra for theatre owners who are making a killing by selling “Kabali” tickets at exorbitant prices — much to the disappointment of hardcore superstar fans.

kabali

With “Kabali” slated to release in over 4,000 screens worldwide on Friday, the demand for its tickets is unprecedented.

“Most theatres across the state (Tamil Nadu) have sold out tickets for the opening weekend. With the average ticket costing Rs 600, most ardent Rajinikanth fans are disappointed that they couldn’t afford the tickets on the first day,” trade analyst Trinath said agency.

Despite Tamil Nadu government’s cap of Rs 120 on movie tickets, theatre owners have been selling “Kabali” tickets at five times higher than the original price.

“We are used to paying Rs 120 for movie tickets. But this sudden exponential increase in ticket price is very unfair. The prices vary according to the show timings. Early morning shows are sold at Rs 500-600 and the prices are slashed through the course of the day,” rues Santhosh Kumar, a second year college student.

Some fans are seething over unavailability of tickets because they were allegedly sold in bulk to corporates.

“We don’t have issues with the ticket prices. It’s once in two or three years, you get a Thalaivar (Rajinikanth’s) film. If you can’t shell out Rs 1,000 for your matinee idol, then what kind of a fan are you,” asks Muralikrishna, a chartered accountant.

Although most theatres give preference to fan club members, this year they seem to have favoured companies.

“Across major multiplexes, tickets on the first day were booked by corporates. Some of these companies booked in bulk even before the online booking started. I somehow managed to get a ticket through a friend.

“But when I tried to book five tickets for my family just minutes after online bookings opened, it didn’t even go through,” said Muralikrishna.

A theatre owner, on condition of anonymity, said the tickets were being sold at such high prices because of the high investment involved.

“The Chengalpet area rights of ‘Kabali’ were bought for a whopping Rs 18 crore. In order to make profits, the film should collect over Rs 30 crore. If the tickets are sold at Rs 120, it’s impossible to recover the investment in the first few days,” he said, and added that the opening weekend is very crucial for big-ticket films.

“The opening weekend is very important to recover as much as investment as possible. In the case of a Rajinikanth-starrer, only when you sell tickets at Rs 400-500, will you be able to see profits, provided the film opens to positive word-of-mouth.

“Despite taking in over Rs 100 crore, Rajinikanth’s ‘Lingaa’ turned out to be a dud because of the high investment involved,” he explained.

Directed by Pa. Ranjith, “Kabali” also stars Radhika Apte, Dinesh, Dhansikaa, Kalaiarasan, Kishore, John Vijay, Ritwika and Winston Chao, among others.

In the US, tickets for “Kabali” premiere on Thursday are priced at $25, as opposed to $14 or $15 for regular releases.

“As an Indian, when I start converting the ticket price into Indian money, it gives me a heart attack. But you don’t get to see two or three Rajinikanth releases in a year. I think it’s worth it for the euphoria his films bring,” Madhusudhan, who has been living in New York for over a decade, told agency.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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Agencies
March 3,2020

Chennai, Mar 3: Makkal Needhi Maiyam president and actor Kamal Hassan on Tuesday appeared before Chennai Police on Tuesday in connection the deaths last month of three people on the set of the movie, 'Indian 2'.

Hassan appeared before Chennai Police Commissioner in Egmore to record his statement.

Three people died while around 10 suffered injuries when a crane collapsed while shooting of the film was underway in Chennai at EVP Studios on February 19.

Madhu, personal assistant to director Shankar, Krishna, assistant director, and a staffer Chandran, lost their lives in the incident.

In an open letter, "Indian 2" Director S Shankar announced Rs 1 crore as financial assistance to the kin of the deceased.

'Indian 2' stars Kamal Haasan, Kajal Agarwal, Rakul Preet, Siddharth, Priya Bhavani Shankar, Delhi Ganesh and Nedumudi Venu in prominent roles.

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Agencies
June 6,2020

Hollywood star Angelina Jolie feels discrimination and impunity cannot be justified in any way, and says she hopes people in the US can come together to "address the deep structural wrongs in our society".

The Oscar-winning star, who turned 45 on Thursday, also donated $200,000 to the NAACP Legal Defense Fund, reports people.com.

"Rights don't belong to any one group to give to another. Discrimination and impunity cannot be tolerated, explained away or justified. I hope we can come together as Americans to address the deep structural wrongs in our society," Jolie said.

"I stand with the NAACP Legal Defense Fund in their fight for racial equality, social justice, and their call for urgent legislative reform," she added.

Meanwhile, the actress celebrated her birthday amid lockdown with her six children -- Maddox, 18, Pax, 16, Zahara, 15, Shiloh, 14, and 11-year-old twins Knox and Vivienne.

The actress and activist has been active since the COVID-19 pandemic spread around the world and has donated to different organisations.

Jolie previously donated $1 million to No Kid Hungry, the organisation working to feed children during the COVID-19 pandemic.

"I knew that there were problems in America, that there was poverty, but I could not believe when I realised how many school children in America were dependent on a meal to not go hungry. I was so disgusted that we have gotten to this point as a country and that we would let the most vulnerable be in such a state. I can't imagine what it feels like for those parents," she said while opening up about her reason to get associated with the organisation.

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