Kangana on nepotism: I would be a farmer if genes mattered

Agencies
July 24, 2017

Mumbai, Jul 24: Kangana Ranaut has broken her silence on the nepotism debate, which hit the headlines when Karan Johar, Saif Ali Khan and Varun Dhawan brought it up, and said she would be "a farmer" if the point about family genes were true.Kangana

The three stars chanted "nepotism rocks" in New York during an award show last week and Johar took a swipe at Kangana who had called him "flag bearer of nepotism" on his chat show. While Johar and Varun apologised, Saif claimed in an open letter that he had personally said sorry to her.

The debate and exchange of thoughts on nepotism is "exasperating, but is healthy", Kangana responded, also in an open letter. Quoting a part of her 'Rangoon' co-star's letter, where he "emphasised" on nepotism being an investment on tried and tested genes, Kangana said, "I have spent a significant part of my life studying genetics. But, I fail to understand how you can compare genetically hybrid racehorses to artistes!"

"Are you implying that artistic skills, hard-work, experience, concentration spans, enthusiasm, eagerness, discipline and love, can be inherited through family genes? If your point was true, I would be a farmer back home." While she enjoyed some of the perspectives on this subject, she did find a few of them disturbing, she said.

"Saif, in your letter you mentioned that, 'I apologised to Kangana, and I don't owe anyone any explanation, and this issue is over.' But this is not my issue alone. Nepotism is a practice where people tend to act upon temperamental human emotions, rather than intellectual tendencies," Kangana wrote.

The actress said any business run by human emotions and not by great value-systems, might gain superficial profits, but cannot be productive enough to tap into the true potential of a nation. "Nepotism, on many levels, fails the test of objectivity and rationale."

"I have acquired these values from the ones who have found great success and discovered a higher truth, much before me. These values are in the public domain, and no one has a copyright on them," she added, giving examples of greats like Swami Vivekananda, Albert Einstein and William Shakespeare. Kangana said the aim of the conversation started by her was to encourage outsiders; her agenda was not to blame people from the industry.

"I think the privileged are the least to be blamed in this debate, since they are part of the system, which is set around chain reactions. Change can only be caused by those who want it. It is the prerogative of the dreamer who learns to take his or her due, and not ask for it." In response to Johar and his comments on the issue, she said talent does exist beyond the "superficiality of branded clothes, polished accents, and a sanitised upbringing".

The actress added that many examples of people succeeding on the basis of "genuine hard-work, diligence and eagerness to learn" do exist all over world in every field. "I don't know if he was being misinformed, or simply naive, but to discredit the likes of Dilip Kumar, K Asif, Bimal Roy, Satyajit Ray, Guru Dutt, and many more, whose talent and exceptional abilities have formed the spine of our contemporary film business, is absolutely bizarre," Kangana said.

The 'Queen' star clarified that she was not fighting with anyone in the industry and her views should not be misconstrued to pit her and Saif against each other. In her opinion, "nepotism is an extremely pessimistic attitude for a Third World country, where many people don't have access to food, shelter, clothing, and education."

"The world is not an ideal place, and it might never be. That is why we have the industry of arts. In a way, we are the flag-bearers of hope," she said, adding that people who feel nepotism works for them are free to make peace with it.

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News Network
March 12,2020

Los Angeles, Mar 12: Hollywood superstar Tom Hanks has revealed that he and wife Rita Wilson have tested positive for the novel coronavirus.

The actor couple, currently in Australia to shoot for the pre-production of Baz Luhrmann's untitled Elvis Presley film, decided to get tested after they felt "a bit tired".

"Hey folks Rita and I are down here in Australia. We felt a bit tired, like we had colds, and some body aches. Rita had some chills that came and went. Slight fevers too. To play things right, as is needed in the world right now, we were tested for the coronavirus, and were found to be positive," Hanks said in a tweet.

The Academy-award-winning actor said the medical team had already taken over.

"The medical officials have protocols that must be followed. We Hanks will be tested, observed and isolated for as long as public health and safety requires," Hanks said.

"Not much more to it than one-day at a time approach, no? We will keep the world posted and updated. Take care of yourselves!" Hanks tweeted.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
June 25,2020

Jun 25: Bollywood star Sushant Singh Rajput’s last movie “Dil Bechara” is getting a release on Disney+Hotstar on July 24.

With an aim to honour the legacy of the actor, the streaming platform is making the movie available to even the non-subscribers.

Rajput was found dead at his Bandra home on June 14 at the age of 34.

Billed as a soulful love story, “Dil Bechara” marks the directorial debut of casting director and Rajput's industry friend Mukesh Chhabra. The film is produced by Fox Star Studios.

“We are humbled to be able to play a small part in sustaining the legacy of a fine actor like Sushant Singh Rajput. In celebration of his life and his extraordinary work, 'Dil Bechara' will release directly on digital this July on Disney+ Hotstar; and will be available to all subscribers and non-subscribers across India. Our prayers and wishes to his family and loved ones,” Uday Shankar, President – The Walt Disney Company APAC and Chairman, Star & Disney India, said.

The actor had a long-standing relationship with the STAR & Disney India network, having started his career with the show “Kis Desh Mein Hai Meraa Dil” in 2008 to his Bollywood transition where he delivered some of his most memorable performances in “M.S. Dhoni: The Untold Story” (2016) and “Chhichhore” (2019), both produced by Fox Star Studios.

Chhabra said he never imagined he would release the film without Rajput.

 “Sushant was not just the hero of my debut film as a director, but he was a dear friend who stood by me through thick and thin. We had been close right from 'Kai Po Che!' to 'Dil Bechara'. He had promised me that he would be in my first film.

"So many plans were made together, so many dreams were dreamt together but never once did I ever imagine that I would be left alone to release this film. He always showered immense love on me while I was making it and his love will guide us as we release it,” the director said.

“Dil Bechara” is the official remake of 2014 Hollywood romantic drama “The Fault in our Stars”, which was based on John Green’s popular novel of the same name. The Hindi adaptation of the movie was done by Shashank Khaitan and Suprotim Sengupta.

“Dil Bechara” will see Rajput in a leading role alongside debutante Sanjana Sanghi, and Saif Ali Khan in an interesting cameo.

The music of the film has been composed by AR Rahman and the lyrics are by Amitabh Bhattacharya.

“Dil Bechara” revolves around Kizie Basu (Sanghi) and Immanuel Rajkumar Junior or Manny (Rajput) and explores the funny, thrilling, and tragic adventure of being alive and in love.

Together Kizie and Manny embark on an on-off-up-down-sad and sweet profound journey into the heart of that crazy little thing called life. It teaches them what it means to feel truly alive and fall in love.

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