Kapil Sharma’s debut as the king of polygamy is funny but has no logic whatsoever!

September 25, 2015

kapilMumbai, Sep 25: The world of small screen has given some big stars to Bollywood. In fact, king of romance, Shah Rukh Khan started his career from TV shows. While in recent times a lot of TV stars have tried their hands with films and failed, it is popular comedian Kapil Sharma’s first shot at the glitzy world of films. Kapil Sharma is making his debut in films with the director duo Abbas Mustan’s Kis Kisko Pyaar Karoon. With Varun Sharma, Elli Avram and Arbaaz Khan as supporting cast, will Kapil leave a lasting impression as an actor? Lets check out the review!

What’s it about:

Though the basic story of the film is not new to us, there is a lot happening in the film thanks to truckload of characters. I hope I don’t miss anything important. Here it goes. Kumar Shiv Ram Kishan (Kapil) is a man troubled by the ill fate of three marriages. Due to some unfortunate and often illogical turn of events, our hero finds himself in situations that forces him to marry. And to help him hide his other marriages from his wives, he takes help of his lawyer friend Karan (Varun Sharma). And just when you thought that our hero has enough problems on his plate to deal with, he also has a girlfriend Deepika (Elli Avram) whom he truly loves and wants to marry. What will happen now? How can anyone possibly get out of this mess unscathed? Add a deaf don cum brother in law, estranged parents, a typical dim witted bai and an ever doubting future father in law into the equation, and you get heady mix of confusion and fun called Kis Kisko Pyaar Karoon.

What’s good:

The biggest merit of Kis Kisko Pyaar Karoon lies in the fact that it keeps you entertained. Sure, it might seem a little over the top and at times juvenile, but the film thankfully doesn’t bore you, which is a huge plus point. Even though the basic plot is same as Govinda’s Sajjan Chale Sasural, there are enough characters and loads of situational comedy that will help you overlook the story’s lack of novelty. Kapil Sharma stands out in his debut flick, playing the part of a man who, day in day out, lives in the tension of managing three wives. His nervous comic timing and his ability to make a serious situation hilarious benefits the film hugely. While you secretly pity at Kapil’s state, one just can’t help but chuckle at his plight. Kapil, even, shines in the dramatic scenes and shows great promise as an actor. Varun Sharma does justice to his role of Kapil’s cheeky lawyer friend, who gets him out of troubles. His jokes about science and Newton’s laws infuses laughter. Even though he is playing a stereotypical role of a deaf person of Bollywood standards, Arbaaz Khan’s antics and his dialogues are entertaining. Scenes like Kapil’s attempts to hide from the prying eyes of Eli’s father in a mall, where all his three wives are out for shopping are hilarious and outstanding. Manjari Fadnis’ repetitive one liner ‘Bhagwan Sabko Tumhare Jaisa Pati De’ makes you enjoy the underlined pun in it.

What’s bad:

While the comedy is good and the makers have kept the proceedings entertaining, Kis Kisko Pyaar Karoon is far from perfect. One major flaws of the film is the complete lack of logic from start to finish. How can anyone married to three women, living in the same building, manage to escape for so long without being caught? And how can these wives be so dumb that even after becoming friends with each other, they never come to know the truth about their husbands ( or rather husband)? And how does Kapil’s lawyer friend Varun doesn’t know that polygamy is illegal in India? The start of the film, where it is shown how Kapil gets married thrice, is so illogical and juvenile that I felt like the makers are questioning the intelligence of the audience. The climax of the film is so laughable and dumb that you can’t help but feel that the makers are actually glorifying polygamy. After Kapil calls his three marriages as “hadsa” and convinces that his wives, his parents and the society that he is innocent, by delivering an utterly unconvincing speech, Eli Evram says this,” Jis aadmi ne hadso se pyaar kiya, us aadmi ke pyaar ko me ek hadsa nahi hone doongi.” And I stood up and gave a standing ovation to this dialogue which sums up the level of idiotic-ness of this climax. And, oh please don’t get me started about Elli Avram’s acting.

What to do:

If you are looking for having a few laughs at the cinemas this week, and have the stomach to digest a dumb comedy, then Kis Kisko Pyaar Karoon is for you! Watch it for Kapil Sharma’s impressive debut!

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News Network
July 3,2020

Mumbai, Jun 3: Investigators will subject the cloth allegedly used by actor Sushant Singh Rajput to hang himself to "tensile strength" analysis to determine whether it can bear the weight similar to that of the filmstar, as part of probe into his death, an official said on Friday.

Rajput (34) was found hanging at his suburban Bandra residence on June 14.

According to the investigators, the actor ended his life by hanging himself from the ceiling using a green coloured night gown made of cotton.

No suicide note was found from the spot, the police had said then.

Besides viscera from the actors body, the police also sent the gown for chemical and forensic analysis at the Forensic Science Laboratory (FSL) in suburban Kalina, he said.

It will take at least three more days to get final forensic report, the official said.

To ascertain the exact cause of death, forensic experts will check pattern of ligature marks around the actors neck and also determine the strength of the gown with the help of "tensile strength" analysis, he said.

The tensile strength test will technically establish whether the cloth can bear around 80kg, the weight of the actor, he said.

The test will help determine if there was any foul play, the official said.

Tensile strength is maximum load that a material can support without fracture when being stretched.

Viscera analysis will help in checking whether there were any traces of chemical, poisonous or narcotics substance in his body, the official said.

"Usually, it takes eight to ten working days to get s report from the FSL in regular cases. But since this case is sensitive, experts are taking more precautions to avoid any kind of error in their analysis," the official said.

The forensic report of the actors mobile phone is also awaited, he said.

Recently, the police received the final post-mortem report of the actor from Cooper Hospital, which mentioned the cause of the death as asphyxia due to hanging"

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News Network
June 2,2020

Kolkata, Jun 2: Artistes of the Bengali film industry are trying to get the best out of their creative side amid the lockdown, with many of them giving shape to innovative concepts and ideas to hook the audience.

A short film 'Grub Ne Bana Di Jodi', with RJ-actor Mir Afsar Ali in the lead, transcends boundaries to bring couples from around the world together on one platform, as they engage in discussions on food and culture.

The shot-at-home film, directed by Satrajit Sen, has Ali giving couples tasks to test their culinary skills.

"This is the time to try new concepts and that, too, without the usual technical support. There is no box office pressure, and people can take their own sweet time to watch the film on YouTube," he said.

Actor Vikram Chatterjee, who recently completed the shoot of 'Pabitra Puppies', a web series about seven friends bonding over video games, said it was an "altogether different experience" with no crew to assist him at home.

"The shooting process was complicated but we had a lot of fun. I was in Mumbai when the lockdown was imposed.

Coordinating with the director and other cast members wasn't easy, but this phase has taught us how to overcome challenges," Chatterjee said.

The series, also starring Sohini Sarkar and Saayoni Ghosh, will be streaming on Hoichoi soon.

Director Shieladitya Moulik's third outing on YouTube, amid the lockdown, has garnered good reviews.

The short film 'Eye Candy' tells the story of a blind couple who had been finding ways to connect with each other.

"I wanted to talk about long-distance relationships, and the problems faced by couples in the midst of the COVID-19 crisis, but not without a twist. I hope the viewers enjoy the short," Moulik said.

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News Network
January 2,2020

New Delhi, Jan 2: Hoping her cinematic voice can help bring about lasting change in how society perceives acid attack survivors, actor Deepika Padukone says her latest film Chhapaak should ideally be so impactful that there won't be need for another story on acid violence.

After all, cinema is in itself such a powerful medium, Deepika told news agency ahead of the release of the film, which is based on the life of acid attack survivor and activist Laxmi Agarwal.

The idea behind the social drama is to invoke empathy and understanding rather than paint women who have undergone the ordeal as victims, the actor, who has also produced the film, said in a telephonic interview from Mumbai.

"Beyond the gruesomeness, the violence and all of that, there is a story of the human spirit and hope. That's why we're telling the story," she said.

Deepika, 33, said it was a story that spoke to her and she felt pride in attaching herself to the project.

Chhapaak, directed by Meghna Gulzar and featuring Vikrant Massey, is the second mainstream film to focus on the subject after 2019 Malayalam movie Uyare starring Parvathy Thiruvothu.

"I hope we won't have to constantly tell stories on acid attack survivors for us to see change. I hope with our film we begin to see that change for ourselves as a society and for acid attack survivors.

"If we don't, then we've done something wrong as a society. Cinema in itself is such a powerful medium that hopefully just through this one film we will hopefully be able to see that kind of change and impact," Deepika said.

The actor said there was not much planning behind the decision to back the film financially.

"Sometimes certain films need a little more hand holding, a little more love and support. I felt like I would be adding a little more value as a producer.

"This is a film I'm very proud of, not just from the script point of view but even in terms of the story and its message," she said.

The film, which releases on January 10, will be Deepika's first release in two years and comes after her marriage to frequent co-star Ranveer Singh.

The actor said she used the time to creatively replenish herself.

"It was about finding a film worthy of putting out there. It's not that work at my end had stopped. I was constantly looking for scripts that challenged and excited me.

"I would look at it as time for creative fertility. It's important to nurture yourself. The work that goes on behind the scenes... most often we're constantly on a film set, but whether it's meeting with writers and directors, looking for scripts... That is also part of the creative process and that's what I've been doing."

The title Chhapaak instantly evokes the image of acid being splattered, and Deepika said the director wanted a word for the film's name that could also lend itself to a song.

"I think she said 'chhapaak', which is the sound of a splash, is something that could adapt or lend itself beautifully to a song. Perhaps, it also has to do with fluidity. So on one hand, liquid is known to take different forms, a liquid such as this (acid) can change someone's life forever," she said.

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