Kapil Sharma’s debut as the king of polygamy is funny but has no logic whatsoever!

September 25, 2015

kapilMumbai, Sep 25: The world of small screen has given some big stars to Bollywood. In fact, king of romance, Shah Rukh Khan started his career from TV shows. While in recent times a lot of TV stars have tried their hands with films and failed, it is popular comedian Kapil Sharma’s first shot at the glitzy world of films. Kapil Sharma is making his debut in films with the director duo Abbas Mustan’s Kis Kisko Pyaar Karoon. With Varun Sharma, Elli Avram and Arbaaz Khan as supporting cast, will Kapil leave a lasting impression as an actor? Lets check out the review!

What’s it about:

Though the basic story of the film is not new to us, there is a lot happening in the film thanks to truckload of characters. I hope I don’t miss anything important. Here it goes. Kumar Shiv Ram Kishan (Kapil) is a man troubled by the ill fate of three marriages. Due to some unfortunate and often illogical turn of events, our hero finds himself in situations that forces him to marry. And to help him hide his other marriages from his wives, he takes help of his lawyer friend Karan (Varun Sharma). And just when you thought that our hero has enough problems on his plate to deal with, he also has a girlfriend Deepika (Elli Avram) whom he truly loves and wants to marry. What will happen now? How can anyone possibly get out of this mess unscathed? Add a deaf don cum brother in law, estranged parents, a typical dim witted bai and an ever doubting future father in law into the equation, and you get heady mix of confusion and fun called Kis Kisko Pyaar Karoon.

What’s good:

The biggest merit of Kis Kisko Pyaar Karoon lies in the fact that it keeps you entertained. Sure, it might seem a little over the top and at times juvenile, but the film thankfully doesn’t bore you, which is a huge plus point. Even though the basic plot is same as Govinda’s Sajjan Chale Sasural, there are enough characters and loads of situational comedy that will help you overlook the story’s lack of novelty. Kapil Sharma stands out in his debut flick, playing the part of a man who, day in day out, lives in the tension of managing three wives. His nervous comic timing and his ability to make a serious situation hilarious benefits the film hugely. While you secretly pity at Kapil’s state, one just can’t help but chuckle at his plight. Kapil, even, shines in the dramatic scenes and shows great promise as an actor. Varun Sharma does justice to his role of Kapil’s cheeky lawyer friend, who gets him out of troubles. His jokes about science and Newton’s laws infuses laughter. Even though he is playing a stereotypical role of a deaf person of Bollywood standards, Arbaaz Khan’s antics and his dialogues are entertaining. Scenes like Kapil’s attempts to hide from the prying eyes of Eli’s father in a mall, where all his three wives are out for shopping are hilarious and outstanding. Manjari Fadnis’ repetitive one liner ‘Bhagwan Sabko Tumhare Jaisa Pati De’ makes you enjoy the underlined pun in it.

What’s bad:

While the comedy is good and the makers have kept the proceedings entertaining, Kis Kisko Pyaar Karoon is far from perfect. One major flaws of the film is the complete lack of logic from start to finish. How can anyone married to three women, living in the same building, manage to escape for so long without being caught? And how can these wives be so dumb that even after becoming friends with each other, they never come to know the truth about their husbands ( or rather husband)? And how does Kapil’s lawyer friend Varun doesn’t know that polygamy is illegal in India? The start of the film, where it is shown how Kapil gets married thrice, is so illogical and juvenile that I felt like the makers are questioning the intelligence of the audience. The climax of the film is so laughable and dumb that you can’t help but feel that the makers are actually glorifying polygamy. After Kapil calls his three marriages as “hadsa” and convinces that his wives, his parents and the society that he is innocent, by delivering an utterly unconvincing speech, Eli Evram says this,” Jis aadmi ne hadso se pyaar kiya, us aadmi ke pyaar ko me ek hadsa nahi hone doongi.” And I stood up and gave a standing ovation to this dialogue which sums up the level of idiotic-ness of this climax. And, oh please don’t get me started about Elli Avram’s acting.

What to do:

If you are looking for having a few laughs at the cinemas this week, and have the stomach to digest a dumb comedy, then Kis Kisko Pyaar Karoon is for you! Watch it for Kapil Sharma’s impressive debut!

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News Network
April 2,2020

Mumbai, Apr 2: Ramayan, the over three-decade-old TV series based on Hindu mythology, garnered 170 million viewers in four shows over the last weekend in its new avatar, the BARC said on Thursday.

This catapulted the Ramanand Sagar production as the highest watched serial in the Hindi general entertainment space ever, the Broadcast Audience Research Council said.

The show was relaunched last Saturday amid the gloomy times of lockdown due to the COVID-19 pandemic, and a lot of thrust laid by the government machinery to popularise the series.

BARC's chief executive Sunil Lulla said the numbers notched up by the series was a bit surprising and called the move as a brilliant one by the Prasar Bharti.

He said eventually, we will also see advertisers flock the series which will be running for a few more days.

The inaugural show of the series on Saturday morning had 34 million viewers glued to their TV sets watching and enjoyed a rating of 3.4 per cent, while a telecast the same evening had 45 million viewers and a rating of 5.2 per cent.

The show bettered its performance on Sunday, with 40 million and 51 million people watching it in the morning and evening telecasts, respectively.

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News Network
January 14,2020

Indore, Jan 14: Yoga guru Ramdev has said that Deepika Padukone should hire persons like him for offering correct advice, days after the actress had visited Jawaharlal Nehru University in Delhi following the violence at the campus earlier this month.

"Deepika Padukone needs to study about political, social and cultural issues. She should understand more about our country. Only after gaining knowledge, she should take decisions. I feel she should have persons like Swami Ramdev for correct advice," Ramdev said at an event here on Monday.

On January 7, Padukone joined the protest at JNU after a masked mob entered the varsity campus and attacked the students and teachers with sticks and rods on January 5.

Several BJP leaders questioned the support extended by Padukone. On the other hand, the Congress threw their weight behind the actress for her stand.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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