Kareena gets emotional as she walks at LFW with baby bump

August 29, 2016

Mumbai, Aug 29: Bollywood star Kareena Kapoor Khan had the most "special" moment of her life as she walked the ramp flaunting her baby bump.

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The 34-year-old actress got emotional and said it will be a walk to remember for her as she and her baby took to the ramp together for the first time.

Kareena turned designer Sabyasachi's muse for his latest collection that brought the curtains down at the Lakme Fashion Week Winter/Festive 2016.

"I must say it's not one but two of us. It's a very special moment. I have never walked for Sabyasachi before, we were not able to do a film together. But this moment is very special.

"It's going to be in the history. I am actually very emotional right now. It is a moment I want everyone to cherish. I would like to say Sabyasachi is not a designer he is an artist. He creates painting. I am really honoured to wear this artist," Kareena said post the show.

The "Ki & Ka" star dressed in a heavily embroided olive green lehenga and a kurti patterned choli with dupatta on her head, looked every inch of a regal bride.

Her look was completed by a beautiful maang tika.

The actress was asked if the baby kicked while she was walking on the ramp, to which she replied with laugh saying, "I was too nervous to realise if it happened."

Kareena is being praised by the industry for not letting the pregnancy come in between her work and the actress said she will never go away from the camera.

"I have always maintained that I work till I die. Acting is my passion. My work is my passion and as long as I am working it makes me happy and that joy shows on face. I am going to continue working."

The Bollywood diva was all praise for Sabyasachi and said even her mother-in-law, veteran actress Sharmila Tagore, is a big fan of his creations.

"It is pleasure to walk for him. He works magic with his masterstroke. Even my mother-in-law is a huge admirer of his work," she said praising the designer.

The royal collection titled "Illuminate" revolved around the theme of shimmer, with the colour palette including shades of dust, smoky, shimmery metallics along with strong contrasting jewel tones, like a deep emerald, a rich oxblood, a coffee maroon among others.

Sabyasachi stood by his signature patterns, but this time also ventured into the arena of western wear mixing it with theme of Indian embroidery.

"This time around I wanted to create few dresses. I decided to make some short evening wear, but kept the Indianess alive with my signature work. I can't leave that as it is the essence of my brand. I am an Indian designer and I can never let that go away from myself," Sabyasachi said.

The vintage range drew its inspiration from the era of 1920s to 1960s.

It weaved three stories together, first the night clubs in Paris in the 1920's, second from the Bauhaus school of strict architecture and the third was the celebration of finest quality of needle craft from all across the world.

The designer, who made his runway debut with Lakme Fashion Week in 2002, said doing the grand finale was like a homecoming.

The show was attended by Kareena's sister Karishma Kapoor, who couldn't stop adoring her younger sibling as she took to the ramp.

Karishma was seen clicking Kareena's pictures and cheering for her throughout her long ramp walk.

Actress Deepika Padukone, who has been the designer's one of the favourite muses, also attended the show.

Actress Kajal Aggarwal and producer-director Divya Kumar Khosla were the other celebrity guests.

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News Network
April 28,2020

Los Angeles, Apr 28: A top-secret documentary feature about former first lady Michelle Obama is set to start streaming worldwide on Netflix from May 6.

According to The Hollywood Reporter, the doc shares its title with Michelle Obama's best-selling 2018 memoir "Becoming" and recounts some of the same history of her life.

"Becoming", like the best documentary feature Oscar winner "American Factory", comes from Higher Ground, the production company run by former President Barack Obama and the former first lady, which has an exclusive pact with the streamer.

The documentary marks the feature directorial debut of cinematographer Nadia Hallgren known for her work on "Trouble the Water", the 2008 indie about a couple surviving failed levees, bungling bureaucrats, and their own troubled past and a portrait of a community abandoned long before Hurricane Katrina hit.

"Becoming" also picks up where that story left off by following her on the 34-city tour that she undertook while promoting her book.

"Those months I spent traveling meeting and connecting with people in cities across the globe drove home the idea that what we share in common is deep and real and can't be messed with.

"In groups large and small, young and old, unique and united, we came together and shared stories, filling those spaces with our joys, worries and dreams. We processed the past and imagined a better future. In talking about the idea of 'becoming,' many of us dared to say our hopes out loud," Michelle Obama said in a statement.

The former first lady also addressed the ongoing coronavirus pandemic.

"It's hard these days to feel grounded or hopeful, but I hope that like me, you'll find joy and a bit of respite in what Nadia has made. Because she's a rare talent, someone whose intelligence and compassion for others comes through in every frame she shoots.

"Most importantly, she understands the meaning of community, the power of community, and her work is magically able to depict it.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
July 11,2020

Mumbai, Jul 11: Bollywood veteran Amitabh Bachchan announced on Twitter late on Saturday that he tested positive for the novel coronavirus infection.

Taking to Twitter to announce the news, he said, "I have tested CoVID positive... " He added that family and staff had also undergone tests while Bachchan has been shifted to a hospital. 

Bachchan ended his tweet saying, "All that have been in close proximity to me in the last 10 days are requested to please get themselves tested !"

Bachchan, who was last seen in Gulabo Sitabo that released on OTT platforms, will be seen in Ranbir Kapoor-starrer Bhrahmastra.

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