Legendary British actor John Hurt dies aged 77

January 29, 2017

London, Jan 29: Legendary British actor John Hurt, best known for playing a drug addict in "Midnight Express," Kane in "Alien," the title character in "The Elephant Man," and Winston Smith in "1984" has died. He was 77.

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Hurt's agent confirmed the actor's death, reported Variety.

No cause of death was immediately known, but Hurt revealed in 2015 that he was battling pancreatic cancer.

The actor first came to prominence after appearing in the best picture Oscar-winning "A Man of All Seasons" in 1966.

Hurt, who decided against a career as an art teacher to study at the Royal Academy of Dramatic Arts, appeared in countless TV and film roles, including roles in Michael Cimino's "Heaven's Gate," Stephen Frears' "The Hit," Sam Peckinpah's "The Osterman Weekend" and the 1984 adaptation of George Orwell's "Nineteen Eighty-Four," where Hurt played the novel's protagonist Winston Smith.

Hurt's portrayal of imprisoned heroin addict Max in 1978's "Midnight Express" netted the actor his first Golden Globe and BAFTA win as well as an Oscar nomination for best supporting actor.

Two years later, Hurt appeared in what was his greatest role as the anguished John Merrick in David Lynch's "The Elephant Man."

In recent years, Hurt appeared as Mr Ollivander, the wand-maker in the first Harry Potter film, "Harry Potter and the Sorceror's Stone," and for parts 1 and 2 of "Harry Potter and the Deathly Hallows," however his scenes in "Harry Potter and the Goblet of Fire" were cut.

Hurt's distinct voice also graced characters in animated films like Watership Down and 1978's "Lord of the Rings."

Though he always prioritised film acting, Hurt also made regular appearances on stage, including the first West End production of David Halliwell's cult play "Little Malcolm" and His Struggle Against the Eunuchs in 1967.

Hurt also played numerous roles on TV, including Alan Clark in the 2004 adaptation of "The Alan Clark Diaries" and the "Doctor" in the 50th anniversary special episode of Doctor Who in 2013.

He was married four times, the first time to actress Annette Robertson in the early 1960s, the second time to Donna Peacock, the third time to Jo Dalton.

Survivors include the actor's fourth wife, producer Anwen Rees-Myers, whom Hurt married in 2005, and two children by Dalto.

Many celebrities took to Twitter to express their condolences on Hurt's demise.
"It was terribly sad today to learn of John Hurt's passing. He was a truly magnificent talent," tweeted Mel Brooks.

Stephen Fry tweeted, "Oh no. What terrible news. We've lost #JohnHurt as great on the stage, small screen and big. A great man & great friend of Norfolk & #NCFC".

Chris Evans said, "John Hurt was one of the most powerful, giving, and effortlessly real actors I've ever worked with. Remarkable human being. U will be missed."

"God speed to John Hurt, a legendary actor and good human being," Sharon Stone wrote.

Elijah Wood tweeted, "Very sad to hear of John Hurt's passing. It was such an honor to have watched you work, sir."

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News Network
April 25,2020

Mumbai, Apr 25: Actor Vidya Balan has decided to donate 1000 Personal Protective Equipment (PPE) kits to the frontline healthcare staff across India.

In a video message posted on her Facebook page, the actor announced that she is also collaborating with celebrity shout-out platform Tring to raise money for additional 1000 PPE kits.

“In the war against COVID-19 our health care professionals are like our soldiers at the border fighting for our health and freedom. Just like we equip our soldiers for the battle we must do the same with our medical staff. There is a critical shortage of PPE for our senior doctors, residents, nurses and ward boys in their daily work.

“As a result, a lot of our hospitals are not functioning at full capacity. Join me in changing this now. I am donating 1000 PPE ktis to hospital and medical staff across the country. And I am pledging to raise money for another 1000,” she said.

According to a statement issued by the actor’s team, she has joined hands with Tring to provide additional 1000 PPE kits, in association with Manish Mundra of Drishyam Films and photographer-producer Atul Kasbekar.

For donations made through Tring, Vidya will be recognising the support of every donor by sending a personal thank you video message, and a chance for a two-minute video call with her.

Vidya said each PPE kit is worth Rs 650 (all-inclusive of delivery costs and applicable taxes) and it consists of one coverall laminated and waterproof, nitrile gloves, goggles, face shields, 3-ply surgical mask and shoe covers.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
April 6,2020

New Delhi, Apr 6:  In an attempt to pump up Indians with positivity amid the testing times of coronavirus, Bollywood's most prominent actors like Akshay Kumar, Kartik Aaryan, Tiger Shroff, Taapsee Pannu, Kiara Advani, joined hands and launched a hope anthem - 'Muskurayega India.'

The song is set on the optimistic theme that sends out the message that the country will smile again if the country supports each other in the current crisis situation.

An initiative of Akshay Kumar's Cape of Good Films, the video of the song features all the lead actors of the industry including Ayushmann Khurrana, Bhumi Pednekar, Sidharth Malhotra, Vicky Kaushal, Raj Kumar Rao, Ananya Panday, Kriti Sanon, Jacky Bhagnani, and Rakul Preet.
Curated by Jackky Bhagnani's music label JJust Music and composed and sung by the talented Vishal Mishra, 'Muskurayega India' is a symbol of India's spirit of solidarity, battling against the coronavirus pandemic.

The soulful song penned by Kaushal Kishore also features cricketer Shikhar Dhawan and famous Mumbai based Radio Jockey Malishka.
The video of the song starts with Prime Minister Narendra Modi's televised address in which he is seen assuring the country that every Indian will come out victorious from the coronavirus crisis.

The video then features all the prominent faces of the cinema industry giving out the message of hope from their balconies, terrace and other spots of their houses.

The song urges people to stay home and support the people who are working to combat the virus, like police officials, and medical practitioners on duty amid the lockdown.

A locked-down view of some of the most prominent spots in the country like the India Gate, Hawa Mahal, and Mumbai's beaches are also featured in the video.

The song also spreads the message of social distancing and washing of hands to keep the infection away.

The video ends with a rhythm of the national anthem with the celebrities standing still to honour it and finally fades away with the Indian national flag.

As the country battles the novel coronavirus, the song is an attempt to uplift the spirit of togetherness of every Indian during the unprecedented crisis.

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