Legendary British actor John Hurt dies aged 77

January 29, 2017

London, Jan 29: Legendary British actor John Hurt, best known for playing a drug addict in "Midnight Express," Kane in "Alien," the title character in "The Elephant Man," and Winston Smith in "1984" has died. He was 77.

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Hurt's agent confirmed the actor's death, reported Variety.

No cause of death was immediately known, but Hurt revealed in 2015 that he was battling pancreatic cancer.

The actor first came to prominence after appearing in the best picture Oscar-winning "A Man of All Seasons" in 1966.

Hurt, who decided against a career as an art teacher to study at the Royal Academy of Dramatic Arts, appeared in countless TV and film roles, including roles in Michael Cimino's "Heaven's Gate," Stephen Frears' "The Hit," Sam Peckinpah's "The Osterman Weekend" and the 1984 adaptation of George Orwell's "Nineteen Eighty-Four," where Hurt played the novel's protagonist Winston Smith.

Hurt's portrayal of imprisoned heroin addict Max in 1978's "Midnight Express" netted the actor his first Golden Globe and BAFTA win as well as an Oscar nomination for best supporting actor.

Two years later, Hurt appeared in what was his greatest role as the anguished John Merrick in David Lynch's "The Elephant Man."

In recent years, Hurt appeared as Mr Ollivander, the wand-maker in the first Harry Potter film, "Harry Potter and the Sorceror's Stone," and for parts 1 and 2 of "Harry Potter and the Deathly Hallows," however his scenes in "Harry Potter and the Goblet of Fire" were cut.

Hurt's distinct voice also graced characters in animated films like Watership Down and 1978's "Lord of the Rings."

Though he always prioritised film acting, Hurt also made regular appearances on stage, including the first West End production of David Halliwell's cult play "Little Malcolm" and His Struggle Against the Eunuchs in 1967.

Hurt also played numerous roles on TV, including Alan Clark in the 2004 adaptation of "The Alan Clark Diaries" and the "Doctor" in the 50th anniversary special episode of Doctor Who in 2013.

He was married four times, the first time to actress Annette Robertson in the early 1960s, the second time to Donna Peacock, the third time to Jo Dalton.

Survivors include the actor's fourth wife, producer Anwen Rees-Myers, whom Hurt married in 2005, and two children by Dalto.

Many celebrities took to Twitter to express their condolences on Hurt's demise.
"It was terribly sad today to learn of John Hurt's passing. He was a truly magnificent talent," tweeted Mel Brooks.

Stephen Fry tweeted, "Oh no. What terrible news. We've lost #JohnHurt as great on the stage, small screen and big. A great man & great friend of Norfolk & #NCFC".

Chris Evans said, "John Hurt was one of the most powerful, giving, and effortlessly real actors I've ever worked with. Remarkable human being. U will be missed."

"God speed to John Hurt, a legendary actor and good human being," Sharon Stone wrote.

Elijah Wood tweeted, "Very sad to hear of John Hurt's passing. It was such an honor to have watched you work, sir."

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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Agencies
July 3,2020

Mumbai, Jul 3: Renowned Bollywood choreographer Saroj Khan died early on Friday morning due to cardiac arrest. She was 71.

The three-time National Award winner, who had choreographed some of the most memorable songs in Hindi cinema, was not keeping well for some time.

She was admitted to Guru Nanak Hospital in Bandra last Saturday after she complained of breathing issues. The mandatory COVID-19 test done at the hospital showed a negative result.

“She passed away due to cardiac arrest at around 2.30 a.m. at the hospital,” Khan’s nephew Manish Jagwani said.

In a career spanning over four decades, Khan is credited with choreographing more than 2,000 songs, including Dola Re Dola from Sanjay Leela Bhansali’s Devdas, Ek Do Teen from Madhuri Dixit-starrer Tezaab and Ye Ishq Haaye from Jab We Met in 2007.

She last choreographed for Tabaah Hogaye, featuring Madhuri from filmmaker Karan Johar’s production Kalank in 2019.

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News Network
January 13,2020

Mumbai, Jan 13: On the ongoing protests against new Citizenship Law, Bollywood actor Zeeshan Ayub said that everyone has been exposed and the common man has understood everything and the right-wing people cannot make a fool out of them by giving vague statements.

Talking to ANI, Zeeshan said, "Law is supposed to give the citizenship but the way in which the criteria have been changed is the trouble here."

Disagreeing to the continuous statements put forward by the BJP government that CAA is not a hindrance to the citizenship, the actor further said, Things are clear now, people have now understood the facts, the people and the intention behind are now exposed,.. they can't make a fool out of common people any more."

Zeeshan said it actually the other way round, those people are the ones who are misleading the general public by fluctuating their own statements. "Home minister said something, the next day something else is being said in the Ram leela..people are getting confused., the 'Ranjahanna' actor added.

He further said, "Earlier it was Hindu-Muslim propaganda, but that didn't work, so now you are making it a case between two political parties.. basically you are changing your own statements." When asked about his take on the ongoing JNU Violence, the actor said the members of the alleged political party itself have come out and explained their part in the case and yet no action has been taken.

The actor finally said that people should develop a sense of humanity.

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