Mangaluru International Airport's taxiway to be extended to 2,400 metres

[email protected] (CD Network)
July 16, 2016

Mangaluru, Jul 16: Mangaluru International Airport will soon have a long additional taxiway as the Board of the Airports Authority of India (AAI) has recently approved the extension of the taxiway being built now to length of 2,400 metres long.

1taxiTaxiway is the stretch or the track connecting the runway with the apron (parking stand for aircrafts) in the terminal building. Aircraft use the taxiway for entry and exit from the parking stand to the runway.

The additional taxiway being built at the airport since August 2014 is 1,200 metres long and 23 metres wide. Its work is expected to be completed by next two months. The AAI board has now agreed and approved to extend the taxiway further by another 1,200 metres to make it a 2,400 metres long taxiway.

The current first phase work under progress is being implemented at a cost of Rs. 40 crore and second phase will cost Rs 106 crore as a deep valley has to be filled.

The additional taxiway particularly helps aircraft in saving time in the entry and exit from the parking stand to the runway. Airport Director J T Radhakrishna said that as of now, aircraft that are ready to take off have to wait for 10 to 15 minutes if their departure timing clashes with a flight that is scheduled to land, due to the procedures involved. It has to wait till the arriving plane completes its course on the runway and rolls into the apron.

With the additional taxiway in place, aircraft could move from the parking stand, wait in the additional taxiway and enter the runway for take off immediately after the plane that has landed exits the runway. Once the additional taxiway is ready, there would be separate and fixed entry and exit paths.

The additional taxiway particularly helps in the long run when the number of flights increases in the airport.

Mr. Radhakrishna said that bids for taking up the II Phase work is likely to be called in October. The works might start from January or February next. The contractor would have a year to complete the work, he added.

Comments

Rajesh Sequira
 - 
Sunday, 17 Jul 2016

This is good news to hear that there is continuous development at Mangalore Airport.

Admadi
 - 
Sunday, 17 Jul 2016

Boss we dont need taxi/bus/train ways, we need only safest runways to land international flights. saale sab chor hi

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coastaldigest.com news network
July 21,2020

Mangaluru, July 21: Putting an end to all speculations, district in charge minister Kota Srinvas Poojary on Tuesday said that the lockdown in Dakshina Kannada will not be extended beyond Wednesday.

In a video message, the minister said that all the shops in the district will remain open from July 23 morning. He said district administration will make a formal announcement soon.  

Meanwhile chief minister B S Yediyurappa said: “There’ll be no lockdown from Wednesday, people need to get back to work, economy is also very important. We have to fight COVID-19 while maintaining stable economy. Lockdown is not the solution, now restrictions will be placed only in containment zones.”

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coastaldigest.com news network
January 22,2020

Mangaluru, Jan 22: Eminent industrialist Dr Mohammed Yusuf has been elected the chairperson of the Karnataka State Board of Auqaf. 

10 members of the Board cast their votes in the election held to the top post today at its office in the city. While Dr Yusuf, who was backed by the Congress, secured six votes, K N M Shafi Sa’adi, who was backed by the BJP, secured only 4 votes.

Addressing reporters, Dr Yusuf said that there was 1.32 lakh acres of Wakf land at the time of Independence. A large number of the properties were lost under various laws, including the Inam Land Abolition Act.

Flanked by Congress MLA Tanveer Sait and Minorities Welfare Dept secretary A B Ibrahim, Dr Yusuf vowed to strive hard to make the Board an example for the entire country. 

74-year-old Dr Yusuf had held the post more than once in the past. A veterinarian, Dr Yusuf had quit the government job and set up business in Bengaluru and Dubai decades ago and has earned considerable success.

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News Network
February 26,2020

Mangaluru, Feb 26: The 'Yakshagana' stage in Karnataka is witnessing a curious spectacle with a Muslim woman artiste creating waves with her performances.

Arshiya, the artiste from Vittal in Dakshina Kannada district, is the first woman from the Muslim community to venture into the popular traditional theatre art form.

At one time, women were barred from Yakshagana stages.

A Muslim woman exponent on stage has attracted the attention of 'Yakshagana' lovers in the state.

Arshiya is now getting advanced training in her skills at the Kadali Kala Kendra under Ramesh Bhat here.

Arshiya, who is fond of 'Bannada Vesha' (villain roles), is now known in her stage name 'Tanu Vitla.'

She has already performed various episodes on stage and gained popularity.

Arshiya, currently working in an automobile showroom at Padil, said she was attracted to the art form from a very young age.

The initial enchantment with the art form came as she saw the role of Mahishasura in 'Sri Devi Mahatme Yakshagana Prasanga' (episode) performed near her home town.

She was attracted to all the elements of the art form, which combines music, percussion, dance, dialogues, stage techniques, make-up and costume.

Arshiya said she was also inspired by a teacher in her school at Vittal who trained her for a performance on stage during the school's annual day celebration.

She started performing on local stages at Vittal at the very young age of 10.

Arshiya now performs prominent roles on stage including Mahishasura in Sri Devi Mahatme Prasanga, the role which enamoured her in her childhood.

She also has donned the roles of Nishambhasura, Rakthabeejasura, Srinivas Kalyana, Sudarshanopakyana, Kadamba Kaushike and Shambavi Vijaya.

Her performances at Udupi and Karwar besides Mangaluru have earned her a lot of admirers, who love her 'Asura' roles, thanks to her loud voice.

Arshiya now wants to learn the 'Chende' (percussion instrument), which is an important element in Yakshagana performances.

Arshiya revealed that there was a bit of resistance from her community about her passion for the art form, but she had staunch backing of her family.

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