Mangaluru prone to earthquakes, says survey

May 6, 2015

Mangaluru, May 6: According to an experts survey, it has been found that buildings in Bejai-Balmatta, Attavar -Hampankatta, have not adhered to IS 1893 : 2002, Part 1, which is the criteria for earthquake resistant design of structures, NITK?Civil Engineering Department Professor D Venkat Reddy said.

He was delivering a talk on ‘Earth, oceans and coastal zone management’, organised by Institution of Engineers (India) local centre an Institution of Valuers Mangalore Branch in Mangaluru.

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The city falls in seismic zone-3 which means that the quakes of intensity six could occur. The buildings could withstand the earthquakes up to five in the Richter scale. As per Indian Standards on Earthquake Engineering, IS1893:1984 criteria for Earthquake Resistant Design of Structures, the country has been categorised into five seismic zones, based on the seismic intensity. IS is about earthquake resistant design of structures and is applicable to buildings, and other structures such as bridges, dams etc. Earthquakes of magnitude of eight take place in zone five. Nethravathi and Gurupur river basins are tectonically active.

As observed in Nepal, the structural failure of buildings have caused more amount of damage. In contrast, the Pashupathinath Temple is intact, though the building in its surrounding have been badly effected, which is due to the difference in structural pattern.

He further said that seismic waves alone are not responsible . Seismic activities take place round the clock. The earthquakes take place due to the sudden failure of strata. As per an estimation, around one thousand take place across the world everyday and three of them could be serious.

A lineament which is a fault in the underlying geological structure and the constructions on these lineaments such as railway tracks, bridges etc could cause more danger. IIS?has established a network system which records the seismic activities and which can even record 0.1 mm change in the crest of the earth. As per the movement of earth plates, a region will be displaced in a span of hundred years.

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Arjun Neil Menezes
 - 
Tuesday, 20 Feb 2018

I'm building a 1story house with slab on load bearing walls instead of the concrete frame structure. Will this be resistant agaianst earthquakes?

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January 31,2020

Mangaluru, Jan 31: The Pumpwell flyover, part of the four-laning of Talapady-Kundapura stretch of National Highway 66, was finally inaugurated today.

Work on four-laning NH 66 between Talapady-Kundapur, excluding the Nanthoor-NITK Surathkal stretch, started in September 2010 and Pumpwell (Mahaveera Circle) flyover was a part of the project. Concessionnaire M/s Navayuga Udupi Tollway Pvt., Ltd., failed to execute many flyovers on the stretch within the prescribed time, including Thokkottu and Pumpwell in Mangaluru, Karavali Circle in Udupi, and Shasri Circle in Kundapur.

Thokkottu and Karavali Circle flyovers are complete now while Shastri Circle flyover as well as the four-lane road within Kundapur town are still incomplete. Similarly, a small bridge and portion of the road in Padubidri too is yet to be completed.

District in-charge minister Kota Srinivas Pojjary and MP Nalin Kumar Kateel inaugurated the long-pending Flyover

MLA Vedavayas Kamath, MLA Bharath Shetty were also present on the occasion.

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February 10,2020

Mangaluru, Feb 10: Life of a 40–year-old man, who suffered a massive cardiac arrest, was saved by an ambulance driver who covered 80-km distance between Dharmasthala and Mangaluru in just 40 minutes.

The patient, a Chikkaballapur native sustained a heart attack near Sakleshpur on Saturday while he was on his way to Dharmasthala. He was provided preliminary treatment at a private hospital in Ujire, where doctors advised his relatives to shift him to a hospital in Mangaluru immediately.

The patient’s condition was critical and the odds were completely against him. Moreover owing to the ongoing double lane project work, the road too had been dugout. Despite all this, ambulance driver Hameed drove at a fast pace and managed to take the patient to the hospital within 40 minutes.

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February 26,2020

Mangaluru, Feb 26: The 'Yakshagana' stage in Karnataka is witnessing a curious spectacle with a Muslim woman artiste creating waves with her performances.

Arshiya, the artiste from Vittal in Dakshina Kannada district, is the first woman from the Muslim community to venture into the popular traditional theatre art form.

At one time, women were barred from Yakshagana stages.

A Muslim woman exponent on stage has attracted the attention of 'Yakshagana' lovers in the state.

Arshiya is now getting advanced training in her skills at the Kadali Kala Kendra under Ramesh Bhat here.

Arshiya, who is fond of 'Bannada Vesha' (villain roles), is now known in her stage name 'Tanu Vitla.'

She has already performed various episodes on stage and gained popularity.

Arshiya, currently working in an automobile showroom at Padil, said she was attracted to the art form from a very young age.

The initial enchantment with the art form came as she saw the role of Mahishasura in 'Sri Devi Mahatme Yakshagana Prasanga' (episode) performed near her home town.

She was attracted to all the elements of the art form, which combines music, percussion, dance, dialogues, stage techniques, make-up and costume.

Arshiya said she was also inspired by a teacher in her school at Vittal who trained her for a performance on stage during the school's annual day celebration.

She started performing on local stages at Vittal at the very young age of 10.

Arshiya now performs prominent roles on stage including Mahishasura in Sri Devi Mahatme Prasanga, the role which enamoured her in her childhood.

She also has donned the roles of Nishambhasura, Rakthabeejasura, Srinivas Kalyana, Sudarshanopakyana, Kadamba Kaushike and Shambavi Vijaya.

Her performances at Udupi and Karwar besides Mangaluru have earned her a lot of admirers, who love her 'Asura' roles, thanks to her loud voice.

Arshiya now wants to learn the 'Chende' (percussion instrument), which is an important element in Yakshagana performances.

Arshiya revealed that there was a bit of resistance from her community about her passion for the art form, but she had staunch backing of her family.

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