Mangaluru: Tipper kills Engg student; body lies on road for half an hour

[email protected] (CD Network | Chakravarthi)
September 21, 2016

Mangaluru, Sep 21: An engineering student died after his motorbike collided with a tipper-lorry in Naguri on Mangaluru-Bengaluru National Highway on Wednesday.

riyan

The deceased has been identified as Ahmed Raiyan (19), son of Riyaz Chenna, a native of Bhatkal. He was a first year Bachelor of Engineering student of Sahyadri College of Engineering, Adyar Mangaluru.

According to police, Raiyan was on his way to his hostel when the accident occurred. When the boy reached Nagori, a speeding tipper rammed into his motorbike

He was thrown onto the road and died on the spot. The driver of the tipper fled from the scene immediately.

For more than half an hour the body of Riyan was lying on the road as passersby and local residents decided to stay away.

For more than half an hour of the death of Ahmed Riyan, no efforts were made by anyone to shift the dead body from the road.

Police reached the spot after half an hour and shifted the body for Government Wenlock Hospital for post-mortem. When the news began to spread members of Bhatkal Hostel, Mangaluru and Bhatkal Muslim Jamaath Mangaluru rushed to the hospital.

The body was later handed over to family members. The final rites will be held in Bhatkal.

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Comments

Satyameva jayate
 - 
Thursday, 22 Sep 2016

rip......
His life and more other daily must be lesson for parents of reckless motorists who feel proud of their kids showing circus in streets and putting others lives in danger too...young blood should warm up for their future and their parents dreams....not to kill themselves for cheap show off....may God save us all from such incidents..

Mr Frank
 - 
Thursday, 22 Sep 2016

All parents must take care and advise their boys before gifting them two wheeler.May ALmighty bless parents to bear loss.

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News Network
April 2,2020

Bengaluru, April 2: At least three people have been arrested by police in connection with the attack on ASHA worker Krishnaveni in Bengaluru's Byatarayanapura area.

Earlier in the day, Bengaluru Police Commissioner Bhaskar Rao said that an investigation was initiated into the incident in which ASHA workers were attacked.

"I have appointed Pulikeshi Nagar ACP, Tabarak Fathima, to investigate the matter. A case will be registered and action will be taken. ASHA workers will be protected by the police to carry out their functions," Rao told ANI here.

Earlier, Karnataka Deputy Chief Minister CN Ashwath Narayan visited one of the ASHA workers who was allegedly attacked by unidentified miscreants and termed the incident as "completely demoralising" for the workers.

ASHA workers, who were deployed to spread awareness about coronavirus and identify suspected cases, were allegedly attacked by a group of locals in Byatarayanapura here on Wednesday.

The workers said that the locals did not allow them to work and around 100 people gathered at the spot and harassed them.

This comes as the country is under a 21-day lockdown to prevent the spread of coronavirus.

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News Network
January 10,2020

Davanagere, Jan 9: Residents of SVR colony of Channagiri Taluq here on Thursday built a temple in the memory of a male monkey, who died here 'unexpectedly'.

A group of monkeys entered the SVR colony around three months back. The monkeys have never disturbed anybody in the area and they used to play with children living in the colony.

Locals said that the monkeys are very obedient to them.

Unfortunately, one of the monkeys died suddenly on Wednesday, causing distress among people who were very fond of him.

Showing their love for the deceased monkey, locals performed his final rite according to Hindu tradition.

Later, the residents approached the president of the village Panchayat to allot funds to build a temple in the monkey's memory.

The construction of the temple has already begun in the area at the same place where the monkey's funeral was conducted.

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News Network
February 26,2020

Mangaluru, Feb 26: The 'Yakshagana' stage in Karnataka is witnessing a curious spectacle with a Muslim woman artiste creating waves with her performances.

Arshiya, the artiste from Vittal in Dakshina Kannada district, is the first woman from the Muslim community to venture into the popular traditional theatre art form.

At one time, women were barred from Yakshagana stages.

A Muslim woman exponent on stage has attracted the attention of 'Yakshagana' lovers in the state.

Arshiya is now getting advanced training in her skills at the Kadali Kala Kendra under Ramesh Bhat here.

Arshiya, who is fond of 'Bannada Vesha' (villain roles), is now known in her stage name 'Tanu Vitla.'

She has already performed various episodes on stage and gained popularity.

Arshiya, currently working in an automobile showroom at Padil, said she was attracted to the art form from a very young age.

The initial enchantment with the art form came as she saw the role of Mahishasura in 'Sri Devi Mahatme Yakshagana Prasanga' (episode) performed near her home town.

She was attracted to all the elements of the art form, which combines music, percussion, dance, dialogues, stage techniques, make-up and costume.

Arshiya said she was also inspired by a teacher in her school at Vittal who trained her for a performance on stage during the school's annual day celebration.

She started performing on local stages at Vittal at the very young age of 10.

Arshiya now performs prominent roles on stage including Mahishasura in Sri Devi Mahatme Prasanga, the role which enamoured her in her childhood.

She also has donned the roles of Nishambhasura, Rakthabeejasura, Srinivas Kalyana, Sudarshanopakyana, Kadamba Kaushike and Shambavi Vijaya.

Her performances at Udupi and Karwar besides Mangaluru have earned her a lot of admirers, who love her 'Asura' roles, thanks to her loud voice.

Arshiya now wants to learn the 'Chende' (percussion instrument), which is an important element in Yakshagana performances.

Arshiya revealed that there was a bit of resistance from her community about her passion for the art form, but she had staunch backing of her family.

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