Manto taught me not to judge anyone: Nawazuddin

Agencies
September 21, 2018

New Delhi, Sept 21: Once he is on screen, the characters Nawazuddin Siddiqui plays feel like his second skin, inseparable from his psyche.

But the actor says after playing the title role in Saadat Hasan Manto's biopic, a part of the famed short-story writer still lives inside him; a quality he imbibed - not to be judgemental.

Siddiqui believes every time one takes up a character, it adds something to the personality of the actor but also takes something away from them.

"I feel an actor should be like water. They should take the shape of the character when poured inside the mould… What I learnt from Manto is that he never judged anyone, not even the ones in his stories.

"He always managed to find something admirable, especially in those people whom the society had rejected. I will always cherish this gift by Manto that you shouldn't judge anybody. You never know what heights they end up achieving one day,” the actor told news agency in an interview.

Asked what Manto took away from him, Siddiqui says the writer robbed him of his ability to put up a facade so much so that he was haunted by the habit of speaking the truth, even 15 days after he wrapped up the shooting for the Nandita Das-directed film, which released today.

"I called up Nandita and said, 'Pull him out of me!'. It was during this time that I had become more truthful than I usually am. Many mishaps also happened with me during that period.

"I eventually realised it would be best to get all of Manto’s truthfulness out of me. He took a lot of bad qualities away from me in those 15 days, but I snatched back all of that. I thought: 'It's better for me to be a liar. I have got in so much trouble because of you, Manto',” he says.

The news that Siddiqui charged a token Rs 1 fee from Das is viral on social media and the actor says it was a decision he took from the heart.

"You do a lot of films for money and then there are some you do for yourself. Can you decide a fee for that?" he asks.

With the phenomenal success of "Sacred Games", Siddiqui's fans seem to have tasted blood and the actor hopes the response to the Netflix India Original series, which has been renewed for a second season, will carry the momentum for "Manto" forward.

In "Sacred Games", while frequent collaborator Anurag Kashyap helmed portions of Siddiqui's local goon-turned-mafia overlord Ganesh Gaitonde, co-director Vikramaditya Motwane shot parts with Saif Ali Khan, who plays Sartaj Singh, an honest Mumbai cop trying to find his feet in the profession.

Looking at Manto and Gaintonde, the journey of both the parts was shaped by unforgettable, important female characters.

If the writer had mother Sardar Begum, wife Safiya and contemporary Ismat Chughtai among others by his side, Siddiqui's gangster had the support of girlfriend Kukkoo, wife Subhadra and Kanta Bai as his voice of reason.

The actor explains, "Manto was very close to the women in his life. Safiya was one of his first readers and she was a harsh critic too. He considered her a sharp mind. He never treated Safiya just as his wife; she was first a human being for him. And largely too, Manto never thought of women as wives, sisters and daughters. They were humans for him first, like anybody else.

"Whereas Gaitonde had dedicated his everything to the women in his life. In the beginning, he treated them badly but perhaps he gradually realised his misbehaviour and changes it. But as he started getting closer to them, he started losing them."

"Manto" also stars Rasika Dugal, Tahir Raj Bhasin, Neeraj Kabi, Divya Dutta, Ranvir Shorey and Rishi Kapoor.

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News Network
July 18,2020

Mumbai, Jul 18: Filmmaker and Yash Raj Films (YRF) chairman Aditya Chopra on Saturday recorded his statement with the Mumbai Police in connection with actor Sushant Singh Rajput death case, an official said.

Police have sought information about a contract signed between Rajput and YRF from Chopra who visited Versova police station this morning and left after four hours, the official said.

The "Chhichore" actor, 34, was found hanging at his apartment in Mumbai on June 14. No suicide note was found from the spot by the police.

The police are investigating allegations that professional rivalry, besides clinical depression, drove the actor to suicide.

Police are also trying to understand the reason behind Rajput ending his contract with YRF, the official said.

Earlier, the police had recorded statement of YRF's casting director Shanoo Sharma.

The police had recorded statements of 34 persons, including Rajput's family members and close friends like actors Rhea Chakraborty and Sanjana Sanghi, in connection with the case.

Maharashtra Home Minister Anil Deshmukh on Friday dismissed the need for a CBI probe into the death case of Rajput, saying the Mumbai police are capable of handling the matter.

On Thursday, Rhea Chakraborty demanded a CBI inquiry to understand what "pressures" prompted Rajput to take the extreme step of suicide.

Rajput starred in films such as Shuddh Desi Romance', Raabta, Kedarnath and Sonchiriya. But his most prominent role came as cricketer Mahendra Singh Dhoni in the biopic, MS Dhoni: The Untold Story.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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News Network
June 17,2020

New Delhi, Jun 17: Bollywood actor Hrithik Roshan expressed sorrow over the 'unrest' the country is facing, following the news of the Indian Army personnel being killed in a face-off with the Chinese in Ladakh's Galwan Valley was confirmed.

The 'Super 30' actor said that the situation of 'unrest' people are facing now and to know about the loss of lives in Ladakh has left him with a "heavy heart."

"Our defence stands tall on the ground. My highest respect to the martyred in the line of duty. Condolences & prayers for their families. May the departed & living find peace," the 'War' actor tweeted.

Signalling to the strength and showing support to the Indian Army, veteran actor Anupam Kher wrote on Twitter: "Bharatiya Sena Ki Jai. Jai Hind"

While, 'Golmaal' actor, Tusshar Kapoor tweeted: "More power to our heroes, our brave soldiers in all frontiers! RIP our martyrs!"

The violent face-off happened on late evening and night of June 15 in Ladakh's Galwan Valley as a result of an attempt by the Chinese troops to "unilaterally change" the status quo during de-escalation in Eastern Ladakh and the situation could have been avoided if the agreement at the higher level been scrupulously followed by the Chinese side, India said on Tuesday.

The Army confirmed that 20 soldiers were killed in the face-off including 17 who were critically injured at the stand-off location and exposed to sub-zero temperatures in the high altitude terrain.

Indian and Chinese troops have disengaged at the Galwan area in Ladakh where they had earlier clashed on the night of June 15 and 16, Indian Army said.

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