'Mary Kom' spins gold at box office

September 9, 2014

New Delhi, Sep 9: Bollywood film "Mary Kom" hit 1,800 screens in the country and raked in Rs.28.32 crore in the opening weekend with maximum collections from Delhi and Mumbai. The film is going houseful in Assam and Meghalaya, but the overall contribution to the box office earnings from the region is just one percent, said trade experts.

Mary KomAbout Manipur's five-time World boxing champion M.C. Mary Kom, the film hit 72 cinemas in Assam and just two in Meghalaya. The footfall is overwhelming, but the total contribution is not much.

"The subject of the film is known and Mary is from the northeast, so naturally there are sentiments attached," a distributor from Assam said.

"There were many students who watched it on the first day itself. In both Assam and Meghalaya, the shows were houseful. Many were left inspired and clapped in the end of the film too," he added.

The northeast region, made of eight states, also including Arunachal Pradesh, Nagaland, Manipur, Mizoram, Tripura and Sikkim, has a handful of operational cinema halls.

"The Assam government is trying to pull the crowds by exempting entertainment tax on 'Mary Kom'. But only one percent contribution was made to the domestic box office collection," said the distributor.

Assam's Ashiq Zaman, a government official, was lucky to watch it on the first day and he found it "inspiring", but he was not too convinced with Priyanka Chopra in the title role.

"Northeast states are hardly highlighted in mainstream cinema, so I wanted to see how they would present Manipur and its people. Priyanka has done well, but it was like watching Tom Hanks (Hollywood actor) playing Muhammad Ali (former African American boxer)," said Zaman.

"There were lot of Manipuri people in the audience. About 50 percent of the audience must have been Manipuri who are staying in Assam," he added.

Meanwhile, producers are trying to release the film in Kom's hometown, where around 60 to 70 films in Meitei language are made in a year. But Hindi films screenings are banned since early 2000 due to an insurgent groups' diktat.

"Manipur release was initiated earlier, but there was no positive response as Hindi films are not screened there. However, all efforts are in the direction of getting a theatrical release in Manipur," said a source from Viacom18 Motion Pictures. Whether it releases in Manipur or not, the people in the state are certainly not going to miss it.

"Hindi movies are banned in Manipur, but there are so many CDs available in the market. If not theatre, people here will definitely get their hands on 'Mary Kom' CD like they do for other Hindi films," said Ningthoujam Nongdamba, a teacher.

Manipuris in the capital, however, are a privileged lot.

"I took an off and watched the first day, first show. Lot of people are saying that a Manipuri actress should've played the role, but had it been an unknown face from the state, it wouldn't have done well in terms of business. I liked the script. Women can learn something from it," said S.S. Kom, an HR executive.

PR professional N. Khayi from the state also managed to catch it in a theatre in the capital. He enjoyed the film, but he wanted to see more of Mary's struggle.

"Even the use of Manipuri language in the film was little weird because the words were not pronounced properly and non-Manipuris found it difficult to understand. And it wasn't shot in the state," said Khayi.

Despite the flaws, people from the northeast are simply delighted as for the first time a biopic has been made on someone from the region, which has helped people to understand the state is part of India.

The film has opened to positive reviews down south. "It's a hit in the multiplexes, but not in smaller markets as audiences here favour watching a male superstar's Hindi film," said trade analyst Trinath.

Omung Kumar's directorial debut, which was co-produced by Sanjay Leela Bhansali and Viacom18 Motion Pictures, is minting money in metro cities. "Maximum business is from Mumbai and Delhi. It should be able to earn Rs.45 crore in one week at least. The subject and Priyanka's performance are the highpoints of the film," said Rajesh Thadani of Multimedia Combines.

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News Network
May 1,2020

May 1: Rubbishing reports of hospitalisation, veteran actor Naseeruddin Shah on Thursday said he was "fine" and at home observing the nationwide lockdown.

Shah, 69, in a Facebook post, thanked people for their concern and reassured them about his health.

"I thank all those enquiring after my health and reassure them I am fine," he said.

"I'm at home and observing the lockdown. Please don't believe any rumours," he added.

"A Wednesday" actor's younger son Vivaan Shah also dismissed rumours about his father's health.

"He's alright. These are just rumours," Vivaan said.

Reports about Shah's health started surfacing on social media as the industry was coming to terms with the deaths of Irrfan Khan and Rishi Kapoor.

Rishi Kapoor, aged 67, died on Thursday in a hospital here after a two year-long battle with lukaemia, while Irrfan, 54, passed away on Wednesday due to neuroendocrine tumour, a rare form of cancer.

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News Network
July 24,2020

New Delhi, Jul 24: With more than 50 movies under her credits and being one of the few actors from Bollywood to make a strong imprint in Hollywood, actor Priyanka Chopra started it all by winning Miss India 2000 pageant.

Chopra who is currently celebrating the completion of 20 years in the entertainment industry, on Friday looked back and reacted to the video where she was crowned as Miss India.
The' Fashion' actor shared a video on Instagram, where she is seen watching the throwback video. The 'Dostana' actor recalled winning the title and joked about her sense of style and poses back then.

Sharing the reaction video, she wrote: "Alright guys, we're doing this! I'm watching footage from my Miss India pageant in 2000! This is where it all began... If you've never seen these before, you are in for quite a treat. #20in2020 @feminamissindia."

Throughout the video, the 'Gunday' actor is seen casually commenting on her hairstyle, enacting her own movement on stage, and also recalled her luscious hair, which she now wonders where it all got lost.

However, she took a moment to appreciate the "clever and profound" answer she gave for the question that won her the crown.

While watching the winning moment, the 'Don' star noted how she never expected to win it. She explained that she had a train booked as she was to go back and take her board exams.

Going through the old photographs that run parallel to the video, she says: "These pictures are hard to look at." Pausing at a particular photograph, she laughs and says, "I don't even know how to do that pose."

"Well, this is where everything started. These are the pictures that sent me to Tinseltown," said the actor towards the end of the video.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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