'Mary Kom' spins gold at box office

September 9, 2014

New Delhi, Sep 9: Bollywood film "Mary Kom" hit 1,800 screens in the country and raked in Rs.28.32 crore in the opening weekend with maximum collections from Delhi and Mumbai. The film is going houseful in Assam and Meghalaya, but the overall contribution to the box office earnings from the region is just one percent, said trade experts.

Mary KomAbout Manipur's five-time World boxing champion M.C. Mary Kom, the film hit 72 cinemas in Assam and just two in Meghalaya. The footfall is overwhelming, but the total contribution is not much.

"The subject of the film is known and Mary is from the northeast, so naturally there are sentiments attached," a distributor from Assam said.

"There were many students who watched it on the first day itself. In both Assam and Meghalaya, the shows were houseful. Many were left inspired and clapped in the end of the film too," he added.

The northeast region, made of eight states, also including Arunachal Pradesh, Nagaland, Manipur, Mizoram, Tripura and Sikkim, has a handful of operational cinema halls.

"The Assam government is trying to pull the crowds by exempting entertainment tax on 'Mary Kom'. But only one percent contribution was made to the domestic box office collection," said the distributor.

Assam's Ashiq Zaman, a government official, was lucky to watch it on the first day and he found it "inspiring", but he was not too convinced with Priyanka Chopra in the title role.

"Northeast states are hardly highlighted in mainstream cinema, so I wanted to see how they would present Manipur and its people. Priyanka has done well, but it was like watching Tom Hanks (Hollywood actor) playing Muhammad Ali (former African American boxer)," said Zaman.

"There were lot of Manipuri people in the audience. About 50 percent of the audience must have been Manipuri who are staying in Assam," he added.

Meanwhile, producers are trying to release the film in Kom's hometown, where around 60 to 70 films in Meitei language are made in a year. But Hindi films screenings are banned since early 2000 due to an insurgent groups' diktat.

"Manipur release was initiated earlier, but there was no positive response as Hindi films are not screened there. However, all efforts are in the direction of getting a theatrical release in Manipur," said a source from Viacom18 Motion Pictures. Whether it releases in Manipur or not, the people in the state are certainly not going to miss it.

"Hindi movies are banned in Manipur, but there are so many CDs available in the market. If not theatre, people here will definitely get their hands on 'Mary Kom' CD like they do for other Hindi films," said Ningthoujam Nongdamba, a teacher.

Manipuris in the capital, however, are a privileged lot.

"I took an off and watched the first day, first show. Lot of people are saying that a Manipuri actress should've played the role, but had it been an unknown face from the state, it wouldn't have done well in terms of business. I liked the script. Women can learn something from it," said S.S. Kom, an HR executive.

PR professional N. Khayi from the state also managed to catch it in a theatre in the capital. He enjoyed the film, but he wanted to see more of Mary's struggle.

"Even the use of Manipuri language in the film was little weird because the words were not pronounced properly and non-Manipuris found it difficult to understand. And it wasn't shot in the state," said Khayi.

Despite the flaws, people from the northeast are simply delighted as for the first time a biopic has been made on someone from the region, which has helped people to understand the state is part of India.

The film has opened to positive reviews down south. "It's a hit in the multiplexes, but not in smaller markets as audiences here favour watching a male superstar's Hindi film," said trade analyst Trinath.

Omung Kumar's directorial debut, which was co-produced by Sanjay Leela Bhansali and Viacom18 Motion Pictures, is minting money in metro cities. "Maximum business is from Mumbai and Delhi. It should be able to earn Rs.45 crore in one week at least. The subject and Priyanka's performance are the highpoints of the film," said Rajesh Thadani of Multimedia Combines.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
February 9,2020

New Delhi, Feb 9: Senior Bharatiya Janata Party (BJP) leader LK Advani got emotional while watching the movie "Shikara: The Untold Story Of Kashmiri Pandits". It is a Hindi-language period film produced and directed by Vidhu Vinod Chopra, based on the exodus of Kashmiri Pandits from Kashmir.

In a video clip, the political veteran is seen trying to hold back his tears at the end of the film while Mr Chopra rushes to console him. Other people around them were also seen getting emotional and congratulating the filmmaker for the movie.

"Shikara" is about how Kashmiri Pandits were forced to flee from their houses in the Kashmir Valley in early 1990, in the wake of insurgency. The filmmaker said the film showcases how Kashmiri Pandits rebuilt their lives in the aftermath of the tragic event.

Featuring Aadil Khan and Sadia, Shikara released on February 7. Vidhu Vinod Chopra, who is from Kashmir, dedicates his movie to his mother, who died in 2007.

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Abdul Gaffar Bolar
 - 
Monday, 10 Feb 2020

Does this man know the trouble and pain of humans???

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Agencies
January 9,2020

Mumbai, Jan 9: A day after Deepika Padukone visited the JNU campus to express solidarity with students who had been attacked, her film "Chhapaak" made another splash on Wednesday over the name of its antagonist.

While Deepika was the focus of many a discussion on social media and beyond for showing up at a public meeting in the university, the film, based on the life of acid attack survivor Laxmi Agarwal, was also making news for quite another reason.

In what could well be a storm in a 'Twitter cup', "Nadeem Khan" and "Rajesh" began trending on the microblogging site after a magazine article claimed the name of the antagonist had been changed. By 4 pm, 'Nadeem Khan' clocked close to 60,000 tweets and 'Rajesh' close behind with 50,000.

In 2005, Laxmi was disfigured for life when a man called Nadeem Khan and three others allegedly hurled acid at her in Delhi's upscale Khan Market.

In the film based on her life, the narrative remains the same but the names have been changed. So, Laxmi is 'Malti' Agarwal and Nadeem becomes 'Babboo' aka 'Bashir Khan'.

On Wednesday, Swarajya magazine wrote an article headlined, "The Ways Of Bollywood: In Deepika Padukone-Starer Chhapaak, Acid Attacker Naeem Khan Becomes ‘Rajesh'." "As part of a backlash against Padukone's JNU 'meet and greet', social media users researched the names of the characters involved in the movie Chhapaak and conspicuously found the name of main perpetrator Naeem Khan absent," the article alleged.

But in the Meghna Gulzar directed film, there is no mention of any Nadeem or Naeem Khan. Moreover, Rajesh is the name of Malti's boyfriend.

Minister of State for Environment, Forest and Climate Change Babul Supriyo jumped into the controversy, saying it was another example of "absolute hypocrisy".

"...When you say all characters are fictitious and don't have any resemblance with living beings and all of that, this is absolute hypocrisy. When you change the name which also changes the religion, it has been done very deliberately," Supriyo told a TV channel when asked to comment on the controversy.

South Delhi BJP MP Ramesh Biduri also called for a boycott of the movie.

With Deepika grabbing attention by going to JNU, many appreciated her 'silent solidarity' but others criticised her for "supporting the Leftists" and said it was a promotional stunt ahead of the release.

"#BoycottChhapaak" was trending on Twitter as was "#ISupportDeepika".

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