My only fault is I'm a woman: Preity Zinta

[email protected] (Cine News)
July 2, 2014

Preity Zinta caseMumbai, Jul 3: Bollywood actress Preity Zinta Wednesday said that her police complaint against Ness Wadia is not "frivolous or immature" and that "my only fault is that I am a woman who reached a breaking point after constantly being abused, threatened and humiliated".

Preity recently filed an FIR against her former beau Ness, alleging that he molested her. She wants the people to "have a little patience and wait for all the facts to come out".

"This is not a frivolous or immature complaint to the police. I have never lied in the past and do not lie when it suits me or is convenient. I am a responsible citizen of this country and my only fault is that I am a woman, who reached a breaking point after constantly being abused, threatened and humiliated at work by someone who once was very dear to me," the actress said in a post on her official Facebook post.

Raising her voice for women power, she said: "Violence and aggression against women is wrong, yet people try to point fingers at the woman who comes out with it trying to make her sound frivolous and with ulterior motive.

"My only motive is to fight for my self and this fight is not against any family but an individual. If the media found out about my complaint, and it became a big deal what can I do about it? Did I call for a press conference? NO I did not. I actually asked people and the media to respect my privacy."

She reiterated that "my motive is not to harm anyone but only to protect myself".

Also read:

Not for money or publicity: Preity Zinta explains on FB why she sued Ness

Preity ZintaMumbai, Jul 2: Preity Zinta, in a new post on her Facebook page, seeks to bust some popular myths that her case against former partner Ness Wadia has thrown up. From countering suggestions that she latched on to the Wadias for money to clearing the air around her relationship with Ness, she has tried to silence her critics, claiming that she actually contributed financially to some of Wadia's ventures.

"IPL was my project from the start and for the record not only did I pay for myself (5 crores) when I got into the IPL (bid) I paid for Ness too ! 5 crores ! (Proof of my financial commitment in the IPL is with the Bcci.) To be fair to him he did pay me back a couple of months later (without any premium) so Hope the money theory is put to end once and for all. I have never taken ANYTHING from anyone now or ever in the past as I have a lot of self respect and pride myself for being self made and not motivated by other people’s money. Instead, whenever I could help him in my capacity I did. The Go Air commercial was done completely free of cost by me and the money that I earned on the TV show Kaun Banega Crorepati was also donated by me for the Wadia Children hospital," she says in her Facebook post.

She then goes on to clarify why it was necessary to lodge an official complaint against Ness Wadia, despite her having been in a relationship with him the past. "I have never lied in the past and do not lie when it suits me or is convenient. I am a responsible citizen of this country and my only fault is that I am a woman, who reached a breaking point after constantly being abused, threatened & humiliated at work by someone who once was very dear to me," she writes.

Roughly a couple of weeks back, Preity Zinta made her way back to news headlines when she lodged a complaint against Ness Wadia of harassment and abuse at an IPL match in Mumbai. She however earned more flak than sympathy with people calling her an actor past her prime trying to claw her way back into limelight, a vengeful ex-girlfriend, a poor little rich girl undeserving of sympathy and a drama queen.

Renowned columnist Tavleen Singh actually dismissed her allegations of harassment against her ex-beau as a personal vendetta being played out in public, in the process jeopardising justice for women in 'real' stories.

On Twitter and Facebook, it appeared as if people had taken it upon themselves to emphatically suggest that Preity was too privileged to be molested or harassed, unwittingly revealing the biggest hurdle facing women seeking justice in cases of sexual harassment in India. Even mainsteam media, which usually reports cases of sexual harassment with outrage, chose to make light of it. In fact, one news channel started a hashtag called #PreityNessMess, using the trivialising word 'mess'.

Zinta, however, held her ground saying that the incident in Wankhede Stadium was the last straw in a history of abusive behaviour that she has faced from Ness in the recent times.

In India, the burden of proving the authenticity of her complaint always lies with the woman. Also, the fact that Zinta's class, professional and personal history were repeatedly brought up while questioning the veracity of her allegations reveals how even educated middle class India finds it necessary to first determine, by some obviously arbitrary reasoning, whether a victim is vulnerable enough to have been abused.

"A famous actress charging the great grandson of Mohammad Ali Jinnah with ‘molestation’ is a sensational story, while brutality against rural women is routine in India that is Bharat," Tavleen Singh wrote in her column on the Zinta.

Since when did 'molestation' become merely sensational and not criminal? Obviously, Bharat seems to have forgotten.

Preity is right when she says she was shocked by some of these reactions. As she writes, it's unfortunate that in India the fairer sex sadly has to have more tolerance and "worry about what people will say irrespective of the facts and the truth".

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
June 3,2020

New Delhi, Jun 3: "This year feels relentless," actor Priyanka Chopra said urging Mumbai residents to take precautionary measures in view of Cyclone Nisarga.

The cyclone storm is approaching the north coast of Maharashtra with a speed of 11 kilometres per hour, according to the India Meteorological Department (IMD) on Wednesday.

Sharing Mumbai's famous Bandra-Worli Sea Link road picture on her Instagram story, the actor wrote: "Cyclone Nisarga is making its way to Mumbai, my beloved home city of more than 20 million people, including my mom and brother."

"Mumbai hasn't experienced a serious cyclone landfall since 1891, and at a time when the world is so desperate, this could be especially devastating," the 'Don' actor added.

"This year feels relentless. Please, everyone, find cover, take precautions, and follow the guidelines outlines. Please stay safe everyone, " said Chopra as she shared a swipe up link to Brihanmumbai Municipal Corporation (BMC) page that details the Do's and Don'ts for Mumbaikars to take on Cyclone Nisarga.

Earlier, the IMD had stated that the severe cyclonic storm is expected to impact the Maharashtra coast by the afternoon/evening of June 3.

On Tuesday, actor Vicky Kaushal shared a picture of the cloudy sky on the photo-sharing platform and hoped that the "first showers only bring relief and joy and not too much drama." The 'Raazi' actor also urged people to stay safe.

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Agencies
July 25,2020

Mumbai, Jul 25: Movie theatres have been shuttered for months due to the coronavirus pandemic in the country, but the Information and Broadcasting Ministry has now recommended that the Union Home Ministry allow cinema halls to reopen in August. 

I&B Secretary Amit Khare indicated this at a close-door industry interaction with the CII Media Committee on Friday. He said Home Secretary Ajay Bhalla at the Home Ministry would take the final call.

Khare said that he has recommended that cinema halls may be allowed to reopen all over India as early as August 1, or at the latest, around August 31.

The formula suggested is that alternate seats in the first row and then the next row be kept vacant, and proceeding in this fashion throughout.

Khare said that his ministry's recommendation takes into consideration the two metre social distancing norm, but tweaks it gently to two yards instead. The Home Ministry, however, still has to revert on the recommendation.

Cinema owners, present in the interaction, however, pushed back and said this formula is unwise and merely running films at 25% auditorium capacity is worse than keeping the cinemas shut.

The attendees at the meet included media CEOs like N.P. Singh of Sony, Sam Balsara (Madison), Megha Tata, (Discovery), Gaurav Gandhi (Amazon Prime), Manish Maheshwari (Twitter), S. Sivakumar (Bennett Coleman and Co Ltd), and K Madhavan, Star & Disney, and also Chairman, CII Media Committee.

The OTT platforms present, including Gandhi of Amazon Prime, did not push back. Some Bollywood producers, notably those of Amitabh Bachchan's Gulabo Sitabo, have posted their movies on OTT, rather than live out the lockdown uncertainty.

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