Nepotism, harassment words showbiz popularised in 2017

Agencies
December 30, 2017

Mumbai, Dec 30: Indian politicians have been infamous for promoting their children up the ladder but trust Bollywood to popularise the term 'nepotism'. However, this was not the only word that made headlines as the film industry had its moment of reckoning with the Harvey Weinsteinscandal exploding in Hollywood and terms such as pay disparity and feminism becoming a part of the debate in Bollywood.

When actor Kangana Ranaut called director Karan Johar "the flagbearer of nepotism", little did she know that it will replace its colloquial Hindi counterpart, 'bhai-bhateejawaad'. Similar to last year's buzzword "intolerance" that became a hashtag, "nepotism" was the word of 2017 for the industry.

Karan gave it back to Kangana's volley and the chain reaction began, with - outsiders or star kids - being asked for comments related to the newest entrant in the lingo of the film industry. From Shah Rukh Khan, Varun Dhawan, Deepika Padukone to Alia Bhatt, almost every celebrity had one nepotism-related question waiting to be answered at media interactions. While male stars have ruled for decades, female actors have also started asserting themselves when it comes to equal pay and experimenting with roles, making the word 'feminism' popular, but as Priyanka Chopra put it, the phrase is still misunderstood.

"There is movement but it is very nominal. We need to work so much more. In our country and across the globe, girls are treated as secondary citizen. They face violence and abuse everywhere. And feminism is a way to control that situation, but it has become a negative term," Priyanka told. The cinema too reflected this change with women-centric films such as 'Lipstick Under My Burkha', 'Tumhari Sulu', 'Secret Superstar' and 'Mom' doing well at the box office this year.

In Hollywood, Weinstein, once the nurturer of independent cinema, became synonymous with sexual harassment after the media broke the biggest story of this year in October by alleging multiple sexual allegations against the now-disgraced media mogul. The expose was followed by a detailed piece by journalist Ronan Farrow.

Emboldened by the articles, more than 50 women, including powerful A-listers from Hollywood such as Ashley Judd, Rose McGowan, Gwyneth Paltrow, Angelina Jolie, Lupita Nyong'o, Salma Hayek, Uma Thurman, Heather Graham, Eva Green, Lea Seydoux, came forward to share their horrific stories of sexual harassment at the hands of the producer. One of the most powerful men in Hollywood once, Weinstein's career is over and he has been thrown out of the company that he co-founded.

The scandal had a domino effect in Hollywood with many powerful men such as Brett Ratner, James Toback, Kevin Spacey, Jeremy Pive, Mark Schwahn facing similar career-ending accusations. A tumultuous, but an equally introspective year is nearing its end. The first award ceremony of 2018 will take the issue of sexual harassment head on as both women and men of Hollywood have pledged to appear in black to address the ugly, dark side of the business.

Here's hoping Bollywood gathers the strength to call out and exposes its Weinsteins in the coming years.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
July 12,2020

Mumbai, Jul 12: The Brihanmumbai Municipal Corporation (BMC) has sealed actor Rekha’s bungalow in suburban Bandra after a security guard there tested positive for coronavirus, a civic official said on Sunday.

The guard at the 65-year-old actor’s bungalow ‘Sea Springs’ tested positive on Tuesday, the official said.

The BMC has put a board outside the premises declaring the are as a containment zone. The security guard has been hospitalised at the BMC’s COVID-19 care facility in Bandra Kurla Complex, he said.

As the bungalow is a standalone one, only a portion of it has been sealed, he said.

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News Network
July 26,2020

A gang has been spreading rumours about me in the Hindi film industry that is preventing him from getting work, says Academy award-winning music director A R Rahman.

Collaborations between him and the Hindi film industry have reduced as a result, he adds

The maestro had composed music for Sushant Singh Rajput's Dil Bechara said that the reason he is not doing a lot of work is that a gang has been spreading rumours about him which resulted in him getting fewer projects.

Rahman's comments come amidst a raging insider versus outsider debate in Bollywood following actor Sushant Singh Rajput's untimely demise last month.

During an interview with Radio Mirchi, the Oscar-winning music director was asked the reason for doing less Hindi films.

Rahman said there has been "misunderstanding" between him and filmmakers as some people have been spreading "false rumours" about him in the industry.

"See, I don’t say no to good movies, but I think there is a gang, which, due to misunderstandings, is spreading some false rumours. So when Mukesh Chhabra came to me, I gave him four songs in two days. He said, 'Sir, how many people said don’t go, don’t go (to him). They told me stories after stories'," he said.

"I heard that, and I said, 'yeah okay, now I understand why I am doing less (work) and why the good movies are not coming to me.' I am doing dark movies, because there is a whole gang working against me, without them knowing that they are doing harm," the composer added.

Rahman has composed the music for Rajput's last movie "Dil Bechara", which premiered on Disney+ Hotstar on Friday. The film, directed by Mukesh Chhabra, also features Sanjana Sanghi and Saif Ali Khan.

The composer further said that he is aware of people's expectations from him but the "gang" is getting in his way.

"People are expecting me to do stuff, but there is another gang of people preventing that from happening. It is fine because I believe in destiny. I believe that everything comes from God.

"So, I am taking my own movies and doing my other stuff. But all of you are welcome to come to me. You make beautiful movies, and you are welcome to come to me," Rahman added.

Dubbed ‘Mozart of Madras’, A R Rahman has composed soundtracks for movies like Swades, Dil Se, Guru, Rockstar and more recently Sushant Singh Rajput’s Dil Bechara. 

The composer won two Academy Awards in 2009 for his songs in the popular Hollywood movie, Slumdog Millionaire. The composer also received a Golden Globes Award for his work in this movie.

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