Never thought of becoming an actor when I was doing B Tech: Kriti Sanon

Agencies
December 30, 2017

Mumbai, Dec 30: Actor Kriti Sanon says after spending four years in the film industry and starring in films such as 'Dilwale' and 'Barielly Ki Barfi', she has improved a lot as a performer.

The actor, who hails from Delhi, said that to create her own space in films without any support system "feels great".

"The fact that I had never thought of becoming an actor in the first place when I was doing B-Tech... then coming to a completely new city, where I knew no one and now to having done four films and have been able to (have) space of myself on my own, it does feels great.

"With every film, I feel I have grown as a person and as actor. I learnt a lot on my job as I had no real training of being an actor. When I look back at my films and roles and the approach towards work, it is different now then what it was earlier. For me, growth is more important," Kriti said.

The 27-year-old added that she is open to take risks if the role interests her.

"Whatever opportunities I get, I should like it. I am not restricting myself as an actor, I want to play different kind of characters, but I should like the offers."

For Kriti, it has been a mixed year as her first release 'Raabta' did not do well at the box office, but 'Bareilly Ki Barfi' was appreciated.

"I take it all as an experience, whether it is "Raabta' or 'Bareilly Ki Barfi', both the films have been special to me as an actor. I believed in both the films.

"I learnt a lot while working on these two films. What matters to me is the experience I had, and whether I have moved ahead with some positivity or learning. As I am not from a film background so I am always learning something on my job," she said.

Kriti said working on both the films was a learning experience for her, and the praise she received for her work in the movies has made her more confident as an actor.

"When your work gets appreciated, you feel more confident to take up roles that you have not done before and do something that you have not done before."

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News Network
July 15,2020

New Delhi, Jul 15: "I'm just happy with resuming work after a long break!" said Bollywood actor Vaani Kapoor, who is thrilled to get back for movie shootings after a long COVID-19 induced gap of nearly four months.

The 31-year-old star has been roped in to share screen space with Akshay Kumar for the upcoming espionage thriller 'Bell bottom'.

Kapoor, who is a big fan of the 'Mission Mangal' actor, has since then shared her excitement of working in the film, and also act opposite Kumar.

Talking about getting back to work amid the COVID-19 pandemic, she explained, "I, honestly, am just happy with work resuming after a long break. One will, of course, have to be extra cautious and keep all preventive measures in mind but it feels exciting to embark on a new journey!"

On July 6, the 'Befikre' actor had announced on Twitter that the movie is all set to go on floors in August. The makers of the movie have taken the decision to shoot the film in Scotland.

'Bell Bottom' will be the first film to see Vaani Kapoor and Akshay Kumar sharing the screen space.

"Well, this is a great opportunity for me! I have great respect for Akshay sir. It's super exciting and I am really looking forward to the experience," she noted.

The actor had completed the shooting of her next project 'Shamshera', in which she is paired opposite Ranbir Kapoor.

While 'Bell Botton' directed by Ranjit M Tewari, is slated for release on April 2, 2021. The first poster of the movie was released by Akshay Kumar in November, last year.

The film, set in the 80s, is an original screenplay inspired by true events. Akshay is most likely to essay the story of a spy in the movie.

'Bell Bottom' is produced by Vashu Bhagnani, Jackky Bhagnani, Deepshikha Deshmukh, Monisha Advani, Madhu Bhojwani, and Nikkhil Advani.

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Agencies
August 1,2020

Mumbai, Aug 1: Maharashtra Chief Minister Uddhav Thackeray has said that Sushant Singh Rajput case should not be politicised or used to create friction between Maharashtra and Bihar.

Amid the ongoing criticism faced by the Mumbai Police following an investigation into Rajput's death case, the Chief Minister stressed that Mumbai Police is not "inefficient" while appealing those who have any evidence in regard to the case to step forward.

"Mumbai Police is not inefficient. If anyone has any evidence they can bring it to us and we will interrogate and punish the guilty. Please do not use this case (Sushant Singh Rajput death case) as an excuse to create friction between Maharashtra and Bihar," Thackeray said on Friday.

"Bringing politics in the case is the most deplorable thing to do," he added.

Maharashtra government has filed a caveat before the Supreme Court in the Rajput's death case.

Earlier, Bihar government and Rajput's family have filed caveats in the top court seeking to challenge actor Rhea Chakraborty's petition that sought transfer of the FIR registered in Patna to Mumbai in the actor's death case.

"After Bihar government and Rajput's family filed a caveat in the Supreme Court, Maharashtra government has filed a caveat before the SC today to ensure that no order is passed in Rhea Chakraborty's petition case without hearing its (Maharashtra) side," said Sachin Patil, standing counsel for Maharashtra Government.

A caveat is a legal process, in which the party which had filed it before the concerned court, shall have to be heard definitely before the concerned court passes any order in future.

Bihar Police has sought the assistance of Mumbai police to probe the Sushant Singh Rajput case, Mumbai police Crime Branch officials told ANI. However, the Police are still considering their request.

Bihar Police team reached after an FIR was filed by late actor's father KK Singh against Chakraborty in Bihar under several sections including abetment of suicide.

Rajput was found dead in his Mumbai residence on June 14.

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News Network
June 26,2020

New Delhi, Jun 26: Actor Sushant Singh Rajput’s death has exposed the deep faultlines in the Hindi film industry with issues such as bullying, nepotism and discrimination emerging from tinsel town’s rarely discussed dark corners into the spotlight of introspection and debate.

The days since the death of the 34-year-old actor, whose body was found in his Mumbai apartment on June 14, have split the glamour industry down the middle – between ‘insiders’ and ‘outsiders’, 'us' vs 'them', and those born to fame and those who sweated for it.

That Rajput, who came from a middle class home in Patna and made his mark in mainstream Hindi cinema in what could be the classic fairytale, ended his life led to soul searching about power structures in Bollywood and also angry accusations at the biggies who call the shots.

'Outsider' Manoj Bajpayee said the structural shift that everyone in the industry wants to see will begin once the powerful abolish the "insider-outsider" divide.

"Nepotism has been in the debate for a few years now. It'll change only if each and every individual who is positioned well, who is established and powerful starts making efforts to make it healthy and democratic for all the talented people who are coming in," Bajpayee said.

“We will have to work very hard to turn this industry into a fraternity where each and everyone is welcomed," he said. Dibakar Banerjee, who directed Rajput in Detective Byomkesh Bakshy!, added that outsiders need to put in twice the amount of work as compared to star children to convince the industry, the public and the box office of their talent.

"The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite," he told news agency.

Rajput was considered that rare actor, after Shah Rukh Khan perhaps, to have transitioned from television to Bollywood stardom and his death opened the proverbial can of worms.

Detective Byomkesh Bakshy! was produced by Yash Raj Films, which also backed Rajput’s Shuddh Desi Romance. As rumours swirled about unfair contract details, the powerful production house and other industry bigwigs and star children such as Karan Johar, Alia Bhatt and Sonam Kapoor faced ire from not just the public but even some of their colleagues.

The untimely death of the young actor had clearly not just touched a chord but triggered a rallying cry for change.

An out of context, old clip from Johar's chat show Koffee with Karan in which Bhatt is seen joking about Rajput and Kapoor confesses not knowing him fuelled the anger.

Hashtags like #BoycottKhans, #boycottnepotism and #JusticeForSushantSinghRajput started trending online a day after the actor's death with many calling for a boycott for the films made by Johar and featuring star children.

An online petition on Change.org asking fans to boycott Johar, YRF and Salman Khan has gathered almost 38 lakh signatures so far.

Reflecting the split in filmdom, Johar unfollowed everyone on Twitter except eight people, including Prime Minister Narendra Modi, Shah Rukh Khan and Amitabh Bachchan.

Hate comments also made actor Sonakshi Sinha, daughter of veteran actor-politician Shatrughan Sinha, deactivate her Twitter account last week.

Kapoor, too, disabled the comments section on her Instagram page and that of her father, veteran actor Anil Kapoor.

The public's angst found resonance in Bollywood with many in the fraternity saying the industry needs to introspect on how it treats outsiders.

Actors Gulshan Devaiah and Sushmita Sen, directors Hansal Mehta and Onir and singers Sonu Nigam and Kumar Sanu were amongst the many people who spoke out on the deeply disturbing issues that Rajput’s death had thrown up.

Mehta made a distinction between nepotism and bullying. 

He said his son Jai Mehta was an assistant director in his own film Shahid and also in Anurag Kashyap's Gang of Wasseypur series. He stepped inside the door because of his father but got ahead because he is talented.

“So when people take off on nepotism they do not really address the elephant in the room. They belittle the real battle -- the battle is between the powerful and the rising, between old and new, between rigidity and change, between secure and insecure,” Mehta said.

The director also criticised those bullying people in the guise of criticism.

“People in power (inherited/earned) have no business bullying those perceived to be less powerful or dependent on them,” he said, adding that the debate had been narrowed down to target certain people not for reform or the larger good.

According to Sen, nepotism is a truth as old as the industry.

“I think competition is a great thing but it should be a fair one for everyone… We have lived with it for many years. If it needs to change then all of us need to take responsibility, no one person,” she told PTI.

Onir said calling out nepotism does not mean denying talent just because someone belongs to the industry.

“It is about empowering all those deserving and talented denied opportunity by blatant discrimination. It’s about marginalising talent and creating a non-inclusive space,” he said.

Devaiah, known for his roles in Shaitan and A Death in the Gunj, said there is a lot of "toxicity" in showbiz because of the power structures but actors need to safeguard themselves from getting into a position where they can "lose control".

The debate was just not about actors but also the music industry.

“I have a request for music companies. Today, Sushant Singh Rajput has died. An actor has died. Tomorrow you might such news about a singer, a composer or a lyricist. The state of affairs in the music industry... there is a bigger mafia in the music industry than the film industry…,” singer Sonu Nigam said in a heartfelt video after Rajput’s death.

His colleague Kumar Sanu also uploaded a video on Facebook this week, saying he can sense a "revolution".

"Since his demise, I can see a different revolution emerging. Nepotism exists everywhere. It's a little more in our industry. You (the audience) make us who we are… Filmmakers or the top people (in the industry) cannot decide. It is in your hand to make us," he said.

As the debate intensified, Aligarh scriptwriter Apurva Asrani said some ‘woke’ friends were trying to crush the movement the actor’s death had sparked.

“Claiming to want dignity for him, they want others to suffer indignity in silence,” he tweeted, sharing a thread in which other such as Shekhar Kapur Ranvir Shorey and Abhay Deol also discussed nepotism and the camp culture in Bollywood.

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