Scholars shower praise on Moily's literature

September 24, 2011

Mangalore, September 24: Sanskrit University Vice-Chancellor Prof Mallepuram G Venkatesh said that any piece of work should be stimulating rather than rigid. The work should be applicable to all times.

Speaking at a seminar on review of Veerappa Moily's work organised jointly by M Veerappa Moily Sahithyavalokana Samithi in association with Janashakthi Seva Trust here on Friday, he said “a piece of literary work should not be restricted to a language alone. We should not review a work from a point of particular period. The way in which we were reviewing a piece of literary work in the 20th century with that of the 21st century is different. There is a need to change the module used for reviewing a piece of work in the 21st century. There are different faces for a particular period of time in the piece of work,” he said and added “one should review a piece of work amidst multi culture society. There are external sources which influence our understanding of a particular piece of work.”

He said “Moily's works are based on nativity. We can not look at his piece of work in the same angle in which we look at western literature. We study Valmiki Ramayana in Indian perspective without touching anything on the regionality. If we fail to look any literature with native perspective, we will fail to give justice to the piece of work. Moily's work has unravelled culture of Dakshina Kannada in length.”

While delivering a lecture on “Discovery and reforms: Moily's model,” Hampi Kannada University former Vice-Chancellor Dr B A Viveka Rai said reading habit among elected representatives is very less. Hence, they do not have much knowledge on a particular subject. Politics is not for administration alone. Those who do not dream of a model, can not bring in social and administrative reforms. There is a need to unravel the life in village and then bring about reforms.”

He said “many a times, we corrupt young minds by giving unwanted information, thereby sowing the seeds of hatredness. Even to this day, terrorism in the form of threatening the innocent voters of dire consequences if they fail to exercise their franchise to a particular candidate takes place. In the name of caste, religion and money power, an unwritten form of terrorism takes place even to this day. We can not bring in reforms unless we make study on such activities.”

Kuvempu BhashaBharathi Samshodhana Kendra Chairman Dr Pradhan Gurudutt said Moily's Sri Ramayana Mahanweshanam is unique compared to other Ramayana which were written in other languages in the country. He has brought in something new in his writing and discription. Moily's concern towards society is depicted in his work.” Keshava Malagi's 'Munnudi' was released on the occasion. Senior litterateur Dr Hampa Nagarajaiah, CSI Bishop Rev Dr J S Sadananda, Welcome Committee President Dr B A Sherigar and others were present.


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March 11,2020

Bengaluru, Mar 11: Did Congress party’s Man Friday, DK Shivakumar, not rise up to the occasion and save the situation for the party, whose rebel MLAs were flown into Bengaluru to unsettle the Kamal Nath-led government in Madhya Pradesh? Shivakumar told The New Indian Express on Tuesday, “So far, I have not got any clear direction on what has to be done. But I am in touch with the central leaders. The party does not want to antagonise them... They are our own MLAs.”

He said that the Tenth Schedule, which makes defections illegal, is very strong. “It is not so easy for them once they are expelled. There are courts and then they have to get re-elected. It is not easy to get minister’s post after getting re-elected,” he added.

When pointed out that rebels from the Congress and JD(S) who joined the BJP have got re-elected and become ministers, he said, “There are other issues here.”

Asked about Digvijay Singh, who is at the centre of the controversy in MP and who was AICC general secretary in-charge of Karnataka, not being able to prevent the rebellion in his home state, Shivakumar said, “I do not want to comment on any of our national leaders.”But he was confident that the Congress government would be saved in MP. “I am aware of the developments and keeping track of them,” he said.

Congress leaders seemed wiser after the event.

One of them, who wished not to be identified, said the party clearly did not see the writing on the wall. “Jyotiraditya Scindia supported the BJP at the Centre when it scrapped Article 370. Later too he was not in line with the Congress position on several issues. But during the recent Delhi violence, he criticised the BJP, sending confusing signals,” he added.

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News Network
January 11,2020

Mangaluru, Jan 11: Reacting to the recent video clippings provided to the media by former chief minister HD Kumaraswamy in connection with the December 19 unrest in Mangaluru, city Police Commissioner Dr PS Harsha on Saturday said that the video has to be seen in a proper sequence to come to a conclusion on the happenings of that day.

Releasing videos in bits and pieces on social media or any platform will not help disclose the truth, said Harsha.

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February 26,2020

Mangaluru, Feb 26: The 'Yakshagana' stage in Karnataka is witnessing a curious spectacle with a Muslim woman artiste creating waves with her performances.

Arshiya, the artiste from Vittal in Dakshina Kannada district, is the first woman from the Muslim community to venture into the popular traditional theatre art form.

At one time, women were barred from Yakshagana stages.

A Muslim woman exponent on stage has attracted the attention of 'Yakshagana' lovers in the state.

Arshiya is now getting advanced training in her skills at the Kadali Kala Kendra under Ramesh Bhat here.

Arshiya, who is fond of 'Bannada Vesha' (villain roles), is now known in her stage name 'Tanu Vitla.'

She has already performed various episodes on stage and gained popularity.

Arshiya, currently working in an automobile showroom at Padil, said she was attracted to the art form from a very young age.

The initial enchantment with the art form came as she saw the role of Mahishasura in 'Sri Devi Mahatme Yakshagana Prasanga' (episode) performed near her home town.

She was attracted to all the elements of the art form, which combines music, percussion, dance, dialogues, stage techniques, make-up and costume.

Arshiya said she was also inspired by a teacher in her school at Vittal who trained her for a performance on stage during the school's annual day celebration.

She started performing on local stages at Vittal at the very young age of 10.

Arshiya now performs prominent roles on stage including Mahishasura in Sri Devi Mahatme Prasanga, the role which enamoured her in her childhood.

She also has donned the roles of Nishambhasura, Rakthabeejasura, Srinivas Kalyana, Sudarshanopakyana, Kadamba Kaushike and Shambavi Vijaya.

Her performances at Udupi and Karwar besides Mangaluru have earned her a lot of admirers, who love her 'Asura' roles, thanks to her loud voice.

Arshiya now wants to learn the 'Chende' (percussion instrument), which is an important element in Yakshagana performances.

Arshiya revealed that there was a bit of resistance from her community about her passion for the art form, but she had staunch backing of her family.

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