Nigerian actor accuses his Malayalam movie producers of Racism

News Network
March 31, 2018

Kochi, Mar 31: Samuel Abiola Robinson, one of the lead actors in the film ‘Sudani From Nigeria’, has hit out against the producers for racially discriminating against him. Robinson, who is from Nigeria, alleged that he was manipulated into being paid less than Indian co-actors.

“I am saying this now because I cannot sit back and allow it happen to another helpless young black actor,” said the 19-year-old.

Produced by two noted cinematographers Samir Thahir and Shyju Khalid, the film centres on the warmth of the Malappuram people in the backdrop of Football. Released on March 23, ‘Sudani From Nigeria’ has been written, directed by debutant Zakariya and was well received by both critics and the box office.

Samuel, the first Nigerian actor to play a leading role in an Indian film, started his career in 2013 and has appeared in several major productions such as Walt Disney's Desperate Housewives Africa.

“I believe that I was a victim of racial discrimination while in Kerala. It was nothing violent or directly in my face but for my role in Sudani from Nigeria, the producers offered me far less money than the Indian actors who are not half as popular or accomplished as I am.

 I only became better enlightened after meeting several young actors and discussing payment with them. I am of the opinion that this happened purely because of my skin colour and the assumption that all Africans are poor and don't know the value of money," posted Samuel on his Facebook page.

Shedding light on the treatment of newcomers and how they are being cheated with regards to payment, the actor said he was manipulated by the producers. “Promises were made to me by the producers while shooting to pay me more if the movie eventually becomes successful but no promise has been honoured and now I am back in Nigeria.

 I believe the promises were simply tools of manipulation to get me to eagerly commit the 5 months of availability for work being October, November, December 2017, January and March 2018 for the shoot and promotion of the movie.

 The movie is a huge commercial success now and I am grateful for all the love that the fans have shown me and I have been privileged to experience the warm culture of Kerala but I can no longer suffer in silence about this. As I am black, it is my responsibility to speak up because it could ease the suffering of the next generation of black actors. Say no to racial or caste discrimination,” he wrote.

The actor, though, was all praise for director Zakariya, who “did his best to help but as he was not financing the movie himself, there was very little change he could foster”. Samuel said the writer-director was a “good guy with a good heart and a brilliant director”.

I have received a lot of negative comments on my previous statement on facebook. I was paid far less than the Malayalam...

Posted by Samuel Abiola Robinson on Friday, March 30, 2018

The post by the actor was followed two hours later with a clarification that he was not subject to any racial discrimination from the people of Kerala and that he was talking solely about the producers of the movie. “I do not think that Kerala people are racist as I experienced no such racist treatment from the general Kerala public, I very much enjoyed my stay in Kerala, the culture, the Biryani and all. But I am offended and feel that it is unfair that I should have this much-unexpected scrutiny on my activity and general life without the cushion of decent financial payments, which could have easily been afforded by the producers."

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News Network
May 10,2020

May 10: Azaan is an integral part of the faith, not the gadget, says veteran writer-lyricist Javed Akhtar, asking that the Islamic call to prayer on loudspeakers should be stopped as it causes "discomfort" to others.

In a tweet on Saturday, Akhtar wondered why the practice was 'halaal' (allowed) when it was, for nearly half a century in the country, considered 'haraam' or forbidden.

"In India for almost 50 years Azaan on the loud speak was Haraam. Then it became Halaal and so halaal that there is no end to it, but there should be an end to it. Azaan is fine but loud speaker does cause of discomfort for others. I hope that atleast this time they will do it themselves (sic)," Akhtar tweeted.

When a user asked his opinion on loudspeakers being used in temples, the 75-year-old writer said everyday use of speakers is a cause of concern.

"Whether it's a temple or a mosque, if you're using loudspeakers during a festival, it's fine. But it shouldn't be used everyday in either temples or mosques.

"For more than thousand years Azaan was given without the loud speaker. Azaan is the integral part of your faith, not this gadget," he replied.

Earlier in March, Akhtar had supported the demand to shut mosques amid the coronavirus outbreak in the country, saying even Kaaba and Medina have been closed due to the pandemic.

He had also appealed to the Muslim community to offer prayers from home in the holy month of Ramzan, which began on April 24.

"I request all the Muslim brothers that now that Ramzan is coming, please say your prayers but make sure that this doesn't cause problems to anyone else. The prayers that you do in the mosque, you can do that at home. According to you, the house, the ground, this all has been made by Him. Then you can do your prayers anywhere," he had said.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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News Network
January 10,2020

Mumbai, Jan 10: Superstar Salman Khan on Friday announced that his Eid 2021 release will be titled "Kabhi Eid Kabhi Diwali".

The 54-year-old actor took to Twitter to announce the movie which will be written and produced by filmmaker Sajid Nadiadwala.

"Housefull 4" helmer Farhad Samjhi will be directing the film.

"Announcing my next film... 'Kabhi Eid Kabhi Diwali'. Story and produced by Sajid Nadiadwala. Directed by Farhad Samji. Eid 2021," Salman tweeted.

The actor, whose last release "Dabangg 3" performed moderately at the box office, will next be seen in Prabhudheva's "Radhe". The film will hit the theatres on Eid this year.

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