People in India and Canada can die for films, says cinematographer Tom Cowan

Agencies
February 27, 2018

Bengaluru, Feb 27: Eminent Australian cinematographer Tom Cowan says India and Canada are some of the countries where watching films is not a mere pastime, but it is a passion.

The 75-year-old filmmaker recalled the time when he had come to India to shoot for 1970 Kannada film, "Samskara".

He said he was thrilled to see people waiting eagerly to watch the next movie, especially because film industry was largely non-existent in his home country.

"India was a much more developed industry when it comes to films in that time. Such intensive production. It was interesting for me to be in a country where people were dying to see the next film. That wasnt the case with Australia. We werent making anything.

"I was enthralled with Canada, where people were just waiting for another film. They might have made good films at the time. They were pretty terrible but they were entertaining the people," Cowan said at a Q&A session today at the ongoing Bengaluru International Film Festival.

Cowan was here to deliver Dadasaheb Phalke Award Winner - V K Murthy Memorial Lecture.

This year marks the 50th year of the making of "Samskara", directed by Pattabhirama Reddy on which Cowan worked as the principal cinematographer.

The film was based on UA Ananthamurthys novel of the same name. "Samskara" was a path-breaking movie, which is said to have kick-started the parallel cinema movement in Kannada film industry.

The movie, which won the National Film Award for best feature film in 1970, was initially banned by the Madras Censor Board as its strong anti-caste undertones were feared to spark tensions among the masses.

Cowan said one needs to tell a story that comes from the heart and not worry about the genre.

"We never get tired of a good story," he added.

The DOP said his expertise in the craft was an added advantage for him when he went back home to work in Australian cinema.

"I have been very lucky. Whatever money I had earned back home, it was due to the work I had done overseas. And when the industry started in Australia, I had an advantage of having worked in films in England, India, America, Canada, etc. I was in demand. I got a lot of work," he said.

Cowan said the best method to avoid ego on the sets of a film is to first control ones own.

He said it is important for the DOP to be calm as he/she is the "leader of the technical crew"

"Cinematographers should not forget that they are employed to serve the interests of the director, not their own," Cowan said.

"Best way to control the egos on the sets of a film is to try and control your own. Because if you get upset and start arguing, it shows inexperience and lack of confidence. You are, to some extent, a leader... A leader of the technical crew. So you have to show by example," he added

Cowan has also worked as a director on seven films. His 1972 film "The Office Picnic" was screened at the 8th Moscow International Film Festival.

Borrowing from his experience as a director, he added, "Communication is only other thing that you can do. A lot of the ego (hassles) are also because people are worried about their next job.”

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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Agencies
July 3,2020

Mumbai, Jul 3: Renowned Bollywood choreographer Saroj Khan died early on Friday morning due to cardiac arrest. She was 71.

The three-time National Award winner, who had choreographed some of the most memorable songs in Hindi cinema, was not keeping well for some time.

She was admitted to Guru Nanak Hospital in Bandra last Saturday after she complained of breathing issues. The mandatory COVID-19 test done at the hospital showed a negative result.

“She passed away due to cardiac arrest at around 2.30 a.m. at the hospital,” Khan’s nephew Manish Jagwani said.

In a career spanning over four decades, Khan is credited with choreographing more than 2,000 songs, including Dola Re Dola from Sanjay Leela Bhansali’s Devdas, Ek Do Teen from Madhuri Dixit-starrer Tezaab and Ye Ishq Haaye from Jab We Met in 2007.

She last choreographed for Tabaah Hogaye, featuring Madhuri from filmmaker Karan Johar’s production Kalank in 2019.

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News Network
June 25,2020

Jun 25: Bollywood star Sushant Singh Rajput’s last movie “Dil Bechara” is getting a release on Disney+Hotstar on July 24.

With an aim to honour the legacy of the actor, the streaming platform is making the movie available to even the non-subscribers.

Rajput was found dead at his Bandra home on June 14 at the age of 34.

Billed as a soulful love story, “Dil Bechara” marks the directorial debut of casting director and Rajput's industry friend Mukesh Chhabra. The film is produced by Fox Star Studios.

“We are humbled to be able to play a small part in sustaining the legacy of a fine actor like Sushant Singh Rajput. In celebration of his life and his extraordinary work, 'Dil Bechara' will release directly on digital this July on Disney+ Hotstar; and will be available to all subscribers and non-subscribers across India. Our prayers and wishes to his family and loved ones,” Uday Shankar, President – The Walt Disney Company APAC and Chairman, Star & Disney India, said.

The actor had a long-standing relationship with the STAR & Disney India network, having started his career with the show “Kis Desh Mein Hai Meraa Dil” in 2008 to his Bollywood transition where he delivered some of his most memorable performances in “M.S. Dhoni: The Untold Story” (2016) and “Chhichhore” (2019), both produced by Fox Star Studios.

Chhabra said he never imagined he would release the film without Rajput.

 “Sushant was not just the hero of my debut film as a director, but he was a dear friend who stood by me through thick and thin. We had been close right from 'Kai Po Che!' to 'Dil Bechara'. He had promised me that he would be in my first film.

"So many plans were made together, so many dreams were dreamt together but never once did I ever imagine that I would be left alone to release this film. He always showered immense love on me while I was making it and his love will guide us as we release it,” the director said.

“Dil Bechara” is the official remake of 2014 Hollywood romantic drama “The Fault in our Stars”, which was based on John Green’s popular novel of the same name. The Hindi adaptation of the movie was done by Shashank Khaitan and Suprotim Sengupta.

“Dil Bechara” will see Rajput in a leading role alongside debutante Sanjana Sanghi, and Saif Ali Khan in an interesting cameo.

The music of the film has been composed by AR Rahman and the lyrics are by Amitabh Bhattacharya.

“Dil Bechara” revolves around Kizie Basu (Sanghi) and Immanuel Rajkumar Junior or Manny (Rajput) and explores the funny, thrilling, and tragic adventure of being alive and in love.

Together Kizie and Manny embark on an on-off-up-down-sad and sweet profound journey into the heart of that crazy little thing called life. It teaches them what it means to feel truly alive and fall in love.

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