People in India and Canada can die for films, says cinematographer Tom Cowan

Agencies
February 27, 2018

Bengaluru, Feb 27: Eminent Australian cinematographer Tom Cowan says India and Canada are some of the countries where watching films is not a mere pastime, but it is a passion.

The 75-year-old filmmaker recalled the time when he had come to India to shoot for 1970 Kannada film, "Samskara".

He said he was thrilled to see people waiting eagerly to watch the next movie, especially because film industry was largely non-existent in his home country.

"India was a much more developed industry when it comes to films in that time. Such intensive production. It was interesting for me to be in a country where people were dying to see the next film. That wasnt the case with Australia. We werent making anything.

"I was enthralled with Canada, where people were just waiting for another film. They might have made good films at the time. They were pretty terrible but they were entertaining the people," Cowan said at a Q&A session today at the ongoing Bengaluru International Film Festival.

Cowan was here to deliver Dadasaheb Phalke Award Winner - V K Murthy Memorial Lecture.

This year marks the 50th year of the making of "Samskara", directed by Pattabhirama Reddy on which Cowan worked as the principal cinematographer.

The film was based on UA Ananthamurthys novel of the same name. "Samskara" was a path-breaking movie, which is said to have kick-started the parallel cinema movement in Kannada film industry.

The movie, which won the National Film Award for best feature film in 1970, was initially banned by the Madras Censor Board as its strong anti-caste undertones were feared to spark tensions among the masses.

Cowan said one needs to tell a story that comes from the heart and not worry about the genre.

"We never get tired of a good story," he added.

The DOP said his expertise in the craft was an added advantage for him when he went back home to work in Australian cinema.

"I have been very lucky. Whatever money I had earned back home, it was due to the work I had done overseas. And when the industry started in Australia, I had an advantage of having worked in films in England, India, America, Canada, etc. I was in demand. I got a lot of work," he said.

Cowan said the best method to avoid ego on the sets of a film is to first control ones own.

He said it is important for the DOP to be calm as he/she is the "leader of the technical crew"

"Cinematographers should not forget that they are employed to serve the interests of the director, not their own," Cowan said.

"Best way to control the egos on the sets of a film is to try and control your own. Because if you get upset and start arguing, it shows inexperience and lack of confidence. You are, to some extent, a leader... A leader of the technical crew. So you have to show by example," he added

Cowan has also worked as a director on seven films. His 1972 film "The Office Picnic" was screened at the 8th Moscow International Film Festival.

Borrowing from his experience as a director, he added, "Communication is only other thing that you can do. A lot of the ego (hassles) are also because people are worried about their next job.”

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
July 19,2020

New Delhi, Jul 19: Actor Deepika Padukone on Sunday confirmed the news of her teaming up with 'Baahubali' actor Prabhas for an upcoming project.

Padukone stated that she is "beyond thrilled" for her the project, which will be helmed by Nag Ashwin, who is known for delivering some hit Telugu movies.

He is known for directing the National-Award winning biopic 'Mahanati'. The forthcoming flick will be under the banner of Vyjayanthi Movies.

The 34-year-old star shared a video by the production house revealing the news, and wrote: "Beyond Thrilled! Cannot wait for what we believe is going to be an incredible journey ahead.."

In the video, the makers of the movie addressed their pride in collaborating with Deepika Padukone and Prabhas. The yet-to-be-titled movie will be the first film to see the two actors sharing the screen-space.

However, other details of the project are yet to be officially revealed.

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Agencies
February 20,2020

Chennai, Feb 20: Three people, including an assistant director were killed and 9 others injured when a crane used for the shooting of “actor Kamal Haasan starrer “Indian 2” film crashed down at Nazarathpet near Poonamallee here late on Wednesday night.

Police said the accident occurred when a group of workers were engaged in erecting a set for a scene at EVP film city, private studio. As the crane crashed down, a heavy-duty light stand that was mounted on it also fell on the workers.

Mr Haasan and the film director S.Shankar escaped unhurt in the accident.

The deceased were identified as Krishna (34), an assistant director of the film, Madhu (29) and Chandran (60), who was part of the catering team.

Tamil Nadu Fire and Rescue Services personnel, along with a fire tender from Irungattukottai rushed to the spot and retrieved the bodies from the spot.

Mr Haasan, who was at the accident spot, also helped to transport the injured people to a private hospital near Poonamallee.

The bodies were sent to the Government General Hospital for post-mortem.

The Nazarathpet police have filed a case and are investigating the cause of the accident.

Meanwhile, Mr.Haasan condoled the death of three people during the film shoot. “The accident is the most horrific I have seen in my film career. I have lost three colleagues, but my pain pales in comparison to the grief of those who have lost their loved ones.

My deepest sympathies to them, he tweeted.

The Lyca productions also expressed condolences over the tragic accident. “We are extremely saddened with the unfortunate accident happened at the sets of Indian 2. We have lost three of our most hardworking technicians, it tweeted.

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