People Refused to Work with Me Because I Was a Woman: Leena Yadav

Agencies
November 28, 2018

Mumbai, Nov 28: Leena Yadav on Monday said that there have been instances where people have refused to work with her because she was a woman filmmaker.

The director, who started her career as an editor, recounted an incident where clients not only cast a doubt on her ability but also asked her to prove her proficiency.

"I had lots of people refusing to work with me because I was a woman. I remember one incident where those days we used to work on high band (camera). These clients walked in and I was hired as a freelance editor. They looked at me and said, You are the editor?' I said I am'.

They said, Then you should know everything' and took off all the wires. He said, Then you should also know the wiring of this place'. And I did the wiring and I did know it. Then I said, You know what? I don't want to work with you.' And I walked out," Leena said.

The director was speaking at the in-conversation session Calling The Shots: Women Directors in Indian Cinema', moderated by director Shashank Khaitan at the International Film Festival of India (IFFI).

Also part of the panel were directors Gauri Shinde and Meghna Gulzar.

Leena said after this incident, she stopped caring about people who practised discrimination as she believes it was their problem, not hers.

She said she has never had any issues with the actors she has worked with since, adding they know that I know their characters better than them.

The director, who has worked with acting greats such as Amitabh Bachchan and Ben Kingsley in Teen Patti, recounted an incident from the sets of the 2010 thriller.

"I remember Ben Kingsley said this, Do you realise she knows the character better than we will ever know even after we finish the film. So I think we should just quietly listen to her'," she recalled.

Leena also shared how she never thought her directorial debut, Shabd in 2005 was a film that was suited for stars. The cast included Aishwarya Rai, Sanjay Dutt and Zayed Khan.

"I didn't think 'Shabd' was a film for stars. It was a very independent kind of film. But my producer Pritish Nandy felt that we should. Then we went to narrate it to the stars and they agreed, which was a shock to me. While making the film, I realised even the actors were not ready for a film like that. My characters were all grey and somewhere they (actors) started getting a bit panicky and started crying in the film to get sympathy," she said.

She got an instant PhD into film industry politics when the film bombed at the box office, she said.

"I was literally asked to leave town for various reasons. It was heart-breaking and I had never experienced anything like that. Then for six months, I could not function. It was like I was standing naked on the road and everyone was whipping me from all over the place. Then I kind of focused my mind to writing my second film, which I thought nobody would produce. I got to make my next. I realised that's what the journey is.

"I thought making the first film will be the toughest but it gets tougher and tougher. First film is the purest. Even you're not trying to cater or censor, it comes from a place of beautiful innocence that I'm constantly trying to go back to,said the filmmaker, whose next Rajma Chawal is slated to release on Netflix Friday.

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Agencies
March 27,2020

Information and Broadcasting Minister Prakash Javadekar on Friday announced that Doordarshan will retelecast iconic show 'Ramayana' from Saturday on public demand.

"Happy to announce that on public demand, we are starting retelecast of 'Ramayana' from tomorrow in DD National. One episode in morning 9 a.m. to 10 a.m., another in the evening 9 p.m. to 10 p.m.," Javdekar tweeted.

Happy to announce that on public demand, we are starting retelecast of 'Ramayana' from tomorrow, Saturday March 28 in DD National, One episode in morning 9 am to 10 am, another in the evening 9 pm to 10 pm.@narendramodi
@PIBIndia@DDNational

— Prakash Javadekar (@PrakashJavdekar) March 27, 2020
'Ramayana' is an Indian historical-drama epic television series, which aired during 1987-1988, created, written, and directed by Ramanand Sagar.

The show was a television adaptation of the ancient Indian Hindu epic of the same name, and is primarily based on Valmiki's Ramayan and Tulsidas' Ramcharitmanas.

DD National also said that on public demand, amid the 21-day lockdown, it will broadcast Ramanand Sagar's Ramayan from Saturday.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
February 24,2020

New Delhi, Feb 24: Indian Idol 11 winner is Bhatinda's Sunny Hindustani. Sunny, who mostly sang Nusrat Fateh Ali Khan's songs on the show, won the coveted trophy. The Bhatinda boy took home the Indian Idol 11 trophy along with the prize money of Rs 25 lakh, a car and a singing contract with T-Series.

Sunny's entry on the show was much-talked-about. His soul-soothing voice had mesmerised the judges on the audition day itself as he sang Afreen Afreen. He got a standing ovation and former Indian Idol 11 judge Anu Malik even said that he felt as if Nusrat Fateh Ali Khan himself was performing on the Indian Idol stage. His audition video had gone viral after Anand Mahindra shared it on social media.

On the finale night, Sunny sang a medley of songs, which included Mere Rashke Qamar and Halka Halka Suroor. Ayushmann got emotional seeing Sunny's journey on screen. He said, "Hum na actor bade self-obsessed hote hain. Humein lagta hai hamari struggle sabse achchi hai, sabse badi hai. Inke saamne toh kuch hai he nahi. Jahaan se aye hai, jitna hunar inke paas hai...mujhe lagta hai inki maa sabse ameer hain."

The first and second runner-up of the show Rohit Raut and Ankona Mukherjee got Rs 5 lakh each, while Ridham Kalyan and Adriz Ghosh who were fourth and fifth on the show, took Rs 3 lakh home. Every finalist also received Rs 1 lakh cheque from Lotus Herbals and gift hampers from the sponsors.

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