Plot thickens at Jadavpur University, clashes over movie screening

May 7, 2016

Kolkata, May 7: Women were allegedly molested and BJP leader Roopa Ganguly was blocked from entering Jadavpur University in Kolkata after student factions clashed over the screening of a controversial Bollywood film on Friday night.

Jadavpur

Students from Akhil Bharatiya Vidyarthi Parishad, which is affliated to the RSS, and activists of Left-backed student unions allegedly fought with each other over the campus screening of Vivek Agnihotri’s film ‘Buddha In A Traffic Jam’.

Alleging that four of the organisers had molested female students, the left-leaning students affiliated to FETSU confined them inside the campus.

Tension increased after dusk as ABVP activists collected outside the university gate and shouted slogans demanding the four be rescued and handed over to them.

Ganguly, an actress-turned-politician, filed a complaint at the Jadavpur police station that the four people--invited for the screening of the award-winning film--were beaten up and wrongly confined on a false accusation.

“We have come to take the four of our invitees safely home. They have been beaten up. They are in a bad condition. We will wait for ten minutes. And then our people will take one minute to climb the gates and enter the campus,” said BJP leader Debasree Chowdhury.

As the situation threatened to go out of control, with a huge collapsible gate separating the BJP-ABVP activists and the students, Vice Chancellor Suranjan Das rushed to the university in a taxi and pleaded with the two sides to maintain peace.

Das met the students a number of times but his attempts to bring the four out failed twice. He finally succeeded on his third attempt as the registrar and other officials with the help of the security personnel brought them out of the campus.

“Three ABVP activists and a professor of Bangabasi College were confined. One of the activists was senseless. Three have been hospitalised,” said ABVP state secretary Souvik Haldar.

“We have filed a case seeking those who tortured and confined them be punished. We will expect action. We will organise a movement on this issue,” he added.

The movie’s screening, organised by a group “Think India” backed by the ABVP, was scheduled at the varsity’s Triguna Sen auditorium, but the university’s alumni association cancelled the screening on Friday morning citing poll code violation.

Despite the protests and cancellation, an open-air screening was held in the varsity’s football grounds close to the auditorium.

However, the varsity’s assistant registrar requested the showing be stopped, said Agnihotri, who was shown black flags by the students.

“We started the screening and I asked the leader of the protest to have a cup of tea with me. Then the assistant registrar came from somewhere and asked us to stop the screening. I don’t know what kind of a university it is, they can’t even decide whether the film can be shown or not shown,” Agnihotri said.

Asked why there were protests against his film, Agnihotri said: “Because for the first time in 70 years somebody has dared to expose the Naxal-academia-intellectuals-media nexus.”

However, students protesting against Agnihotri said his movie, which stars BJP supporter Anupam Kher, has “divisive content”.

“We all know Kher’s views in the whole debate on whatever happened in JNU. He is acting in this film which has divisive content. We are protesting against that,” said Sounak Mukherjee, a first year MA student of English Department. Mukherjee was referring to Delhi’s Jawaharlal Nehru University where student union leaders have been charged with sedition for alleged “anti-national” activities.

Inspired by Agnihotri’s own life, “Buddha In A Traffic Jam” deals with corruption and Maoism in a business school. It had attracted controversy when its screening was sought to be cancelled at JNU due to the volatile atmosphere there in the wake of the sedition charges levelled against some students.

However, the film was later screened in JNU with Kher, a critic of the students agitation, in attendance.

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News Network
March 25,2020

New Delhi, Mar 25: Actor Priyanka Chopra on Tuesday night through an Instagram Live conversation put forward questions about coronavirus to World Health Organisation (WHO) experts and busted some myths about the global pandemic.

WHO General-Director Dr Tedros Adhanom Ghebreyesus and Dr Maria Van Kerkhove, the WHO's Technical Lead, were part of the live conversation which Priyanka shared on her Instagram. More than 45,000 fans participated in the session.

"There is so much information circulating about Covid-19. And right now we're all searching for clarity. My friends at @WHO and @glblctzn graciously brought the doctors working on the front lines here to give us answers straight from the experts. Please take some time to watch my IG Live with Dr. Tedros (General-Director at W.H.O.) and Dr. Maria Van Kerkhove (Technical Lead for Covid-19) from @WHO, who answered some questions that so many of you sent in," Chopra captioned the post.
Bollywood's 'Desi' girl also asked her fans to spread awareness about the disease and tag their friends and family in the post who are looking for answers and action steps.
PC even posted few questions submitted by the general populace and answers to the same on her Instagram story. The first question came from her husband, Nick Jonas, who also joined in on the conversation.

One of the questions was about the latest 21 day lockdown in India. Priyanka and Nick have been in self-isolation for weeks now.

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Agencies
February 5,2020

Chennai, Feb 5: Income Tax sleuths on Wednesday raided top Tamil film actor Vijay's residence here besides conducting simultaneous searches at several premises linked to a film production house, movie financier and distributors in connection with suspected tax evasion.

The searches, which began in as many as 38 locations in Tamil Nadu, were still on and unaccounted cash of about Rs 25 crore was seized from the premises of a Tamil film financier who had faced allegations of intimidation and arm-twisting to recover money, official sources told PTI.

Also, several documents indicating substantial tax evasion has been seized, sources added.

Vijay, who was away in Cuddalore district for a film shoot, was apprised by authorities about the searches and he was en route to his residence here, they said.

So far nothing has been recovered from the actor's house and the inmates were cooperating with authorities in conducting the searches, sources said.

Raids were also on in the premises of the production house that had made Vijay's hugely successful recent Tamil movie 'Bigil.'

Further details are expected after completion of searches which is likely to continue tomorrow.

The State police has been providing security for carrying out the searches.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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