Pooja Bhatt: #MeToo allegations need serious action

Agencies
January 13, 2019

Mumbai, Jan 13: Actor-filmmaker Pooja Bhatt says she is happy that #MeToo movement has helped women come out with their stories of harassment but believes allegations need to be followed up with serious action instead of "ranting on a public platform".

A string of cases gave birth to India's #MeToo chapter last September, with women from all walks of life coming forward to demand a safer work environment.

"One should take names. One should file a case and take the person to court. Just ranting on a public platform with no thought towards the consequences, I think, is a bit too much," Pooja told PTI.

She contends that the movement should not be limited to social media and rather be dealt properly with the help of law.

"If a man has made an overture at you and is harassing you, there is a law that protects you. Ranting on Twitter and not backing it up with a police complaint (does not help)... I am not interested in a media trial," she adds.

The actor-director says she too has been a victim of sexual harassment.

"It's a fallacy, I have had my share. Which woman has not dealt with somebody putting their hand on the butt? When I used to go to school by train, I have got my butt pinched. But we were trained to take on that person."

In 2002, Pooja had confessed that she was in an abusive relationship with an actor. She says she was then accused of washing her "dirty linen in public" by the industry.

"I felt I must talk about it as I represent courage and strength to the world. That time it was not considered fashionable to talk about it. I got a lot of flak for it.

"Saif Ali Khan and John Abraham were couple of few people who stood up for me. Everyone from Shekhar Suman to Ruby Bhatia said, 'How can I talk about all this in public?' For me, it was not about him or me, it was about something larger. We need to empower our women to speak."

She says, both as an actor and a producer, she has never worked in an uncomfortable work environment.

"Ninety per cent of the crew that work with me are there since my childhood and which is why I do not want to work too much outside because the people I work with are as important for me as my role.

"For no amount of money or love will I work with people I do not trust. Casting couch does exist and it exists everywhere, when there is an exchange of power. If two adults decide to consent, who are we to judge that? It comes down to women's will."

She says 90 per cent of sexual abuse cases are domestic in nature but no one talks about it fearing its adverse effects on the family system.

"You are often told by people, 'Let it be. Why talk about it as it will unnecessarily upset the power structure?' You are afraid of being ostracised. When you speak the truth, you find yourself in a minority.

"If you are not willing to be a lone wolf, keep your truth to yourself. If you want acceptance and your truths to be spoken, it is a slippery slope," she adds.

Pooja, 46, is of the opinion that it is wrong to assume that men are not harassed.

"Women can be equally vile, big bullies. It is unfair to paint every man with the same brush. There are decent men as well."

She says that both men and women need to work together for creating a safer environment.

"If we have to win this war, we have to do it with men. It is not about women against men."

On the work front, Pooja's home production film "Cabaret" is currently streaming on ZEE5.

She is set to make a comeback to acting with "Sadak 2". The actor will also be seen in a web series based on Abheek Barua's book, "A City of Death".

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News Network
February 11,2020

New Delhi, Feb 11: 'Housefull 4' actor Pooja Hegde will star opposite Salman Khan in his Eid 2021 release 'Kabhi Eid Kabhi Diwali'.

Film critic and trade analyst Taran Adarsh made the announcement on Twitter on Tuesday.

"CONFIRMED... #PoojaHegde opposite #SalmanKhan in #KabhiEidKabhiDiwali... Directed by Farhad Samji... Story and produced by Sajid Nadiadwala... #Eid2021 release," read Adarsh's tweet.

Earlier, Salman Khan had announced the title of the film 'Kabhi Eid Kabhi Diwali' in January, keeping the trend alive of gifting his fans a movie to enjoy on Eid al-Fitr.

The film is being co-produced by Salman Khan, Sohail Khan, and Atul Agnihotri under the banners Salman Khan Films, Sohail Khan Productions and Reel Life Production.

The flick will hit theatres on Eid 2021, which will be around May 21.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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Agencies
January 4,2020

Mumbai, Jan 4: After the Indian Institute of Technology (IIT) Kanpur constituted a panel to decide whether legendary poet Faiz Ahmed Faiz's poem 'Hum Dekhenge' is offensive to Hindu sentiments, filmmaker Shoojit Sircar had a cryptic take on the burning controversy.

"Best time for the rich & small businesses to make money as most of the population are engaged with a revolutionary poet named Faiz," Sircar said in a tweet.

The poem, penned down by the iconic poet in 1979, came into limelight again recently during the protests against CAA and NRC in IIT Kanpur.

Earlier on Thursday, senior lyricist Javed Akhtar rejected the claims about the poem being 'anti-Hindu'.

IIT Kanpur on Thursday had set up a committee to look into the issue.

The move came after a complaint that the students who took out a peaceful march in the campus on December 17 against the Citizenship Amendment Act and in solidarity with Jamia Millia Islamia students, sung it as a mark of protest, which hurt the sentiments of other communities.

The CAA grants citizenship to Hindus, Sikhs, Jains, Parsis, Buddhists and Christians who faced religious persecution in Pakistan, Afghanistan, and Bangladesh and came to India on or before December 31, 2014.

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