Proposed surrogacy law says no parenthood for singles

April 16, 2017

New Delhi, Apr 16: Bollywood celebrities like Karan Johar and Tusshar Kapoor became proud fathers via surrogacy but other aspiring singles may face roadblocks as a proposed law restricts this method by allowing only legally wedded couples. Several experts including lawyers and doctors, barring a few, were of the view that the window of surrogacy should not be closed for single parents and the couples should have the option to choose anyone who is not a close relative as a surrogate mother.karan

However, senior advocate Shekhar Naphade had a different and mixed take on the entire issue. While maintaining that it has become a "fashion" among celebrities to become a single parent, he advocated doing away with the provision to allow only a couple's close relative to become a surrogate mother.

The Surrogacy (Regulation) Bill, 2016, introduced in Lok Sabha last year, also faced criticism from practitioners of family law like Priya Hingorani and Anil Malhotra, who assailed the provisions which take away the rights of gays and lesbians from attaining parenthood with a clause that only legally wedded persons can go for surrogacy. The proposed law virtually bars all others like unmarried couples, single parents, live-in partners and homosexuals from opting children through surrogacy.

Dr Bikas Kumar Singh, Chief Medical Officer at a major private hospital here who preferred not to comment on the aspect of single parents, expressed reservation on the point of restriction that mandates a surrogate mother to be a close relative. "The last hope for a childless couple should not be curtailed but extended with due filtering," Singh said. Giving a broader perspective, Hingorani said it was not correct to only allow a close relative to be a surrogate mother as her confidentiality has to be maintained and anyone else should be permitted to do so.

Malhotra said the bar on unmarried couples and others from opting for surrogacy was violative of Article 14 of the Constitution which provides equality before the law and equal protection. As per the bill, the intending couples should be legally married for at least five years and should be Indian citizens to undertake surrogacy which would be allowed only for altruistic reasons. It also specifies the age limit for an infertile couple, where the woman should be aged between 23-50 years and the man between 26-55 years.

Naphade, who has filed a petition in the Supreme Court opposing commercialisation of surrogacy, said he does not subscribe to the concept of single parent and there should be a time frame after which a married couple can go for surrogacy. "It should not be a substitute for having a child through an unnatural process. The child should have both a father and a mother. When he goes out in the society, he will have a problem if he does not have a father or a mother. It is in the larger interest of the child," he contended.

However, these experts were united on their view that the clause of close relatives becoming surrogates was "objectionable" and would create family problems as it could reveal the identity of the surrogate mother, which needs to be kept secret. Hingorani, who was of the opinion that this clause would be challenged in court, said "when a single parent can adopt a child, why can't they go for surrogacy? It is contradictory. The intention of the bill is not to make surrogacy commercial. But you cannot single out gay and lesbian couples. When single mothers and live-in partners are recognised by law, how can you exclude them from surrogacy?"

While Naphade said the provision will be a "little problematic" and it needs to be debated, Dr Singh said the identity of the surrogate mother must be kept secret and if she is their close relative, there are chances that the child would come to know about it at a later stage. Malhotra was of the view that commercial surrogacy will still flourish and unethical practices continue. So, the better method would be to provide a regulatory authority with statutory powers like CARA is for adoptions.

"This clause of close relatives being surrogates will create family problems and conflicts with relatives in the family fold, as current societal practices in India may not find such a practice acceptable in traditional homes," he said. They, however, differed in their opinion on the provision of disallowing foreigners from opting surrogacy in India. While Dr Singh agreed with the government in disallowing foreigners saying it would ensure that women from the middle or lower middle classes are not exploited, Hingorani said there should be uniformity on the issue across the world and in many nations, they do not allow surrogacy. So why do people from there come here for it, she asked.

The woman lawyer said surrogacy should be legalised and open to others as well and proper norms should be evolved. People should be allowed only after they fulfill all criteria. She said the bill should include that the surrogate mother's health is properly taken care of, both pre- and post- delivery. And, instead of compensating her with hefty money, her health should be given priority. Dr Singh said that all medical aspects are covered in the bill and added that health of the woman should be considered but it should not be made the only criteria.

Malhotra said the ban on Non-Resident Indians, Persons of Indian Origin and Overseas Citizens of India per se does not appear to be satisfying any test of a valid bar. Such a discrimination clearly violates Article 14 of the Constitution when brought in parity with adoptions permissible to the NRIs, PIOs and the OCIs, he said. In January this year, the Rajya Sabha Chairman had referred the legislation, as introduced in the Lok Sabha in November last year, to the Parliamentary Standing Committee on Health and Family Welfare for in-depth examination. The parliamentary panel has invited suggestions on the legislation from all stakeholders.

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News Network
June 9,2020

New Delhi, Jun 9: Multiplex operator PVR on Monday said it has cut salary across various levels, laid off employees and deferred increments during the lockdown to mitigate adverse impact of COVID-19 on the business.

The company said at present it is not generating any revenue from exhibition business and related activities as cinemas across the country are shut following the directions from the regulatory authorities.

According to the company, closure of screens during the lockdown will have a significant negative impact on profitability and liquidity.

PVR has taken measures to reduce its personnel cost, including salary cuts across various levels in the organisation during the lockdown along with "reduction in headcount by way of layoffs/retrenchment" to mitigate the adverse impact of COVID-19 on the business.

Moreover, the board of the company, in its meeting held on Monday has also approved plan to raise Rs 300 crore through rights issue.

"Since Cinema Exhibition is the only business segment, company is currently not generating any revenue from admissions, food and beverage sales or other revenue and cash flow from operations," said PVR in an update.

Beginning from March 11, PVR started closing its screens in accordance with the order passed by various regulatory authorities and within a few days most of our cinemas across the country were shut down, it added.

The company will continue to incur committed cash outflows, including employee salary pay-outs, other overheads as well as payments for older working capital.

"This has and will have a significant negative impact on profitability and liquidity during lockdown and even thereafter till business comes to normalcy," it added.

Further, once the cinemas are re-opened, we may not be able to run our cinemas at normal capacity utilisation levels on account of social distancing measures that cinemas may be required to follow as well as health concerns that the patrons may have, the multiplex operator said.

"On account of this, our revenue and cash flow generation may be impeded even once we are allowed to restart operations," it added.

The company has also deferred decision on on increments to reduce its cost, it added.

PVR has also written to developers for waiving rental and CAM (Common Area Maintenance) charges for the lockdown period.

It is in discussion with developers for reducing rentals post re-opening and has invoked force majeure clause in its agreements with them.

Besides, the company has raised additional borrowings from existing bankers to shore up liquidity.

"As of March 31, 2020 the company had cash and bank balance of Rs 316 crore. As on June 7, 2020 cash and bank balance is Rs 227 crore (including undrawn bank lines)," it added.

Over reopening of theatres, PVR said that the government has come out with a phase-wise schedule.

In these guidelines cinema halls have been kept in the third phase of re-opening, where dates will be decided based on assessment of the situation.

"We are in continuous engagement with all regulatory authorities and hope to receive the necessary permissions for restarting opening in the near future," it added.

Currently PVR operates 845 screens in 176 properties in 71 cities.

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News Network
June 1,2020

Mumbai, Jun 1: Singer-composer Wajid Khan of music director duo Sajid-Wajid, popular for their work on superstar Salman Khan's films such as "Wanted", "Dabangg" and "Ek Tha Tiger", died in early hours of Monday in a city hospital due to complications arising from a kidney infection. He was 42.

Music composer Salim Merchant, who confirmed the news of Wajid's death, said the composer was hospitalised few days ago at Surana Hospital, Chembur where his condition deteriorated.

"He had multiple issues. He had a kidney issue and had a transplant a while ago. But recently he got to know about kidney infection... He was on the ventilator for the last four days, after his situation started getting worse. Kidney infection was the beginning and then he got critical," Salim told PTI.

The music composer duo made their Bollywood debut with Salman's 1998 movie "Pyaar Kiya Toh Darna Kya" and went on to work on actor's various films including "Garv", "Tere Naam", "Tumko Na Bhool Payenge", "Partner" and the popular "Dabangg" franchise.

Wajid also did playback for Salman in chartbusters like "Mera He Jalwa", "Fevicol Se" and for Akshay Kumar in "Chinta Ta Chita Chita" from the film "Rowdy Rathore", among others. He recently co-composed Salman's songs "Pyaar Karona" and "Bhai Bhai", which the actor released on his YouTube channel.

Wajid along with his brother Sajid served as mentor on singing reality shows "Sa Re Ga Ma Pa 2012" and "Sa Re Ga Ma Pa Singing Superstar".

The composer duo also scored IPL 4 theme song, "Dhoom Dhoom Dhoom Dhadaka", which was sung by Wajid.

Soon after the news of the composer's demise broke, many from the film fraternity took to Twitter to pay tributes.

Actor Priyanka Chopra said she will always remember Wajid's smile.

"The one thing I will always remember is Wajid bhai's laugh. Always smiling. Gone too soon. My condolences to his family and everyone grieving. Rest in peace my friend. You are in my thoughts and prayers," she posted on Twitter.

Actor Parineeti Chopra said Wajid was one of the "nicest" men in the industry.

"Always singing. All heart. Always positive. You will truly be missed Wajid bhai," she tweeted.

Actor Varun Dhawan shared a picture of his filmmaker-father David Dhawan with Wajid and remembered the musician as one of the most positive people in Bollywood.

"Shocked hearing this news @wajidkhan7 bhai was extremely close to me and my family. He was one of the most positive people to be around. We will miss you Wajid bhai thank you for the music," he wrote.

Music composer-singer Vishal Dadlani said he was "heartbroken" after hearing the news.

"Both @SajidMusicKhan and @wajidkhan7 have been close & true friends. The kind who might see the light on and show up at our studio in the middle of the night just to meet and talk and share a laugh. Can't believe Wajid and I will never speak again," he wrote.

Singer-composer Shankar Mahadevan said he was still unable to come to terms with the news of Wajid's demise.

"Shocking ! Good bye dear brother.. love you .. till we meet on the other side ! Prayers for your peaceful journey Wajid bhai," he tweeted.

Singer Javed Ali posted, "Feeling Deeply Saddened after hearing shocking news of the sudden demise of Wajid Khan. May his Soul Rest in Peace. My heartfelt condolences to his family. May Allah give strength to the family."

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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