Protests against Padmavati film intensifies in Rajasthan

Agencies
November 8, 2017

Jaipur, Nov 8: Protests against Sanjay Leela Bhansali’s upcoming movie Padmavati have intensified in Rajasthan with several organisations stating their objection to the movie over Rani Padmini’s portrayal, while distributors have also decided to wash their hands off it. “We don’t want to get involved in this controversy; our company has decided to not get involved in this film until this controversy is sorted out,” said Raj Bansal, a leading film distributor from Rajasthan. “None of my colleagues – there are 3 – 4 (top) distributors in Rajasthan – and none of them is ready for it. There may still be time to settle the controversy but it keeps on increasing now, to Gujarat, Maharashtra…” he said.

BJP MLA Diya Kumari, of the erstwhile Royal family of Jaipur, issued a statement Tuesday saying that “no film should hurt the sentiments of a community by twisting historical facts. The director of the film Padmavati, Sanjay Leela Bhansali should not wrongly depict the story of Queen Padmavati of Chittor. He should get the facts in the film verified by a forum of historians and then release the film.”

She said, “Rajputs will not allow any distortion of the valiant history of Rajasthan and sacrifice of its people in fighting barbarians. If the movie does not display authentic history or takes any liberties, it will not be allowed to be released.”

Top Rajput body, the Shri Rajput Sabha, also wrote a letter to Prime Minister Narendra Modi Tuesday and gave an ultimatum of November 12 for a countrywide ban of Padmavati and an FIR against “habitual offender” Sanjay Leela Bhansali. It said that “this type of distortion of history in films like Padmavati will ruin the history and damage the highest values for which our ancestors lived and died.”

“If people see Padmini dancing like stage actor, who will cherish the historical saga of Jauhar, rarest of rare incident of history.there is the glorification of the most barabaric, most devil, most vulgar attacker Alauddin Khilji. As you know, about 16,000 great Rajputanis of Rajasthan dedicated their lives and became martyrs for maintenance of nation’s prestige, religion, culture and Bharat Mata.Why we allow such glorification of our all-time worst enemy?” They have also asked the PM to “warn” Smriti Irani as she “has formally supported for release of film,” so that she may “be a bit careful in such important matters and withdraw her remarks.”

On Sunday, Congress spokesperson and Jaipur Congress president Pratap Singh Khachariyawas had said, “If the movie distorts history, then it is the responsibility of the Central and state government to ban it. The government is mistaken if it believes that it can screen the movie with distorted history,” he said, warning of a law and order situation if the government proceeds with the movie in its current form.

A day before him, Union minister of Drinking Water and Sanitation, Uma Bharti, had written an open letter stating, “If you are making a historical film, you cannot violate the facts.” She said that even to this day, “we have respect for Padmavati and hatred for Khilji.” She had said that people should find a way to address the apprehensions being raised on the film.

Several other organisations, such as Rajput Karni Sena, Shri Rajput Karni Sena, Antarrashtriya Brahman Mahasangh, and others have protested over the movie. The Bajrang Dal also said that it would protest the release of the movie in Rajasthan on November 10. Johar Smriti Sansthan had also called a bandh in Chittorgarh last week against the movie, which is scheduled to release on December 1.

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News Network
June 18,2020

New Delhi, Jun 18: Actor Priyanka Chopra Jonas on Thursday paid tribute to the Indian soldiers who were killed in clashes with Chinese troops in Ladakh's Galwan valley.

The 'Fashion' actor who is currently living in America with her singer husband Nick Jonas took to Twitter to extend support to the families of the fallen soldiers.

"My heart goes out to the soldiers and their families. May God give them the strength to cope with this irreparable loss," she tweeted.

Twenty Indian soldiers were killed in a violent face-off with Chinese troops on Monday at Galwan Valley in Ladakh.

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Agencies
June 22,2020

Mumbai, Jun 22: After he recently took a dig at a Bollywood actor, without taking name, alleging power play and alleging that the music industry is run like the mafia, Sonu Nigam has now come down on T-Series chairman and MD, Bhushan Kumar.

Sonu has shared a new Instagram video on Monday morning, which he captioned: "Laaton ke mafia baaton se nahi maante (you cannot reason with the uncouth mafia with words)."

In the video, the singer says in Hindi: "Bhushan Kumar, ab toh tera naam lena hi padega mujhe. Aur ab tu tu ke layak hai. Tune galat admi se panga le liya (Bhushan Kumar, now I have to mention your name. And now, you deserve being addressed without respect. You have messed with the wrong person)."

Sonu Nigam is one of the finest singer of Indian film industry.
I can't believe bollywood Mafia's are targeting him 😣

T series Bhushan Kumar has support of Ajay devgn and Salman khan. And they are trying to end career of Sonu Nigam. 😣

I Support Sonu Nigam.#SonuNigam pic.twitter.com/MWwfrshcJZ

— Sic Mindus मसलु (@SarcasticFire) June 22, 2020
"Tu bhul gaya woh time jab tu mere ghar pe aake… ‘bhai bhai meri album kar do. Bhai 'Deewana' kar do. Bhai, Smita Thackeray se milwa do, Bal Thackeray se milwa do. Abu Salem se bacha lo. Abu Salem galiyaan de raha hai'... yaad hai na? Yaad hai ki nahi yeh sab cheezein? Main tujhe keh raha hoon mere muh mat lagna ab tu bas. (Do you remember the time when you used to come to my home requesting me… ‘brother record an album for me. Brother, record Deewana for me. Brother, introduce me to Smita Thackeray and Bal Thackeray. Save me from Abu Salem. Abu Salem is abusing me'… do you remember? Don't mess with me, I am warning you)."

"Marina Cover yaad hai na? Woh kyon boli, woh kyon back out kiya yeh mujhe nahi pata. Media ko pata hai mafia kis tarah function karta hai. Uska video mere paas padha hai. Ab agar tune mere se panga liya, toh woh video main apni YouTube channel mein dal dunga. Samjha? Mere mooh mat lagna (Do you remember Marina Cover? I don't know no why they spoke and why they backed out, but media knows how the mafia functions. I still have that video with me. Now if you mess with me, I will upload that video on my YouTube channel. So don't mess with me)."

In a recent video posted on Instagram, Sonu Nigam had appealed to music companies (without taking names) to be a little kind towards newcomer artistes, saying otherwise more people will commit suicide. He had mentioned in his previous video that currently two companies rule the music industry. He had also claimed falling prey to power play by a Bollywood actor.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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