In Quantico, Bollywood's Priyanka Chopra Seeks an American Foothold

September 20, 2015

Montreal, Sep 20: The golden hour on this late September afternoon was anything but. The air was hot and hazy, the sky the colour of the industrial concrete buildings doubling as the set of the FBI Academy.

QuanticoThen Priyanka Chopra sauntered out of her trailer, a vision in mirrored shades and towering gold stilettos. And suddenly, as if by divine intervention, setting sunbeams pierced through the clouds.

"The sun opened up, right?" she said with a squeal and a kick. "I said" - she crooked a finger toward the sky - "'Come to me.'"

That the sun should oblige this Bollywood actress might not seem unreasonable to her fans in India, where she is one of that nation's highest-profile celebrities. But in North America, she remains a virtual unknown outside South Asian communities. Now Priyanka, 33, is banking on television to help her crack Hollywood.

"After being in movies for 13 years in India, I'm suddenly a debutante all over again," she said. "I'm scared and nervous - petrified, actually."

In ABC's new drama Quantico," which debuts September 27, Priyanka plays Alex Parrish, a half-Indian, half-white FBI trainee suspected of masterminding the biggest attack on New York since September 11. The series, which has been described as Homeland meets Grey's Anatomy (with a bit of How to Get Away With Murder," because of its many flashbacks), places Priyanka front and centre in an ethnically varied cast.

It's part of ABC's continued drive to promote diversity on screen through casting and outreach efforts. In 2012 Priyanka and her manager, Anjula Acharia-Bath, met Keli Lee, executive vice president for talent and casting for ABC Entertainment Group, at a dinner party. As Lee named some of the actors she'd helped place through the company's diversity efforts - Sofia Vergara in Modern Family, Sandra Oh in Grey's Anatomy and Kerry Washington in Scandal - Acharia-Bath remarked, "Well, you haven't done a South Asian yet, and we're one-fifth of the population." Afterward, she sent Lee some of her's movies, and the next thing she knew, a deal was in the making.

"I flew to India to convince Priyanka to work at ABC," Lee wrote in an email. "I wasn't going to let distance be a barrier to making a deal." The one-year commitment required ABC either to develop a project for Chopra or cast her in an existing project. She ultimately read 26 scripts; Quantico was her favourite. (Also Read: Priyanka Chopra Tweets Eight-Minute Preview of Quantico)

Her audition for the role was her first - ever - and Joshua Safran, the show's creator, wasn't sure what character Priyanka intended to read for when she arrived wearing a designer dress and carrying a designer handbag. "She walked in the room, and it was like the molecules shifted in that way that superstars have," he recalled. "I was very confused because I didn't know who she was, but we all sat up straighter."

"Ah, I love that, when it happens at hello," she said, giggling at the anecdote. "I make sure my walk is a good entrance. My heels and my hair."

Mr Safran had imagined a protagonist hardened by tragedy and aloof. He hadn't quite envisioned Alex as a bombshell.

"One of the things we talked about was, 'Is she so glamorous that she can't play this regular person?'" said Mark Gordon, one of the show's executive producers. "What we quickly came to realize is that she's a huge star internationally, but she's actually quite regular. She's very accessible both to women and to men, and that's especially important at ABC, where a large percentage of the audience is women."

Off screen Priyanka is somehow unthreatening despite an entourage of assistants and stylists. There are 22 people on "Team PC": 11 in Mumbai, India, where she owns a home and is a ubiquitous presence on the city's billboards, and 11 in North America, where a recent pool party at her rental house here gave rise to a spontaneous Bollywoodesque water ballet to Major Lazer's Lean On.

The child of an Indian army doctor and a gynaecologist, Priyanka moved with her parents every two years until 12, when she decided to live with an aunt in the United States, bouncing among Cedar Rapids, Iowa, New York and Newton, Massachusetts.

A dutiful daughter, she planned to become an engineer. Returning to Bareilly, India, the end of her junior year, she was studying for her university boards when her mother, pleased by her swanlike transformation, sent photos to the Miss India pageant. She won that title and six months later, at 17, was crowned Miss World 2000 - after which her mother wailed, "Who's going to study now?"

In 2002, Chopra entered the realm of Bollywood, a term she dislikes for its dismissiveness. "Hindi movies are an amalgamation of culture, of emotions, of drama, of music, of dance - which is why Hindi movies are an experience," she said. "We make about a thousand movies a year and are expanding into markets in Japan and Germany and Russia. We premiere our movies at the Berlinale and Cannes. It's an amazing time."

Priyanka has made nearly 50 movies, winning a National Film Award (the Indian equivalent of an Oscar) for her portrayal of a small-town girl turned supermodel in Fashion and lesser prizes for her turn as a 19-year-old autistic woman in Barfi!

That role, for which she had to prove to the director that she could believably subvert her innate allure, is among those of which she's proudest. "The most challenging thing in India is for her to come out of her glamour zone," said Irrfan Khan, an occasional co-star and the Indian actor with perhaps the most familiarity in America, with films like The Amazing Spider-Man and Jurassic World.

"Hindi commercial cinema tries to incorporate a beautiful girl in the same roles over and over, but if you're smart enough you learn to expose your personality. She understands her persona and keeps experimenting in different genres."

When asked where home is these days, Priyanka replied, "On a plane," noting she'd spent Labour Day weekend filming in India and would briefly return in October. "I just want to go where my work takes me."

But for the moment, she's hoping it's in the United States. "I simply want the opportunity to show people what I bring with me. They might like it, they might hate it. I don't know. I just hope that people are inquisitive."

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
January 10,2020

Mumbai, Jan 10: Superstar Salman Khan on Friday announced that his Eid 2021 release will be titled "Kabhi Eid Kabhi Diwali".

The 54-year-old actor took to Twitter to announce the movie which will be written and produced by filmmaker Sajid Nadiadwala.

"Housefull 4" helmer Farhad Samjhi will be directing the film.

"Announcing my next film... 'Kabhi Eid Kabhi Diwali'. Story and produced by Sajid Nadiadwala. Directed by Farhad Samji. Eid 2021," Salman tweeted.

The actor, whose last release "Dabangg 3" performed moderately at the box office, will next be seen in Prabhudheva's "Radhe". The film will hit the theatres on Eid this year.

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Agencies
January 9,2020

Mumbai, Jan 9: A day after Deepika Padukone visited the JNU campus to express solidarity with students who had been attacked, her film "Chhapaak" made another splash on Wednesday over the name of its antagonist.

While Deepika was the focus of many a discussion on social media and beyond for showing up at a public meeting in the university, the film, based on the life of acid attack survivor Laxmi Agarwal, was also making news for quite another reason.

In what could well be a storm in a 'Twitter cup', "Nadeem Khan" and "Rajesh" began trending on the microblogging site after a magazine article claimed the name of the antagonist had been changed. By 4 pm, 'Nadeem Khan' clocked close to 60,000 tweets and 'Rajesh' close behind with 50,000.

In 2005, Laxmi was disfigured for life when a man called Nadeem Khan and three others allegedly hurled acid at her in Delhi's upscale Khan Market.

In the film based on her life, the narrative remains the same but the names have been changed. So, Laxmi is 'Malti' Agarwal and Nadeem becomes 'Babboo' aka 'Bashir Khan'.

On Wednesday, Swarajya magazine wrote an article headlined, "The Ways Of Bollywood: In Deepika Padukone-Starer Chhapaak, Acid Attacker Naeem Khan Becomes ‘Rajesh'." "As part of a backlash against Padukone's JNU 'meet and greet', social media users researched the names of the characters involved in the movie Chhapaak and conspicuously found the name of main perpetrator Naeem Khan absent," the article alleged.

But in the Meghna Gulzar directed film, there is no mention of any Nadeem or Naeem Khan. Moreover, Rajesh is the name of Malti's boyfriend.

Minister of State for Environment, Forest and Climate Change Babul Supriyo jumped into the controversy, saying it was another example of "absolute hypocrisy".

"...When you say all characters are fictitious and don't have any resemblance with living beings and all of that, this is absolute hypocrisy. When you change the name which also changes the religion, it has been done very deliberately," Supriyo told a TV channel when asked to comment on the controversy.

South Delhi BJP MP Ramesh Biduri also called for a boycott of the movie.

With Deepika grabbing attention by going to JNU, many appreciated her 'silent solidarity' but others criticised her for "supporting the Leftists" and said it was a promotional stunt ahead of the release.

"#BoycottChhapaak" was trending on Twitter as was "#ISupportDeepika".

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