Rape rows risk taking sheen off Venice film festival

Agencies
August 19, 2019

Venice, Aug 19: The star-studded Venice film festival opens on Wednesday with a row raging about the inclusion of controversial directors Roman Polanski and Nate Parker.

With only two women directors out of 21 in the running for its Golden Lion top prize, campaigners have lashed the festival -- now the launchpad for the Oscars.

Director Alberto Barbera said last year that he would rather quit the 11-day event -- where three of the last five Oscar best picture winners were premiered -- than give in to pressure for quotas.

But feminist critics have only upped their attacks, accusing the festival of "almost comically scant levels of self-awareness".

"1 rapist. 2 women directors in competition at Venice. What else am I missing?" tweeted Women and Hollywood founder Melissa Silverstein, referring to Polanski's conviction for the statutory rape of a 13-year-old in 1978.

She was equally scathing about the late addition of US director Parker's film "American Skin" to a sidebar section.

"Good job Venice," she tweeted caustically, adding a reference to a rape trial the actor-turned-director was embroiled in while still at university.

Parker's 2016 debut film about a slave revolt, "The Birth of a Nation", was derailed after it emerged that he was accused of raping a fellow student, who later killed herself.

Although Parker was acquitted, he later admitted that when "I look back on that time as a teenager and can say without hesitation that I should have used more wisdom".

Fellow black American director Spike Lee has vowed to travel to Venice to support "brave" Parker.

"I haven't been affected by a film like this... in a long, long time," he said in a statement about the movie in which a Marine veteran whose son is killed by the police takes justice into his own hands.

But it is the premiere of 85-year-old Polanski's historical thriller about the persecution of the French Jewish army officer Alfred Dreyfus, "An Officer and a Spy", which is likely to make most headlines.

With Polanski suing the Academy of Motion Pictures for stripping him of his membership, Screen Daily's chief critic Fionnuala Halligan was withering about his selection.

She imagined festival director "Barbera, wandering the Lido hopelessly, singing the same mournful refrain... he can't find a female film director.

"So this year he's going to programme the new film by (a) convicted child rapist."

The message was "crystal clear", she added: "You don't cut it, ladies."

Halligan wrote such "gender imbalance... shouldn't be acceptable and Polanski is just like rubbing salt into that."

She also deplored the decision to add the director's cut of French director Gasper Noe's controversial 2002 rape shocker "Irreversible" to the line-up.

"Time to turn over," she argued.

Barbera defended his selections insisting that "numerous films this year deal with the theme of the feminine condition in the world which, even when directed by men, reveal a new sensitivity".

He said this was "proof that the scandals of recent years have left their mark on our culture".

The rows threaten to take some of the sheen off a staggeringly starry selection that features Brad Pitt, Johnny Depp, Kristen Stewart, Meryl Streep, Scarlett Johansson, and Mick Jagger.

Adam Driver, Penelope Cruz, and Robert De Niro are also due on the red carpet where the curtain will also come up on the new DC Comics blockbuster, "The Joker".

Trailers for the film starring Joaquin Phoenix, which traces the origins of Batman's nemesis, have already been viewed more than 80 million times.

Steven Soderbergh's take on the Panama Papers investigation, "The Laundromat", will also be premiered while Pitt plays an astronaut in James Gray's highly-anticipated sci-fi drama.

Japan's Hirokazu Kore-eda -- who won the best film at Cannes last year with "Shoplifters" -- opens the festival Wednesday with his French-set family story, "The Truth", starring Catherine Deneuve, Juliette Binoche, and Ethan Hawke.

The two female directors vying for the top prize are Saudi Arabia's Haifaa al-Mansour, the maker of the acclaimed "Wadjda", with "The Perfect Candidate", and the Australian comedy "Babyteeth" by newcomer Shannon Murphy.

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News Network
July 5,2020

Nalgonda,  Jul 5: Bollywood filmmaker Ram Gopal Varma has been booked in connection with his upcoming film 'Murder' which is based on Pranay Kumar's murder in Nalgonda district.

Ram Gopal Varma was booked following Nalgonda court's directive on a petition filed by father of a man who was killed in an alleged honour killing incident in Miryalaguda in 2018.

"We have booked filmmaker Ram Gopal Varma following a court order for his upcoming movie 'Murder', which is based on sensational caste-based Pranay Kumar's murder that occurred in Miryalguda, Nalgonda District in September 2018, " Police said.

On June 21, the filmmaker has released the poster of 'Murder', based on a true story.
Police said, "Pranay's father Balaswamy has filed a petition in Nalgonda Court stating that the film will affect the on-going trial of Pranay's murder case and the film should be stalled."

"We've registered a case under relevant section of SC/ST (Prevention of Atrocities) Amendment Act and taken up investigation."

"The court has ordered Nalgonda police to register a case against the film director Ram Gopal Varma and the producer," added the police.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
January 2,2020

Jan 2: A young filmmaker was allegedly assaulted by an acquaintance during an argument over CAA-NRC in neighbouring Salt Lake City, police said on Wednesday.

The police have arrested the accused following a complaint by the filmmaker.

According to a senior police officer, the argument over the contentious Citizenship Amendment Act (CAA) and the proposed National Register of Citizens (NRC) began following a social media post by the filmmaker.

The accused allegedly went to the house of the filmmaker on Monday night and picked up an argument, which led to a scuffle.

"During the scuffle, the accused attacked the filmmaker with a knife," the senior police officer said, adding that the accused has been booked under relevant sections of the Indian Penal Code.

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