Shah Rukh Khan represents the middle class boy who achieved it all: Aanand L Rai

Agencies
March 4, 2018

Mumbai, Mar 4: Aanand L Rai believes Shah Rukh Khan may have become a superstar but the actor still is the same Delhi boy at heart with humble beginnings and it was this quality that made him even more endearing for the filmmaker's next Zero.

In Zero, the 52-year-old actor, popular for portraying characters in love stories set abroad, plays a vertically challenged man who travels from Meerut to New York.

"I always felt he is a very basic Delhi boy. Whenever I saw him in those valleys of Switzerland, I felt 'Oh Delhi boy wahan tak pahuch gaya' (the Delhi boy has achieved great heights). I never felt he didn't belong there.

"That is the reason why I think he has a great connect in our country because he represents a basic middle class boy who has achieved it," Aanand told PTI when asked how does he see this transformation of the actor.

The movie reunites the cast of Jab Tak Hai Jaan with SRK, Anushka Sharma and Katrina Kaif featuring in the film.

For the first time, Aanand has teamed up with a star like Shah Rukh. Asked if the stakes have become higher, the 46-year-old director says, "There were bright chances."

He is, however, relieved to have SRK on board.

"Shah Rukh makes me feel so comfortable and makes you feel like he is the most obedient actor you have ever worked with. I have found a friend, a big brother in him. I am enjoying the process and he is letting me fly," he says.

As of now, Aanand is gearing up for the Christmas release of the film which, he says, is "shaping up great" and is a "lifetime of experiences".

Besides direction, Aanand is backing a string of new films under his company Colour Yellow Productions - from the sequel of Happy Bhaag Jayegi, Anurag Kashyap's next Manmarziyan to a project helmed by Rajkumar Santoshi.

Talking about his production spree, he says, "I will never do a film just for the sake of it. If I have nothing to contribute, I won't do it. If I don't have anything to bring on the table something which will make it easier for the director or the team, there is no reason to make it."

"I am not doing films to make money. If you make a good film, you will make money but that is not the prime reason to go for a film. My prime reason is what am I bringing new for my audience," he adds.

For the Raanjhanaa director, the success or failure of a film does not account to much, but what matters is the intention with which it was made.

Aanand's turn as a producer happened with the hit Tanu Weds Manu and he says the decision was largely driven by the idea to back the content he believes in.

"Producing a film was not to make money but only to get the freedom to make the kind of films I want to. I don't look at my bank (balance) in terms of what I am getting or not getting," he says.

"I am just enjoying the process of telling the stories I always wanted to be a part of. As a director I know I can do very few, but as a production house, I can tell more stories, which is fun," he says.

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Agencies
July 27,2020

Mumbai, Jul 27: Action director Parvez Khan, known for his work in films like Sriram Raghavan's Andhadhun and Badlapur, died on Monday after suffering a massive heart attack. He was 55. 

Parvez, who worked in the industry since 1986, was rushed to Ruby Hospital after he complained of chest pain, his longtime associate Nishant Khan told PTI. "He suffered a major heart attack in the morning. He was rushed to the hospital but was pronounced dead. He didn't have any health issues but felt chest pain last night," Nishant said.

Filmmaker Hansal Mehta, who worked with Parvez in the National Award winning 2013 drama Shahid, said the action director was extremely skilled. "Just heard that action director Parvez Khan is no more. We had worked together in Shahid where he executed the riots sequence in a single take. Very skilful, energetic and a good man. RIP Parvez. Your voice still rings in my ears," Hansal tweeted. 

Parvez started his career by assisting action director Akbar Bakshi in films like Akshay Kumar's Khiladi (1992), Shah Rukh Khan's Baazigar (1993) and Bobby Deol-starrer Soldier in 1998. It was with Ram Gopal Varma's Ab Tak Chhappan in 2004 that he started working independently and went on to have a long-standing collaboration with filmmaker Sriram Raghavan in films such as Johnny Gaddaar (2007), Saif Ali Khan-starrer Agent Vinod in 2012 and Badlapur, featuring Varun Dhawan. He is survived by wife, son, daughter-in-law and a granddaughter.

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News Network
June 9,2020

Mumbai, Jun 9: Actor Sonu Sood, who has been arranging transport for migrant workers stranded in Mumbai and has faced criticism from the Shiv Sena for "enacting a political script written by BJP", was stopped outside the Bandra Terminus in Mumbai by police from meeting labourers.

A Mumbai Police official said the actor was stopped by the Railway Protection Force (RPF) when he reached the station on Monday night to meet some labourers, and added that they have not received any complaint so far in this connection.

The migrant labourers were supposed to take the Shramik Special train from Bandra Terminus to Uttar Pradesh.

Mumbai's Nirmal Nagar police station's senior inspector Shashikant Bhandare told news agency PTI that "The actor was stopped by the RPF, not by us. He wanted to meet labourers who were going to their native place. We have not received any complaint regarding this till now."

Shiv Sena MP Sanjay Raut on Sunday wondered whether the BJP propped up Sonu Sood to "offer help" to migrant workers from north India stranded in Maharashtra amidst the lockdown, with the political motive to show the Uddhav Thackeray government in poor light.

In his weekly column 'Rokhthok' in Shiv Sena mouthpiece 'Saamana', Sanjay Raut questioned the sudden rise of "Mahatma" Sood on the social scene of Maharashtra during the lockdown.

Mr Raut also referred to an alleged "sting operation" against Sonu Sood ahead of the 2019 general elections, saying he had agreed to promote the BJP-led government at various platforms through his official social media accounts.

However, later that day Chief Minister and Shiv Sena president Uddhav Thackeray lauded Sonu Sood's initiative to arrange buses for stranded migrant workers.

The actor met Uddhav Thackeray at the latter's residence 'Matoshree' in suburban Bandra on Sunday night.

On Monday, Defence Minister Rajnath Singh backed Sonu Sood for his work for stranded migrant workers, and questioned the Maharashtra government's criticism of the actor.

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Agencies
January 11,2020

New Delhi, Jan 11: The Delhi High Court on Saturday restrained from releasing Deepika Padukone-starrer 'Chhapaak' movie without due credits to the lawyer who represented the acid attack survivor, Lakshmi Agarwal, in her legal battle.

The restraint will be effective from January 15 in multiplexes and live streaming and for others from January 17.

The court directed filmmaker Meghna Gulzar to give due credit to lawyer Aparna Bhat who fought the criminal case for the acid survivor on whose life the movie is based.

It passed the order on a petition filed by Fox Studio challenging a trial court order which had directed the filmmakers to give credit to Bhat.

Delhi's Patiala House Court had earlier this week passed an order granting an ex-parte interim mandatory injunction directed that the filmmaker has to carry a line "Aparna Bhat continues to fight cases of sexual and physical violence against women" during the screening of the film.

Fox Studios then requested the Delhi High Court to set aside the trial court order.

The petitioner submitted that if the order passed in a suit filed just one day before the release of the film, is not vacated, varied or modified, then the petitioner will suffer grave injustice and irreparable harm and injury.

The movie, which hit the cinemas yesterday, is based on Laxmi's life. In 2005, at the age of 15, she was allegedly attacked by a spurned lover.

Laxmi had to undergo several surgeries. Later, she started helping other acid attack survivors and promoted campaigns to stop such gruesome attacks.

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