Someone posted Rajinikanth’s Kabali review online and the world is going crazy

July 21, 2016

New Delhi, Jul 21: The expectations are sky-high when Rajinikanth is out with a film and Kabali is no exception. The fan mania around the film is unbelievable and producer Kalaipuli S Dhanu is guarding his film with utmost attention.

kabali5However, first it was alleged that Kabali released on Dark Web and now a scene, said to be Rajinikanth’s introduction in Kabali leaked on Whatsapp and Facebook. On Thursday morning, the day when Kabali released in the US, a Kabali review also landed online. A man named Balaji Srinivisan posted the review on Facebook in the morning and the search, Balaji Srinivasan Kabali, on the social media site soared. Almost 30,000 people have searched for it already.

However, the man himself took the review off his page but it was already getting shared. IndianExpress.com cannot independently verify the review but here it is reproduced as it goes viral on social media.

Thanks to bay area cine industry friends, I got to watch a preview show of Kabali. I went in with no expectations and came out with mixed feelings. Kabali is paisa vasool for Rajinikanth fans while others can have equal fun mocking the aged superstar go through his paces.

The bar has been set high for Rajini, since he has already donated all his assets, built colleges, constructed dams, overthrew a Chief Minister and in general has given up his life for the masses.

So, in this movie, the setting moves to Malaysia, where tamils are ill-treated and need a Messiah to save them. Enter the Superstar, who, like Nelson Mandela, spends several years in prison for his opposition to racism. When he comes out, he settles down to a regular life (think Baasha’s auto driver), until circumstances force him to become a gangster and rescue his daughter from the enemies. And of course, he becomes the leader of Tamils/Dalits in Malaysia and improves their conditions tremendously.

For a Rajini fan, this will all give him/her goosebumps. Slow motion walks, stylish poses, crisp dialogues are all there, and theatres will explode with applause each time Rajini does his carefully choreographed routine. There are flashback scenes where he looks “youth” that is sure to make his fans feel nostalgic. Director Ranjith has ensured that the larger than life image of Rajini has been preserved. In essence, it feels like a lifetime highlights of various Rajini movie scenes re-enacted.

For a casual cinema goer though, the whole shindig will feel thoroughly artificial and unbearable. The aged star with heavy makeup trying to act as a 30 year old is cringe-worthy. For someone who in real life has shied away from any responsibility, has acted without any consistency in politics, a person who has never stood up to his beliefs (he appreciated Jayalalitha getting out of prison for the case that he railed against her in ’96!), Rajinikanth again doing the act of the mass leader and people’s savior is laughable. The real life Rajini can do no right except to kindle talks about his entry into politics. But movie after movie, he does his act, and it is getting a bit long on the tooth.

Ranjith could have made a better film on the plight of the Malaysian tamils. May be that was his original plan.

The movie though, ends up as yet another commercial vehicle for the Superstar. Ranjith’s Dalit politics take a backseat here. Radhika Apte is apt in her role as is Dhansika. Watch out for a surprise cameo from someone you wouldn’t expect in a Rajini film. Neruppudaa is a surprising ear worm from Santosh Narayanan.

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News Netowrk
July 10,2020

New Delhi, Jul 10: Actor Bhumi Pednekar, who is staying indoors like many other Bollywood celebrities, on Friday said that she has learned to prioritise what is important to her amid the COVID-19-induced lockdown.

"One thing that I have learnt about myself is that I love isolation. I love being by myself. I saw a lot of people complaining that they are bored at home or that they cannot go out. I am an extrovert, I am a very social person but this quarantine has led me to realise that I do prefer my isolation over meeting people because I haven't really been in touch with people," she said.

"I have kind of been catching over my reading, not seen much television but started watching shows. I have spent a lot of time with my mom and honesty there were days when I did nothing," she added.

The 'Pati Patni Aur Woh' actor further said that it was important loving oneself and enjoying one's own company.

"I have kind of prioritised what I feel is important in life. I have re-educated myself. But the biggest learning has been that I love being alone. And maybe I have kind of enjoyed this state because as actors you are constantly surrounded by people whether you are promoting or shooting a film," she said.

"Your immediate entourage is also like a team of quite a few people. You are constantly over the phone, you are constantly over social media," she added.

Pednekar was last seen in Karan Johar's horror film 'Bhoot Part One: The Haunted Ship,'.

She will next be seen in another horror thriller, 'Durgavati.'

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News Network
April 11,2020

New Delhi, Apr 11: Actor Hema Malini on Saturday expressed concern over the health workers, who are being treated badly and are restricted to enter their own building.

The 71-year-old actor took to Instagram and shared a video where she expressed concern over the situation the health workers are going through. "Friends, I have seen this in various news channels and I am very sad that the health workers are being treated very badly. They are being restricted to enter their own building," she said.

The 'Baghban' actor further said: "Just think, in such times, they are our safeguards amid such situation (coronavirus outbreak). They are the ones who are going to ground level and are finding out the patients suffering from the disease."

She went on to add that "they do so, to save you. Remember, opposing them is to play with the safety of the country and every citizen. That is why we should honour them. Jai Hind."

In the post accompanying the video, she wrote, "Some of you might have watched the following interview on India TV where I have spoken about how I spend a typical day during this lockdown and social distancing period. This is for those of you who might have missed it!"

The post garnered more than 1.3k views within 35 minutes of being posted on the photo-sharing platform.

Just like other celebrities, Hema Malini is also practicing self-isolation amid the 21-day government-imposed lockdown in view of coronavirus outbreak.

India's total cases of coronavirus on Saturday climbed to 7,529 including 242 deaths and 652 people, who have either been cured or discharged, said the Union Ministry of Health and Family Welfare on Saturday. 

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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