Someone posted Rajinikanth’s Kabali review online and the world is going crazy

July 21, 2016

New Delhi, Jul 21: The expectations are sky-high when Rajinikanth is out with a film and Kabali is no exception. The fan mania around the film is unbelievable and producer Kalaipuli S Dhanu is guarding his film with utmost attention.

kabali5However, first it was alleged that Kabali released on Dark Web and now a scene, said to be Rajinikanth’s introduction in Kabali leaked on Whatsapp and Facebook. On Thursday morning, the day when Kabali released in the US, a Kabali review also landed online. A man named Balaji Srinivisan posted the review on Facebook in the morning and the search, Balaji Srinivasan Kabali, on the social media site soared. Almost 30,000 people have searched for it already.

However, the man himself took the review off his page but it was already getting shared. IndianExpress.com cannot independently verify the review but here it is reproduced as it goes viral on social media.

Thanks to bay area cine industry friends, I got to watch a preview show of Kabali. I went in with no expectations and came out with mixed feelings. Kabali is paisa vasool for Rajinikanth fans while others can have equal fun mocking the aged superstar go through his paces.

The bar has been set high for Rajini, since he has already donated all his assets, built colleges, constructed dams, overthrew a Chief Minister and in general has given up his life for the masses.

So, in this movie, the setting moves to Malaysia, where tamils are ill-treated and need a Messiah to save them. Enter the Superstar, who, like Nelson Mandela, spends several years in prison for his opposition to racism. When he comes out, he settles down to a regular life (think Baasha’s auto driver), until circumstances force him to become a gangster and rescue his daughter from the enemies. And of course, he becomes the leader of Tamils/Dalits in Malaysia and improves their conditions tremendously.

For a Rajini fan, this will all give him/her goosebumps. Slow motion walks, stylish poses, crisp dialogues are all there, and theatres will explode with applause each time Rajini does his carefully choreographed routine. There are flashback scenes where he looks “youth” that is sure to make his fans feel nostalgic. Director Ranjith has ensured that the larger than life image of Rajini has been preserved. In essence, it feels like a lifetime highlights of various Rajini movie scenes re-enacted.

For a casual cinema goer though, the whole shindig will feel thoroughly artificial and unbearable. The aged star with heavy makeup trying to act as a 30 year old is cringe-worthy. For someone who in real life has shied away from any responsibility, has acted without any consistency in politics, a person who has never stood up to his beliefs (he appreciated Jayalalitha getting out of prison for the case that he railed against her in ’96!), Rajinikanth again doing the act of the mass leader and people’s savior is laughable. The real life Rajini can do no right except to kindle talks about his entry into politics. But movie after movie, he does his act, and it is getting a bit long on the tooth.

Ranjith could have made a better film on the plight of the Malaysian tamils. May be that was his original plan.

The movie though, ends up as yet another commercial vehicle for the Superstar. Ranjith’s Dalit politics take a backseat here. Radhika Apte is apt in her role as is Dhansika. Watch out for a surprise cameo from someone you wouldn’t expect in a Rajini film. Neruppudaa is a surprising ear worm from Santosh Narayanan.

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Agencies
March 7,2020

Mumbai, Mar 7: A 'farm-to-fork' themed restaurant 'He-Man' situated on National Highway in Haryana's Karnal -- franchised by veteran Bollywood actor Dharmendra -- has been sealed for building law violations, officials said on Saturday.

The Karnal Municipal Corporation sealed the franchise outlet on Friday for not furnishing the change of land use (CLU) certificate and illegal constructions, an official said.

The restaurant is located on National Highway 44 on the outskirts of Karnal, some 150 km from here.

The franchise was given to Delhi-based businessman Pramod Kumar.

"After the success of my restaurant Garam Dharam Dhaba, I am now announcing a farm-to- fork themed restaurant 'He-Man'," Dharmendra had announced on Instagram after its launch on Valentine's Day.

Karnal Deputy Commissioner Nishant Yadav said the action was initiated as the restaurant owner did not respond to MC notice on the issue.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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News Network
January 8,2020

New Delhi, Jan 8: Actor Kangana Ranaut on Wednesday applauded director Meghna Gulzar and actor Deepika Padukone for making 'Chhapaak', a film based on acid-attack victims.

Kangana's sister Rangoli Chandel who herself is an acid-attack survivor took to Twitter to share a video of the actor where she is seen extending thanks to Gulzar and Padukone for making a film on the important issue.

"I saw the trailer of the film 'Chhapaak' recently, and after watching it I was reminded of the incident of acid attack on my sister Rangoli. Today, I and my family thank Meghna Gulzar and Deepika (Padukone) that they made a film on this issue. This will give courage to those people who gave up on their life after struggling with it," said Ranaut in the video.

"This film has placed a tight slap on the face of those monsters who succeeded in their act but not in their will. With this film, all those faces will glow that have been spoiled and their courage was broken by these monsters and the beauty of their spirit," the 'Panga' actor said.

Congratulating the team of the film, Kangana added, "I wish that with this New Year the sale of acid gets prohibited so that this country becomes free of acid-attacks. In the end many many congratulations to the team 'Chhapaak'."

The movie is based on the real-life acid attack survivor of Laxmi, who at the age of 15, was attacked allegedly by a spurned lover in 2005. Laxmi had to undergo several surgeries. Later, she took up the job of helping acid attack survivors and promoted campaigns to stop such attacks.

'Chhapaak' is being helmed by Meghna Gulzar and is being co-produced by Deepika and Fox Star Studios. The movie is set to hit theatres on January 10, 2020.

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