Sound of success: Resul Pookutty gets twin nominations for US awards

January 28, 2016

Mumbai, Jan 28: In a rare achievement, Oscar-winning sound artist Resul Pookutty has won nominations for two films, both banned in India, at the prestigious American Motion Picture Sound Editors’ (MPSE) Golden Reel Awards.

ResulThe 44-year-old artist of the ‘Slumdog Millionaire’ fame has won nominations for his sound engineering work in “Unfreedom”, a US production, and “India’s Daughter”, which revolves around the December 16, 2012 gangrape and fatal assault on a paramedic in New Delhi.

He said the 63rd Golden Reel Awards will be announced on February 27, a day ahead of the Oscar nights, in Los Angeles. The nominations were announced last night.

The other films/television documentaries in the list include the “Beware Baltimore”, “Chef’s Table”, “Deadliest Catch”, and “The Undrafted” among others.

Pookutty said a double nomination is rarity in the industry and the beauty is that both these are Indian work. “For me getting two nominations at the same time that too from an elite group of the best professionals is heartening. I am an MPSE member but getting double nominations is this something very different and difficult,” he said.

He noted that all his international recognitions came for the work he has done in India, but expressed anguish over the ban imposed on both the films in the country.

“I don’t understand why a progressive society like ours should react the way we do now. I am pained at the suppression of artistic freedom,” he said, adding these two works are analysis of extreme violence, which any progressive society should welcome.

“By banning such films we are nullifying the will of the people,” Pookutty said. The MPSE recognises excellence in an array of sound editing achievement, from sound effects and foley to dialogue and ADR to music and score integration. The MPSE is the final industry group to announce nominees this year and remains the only group to do so after annual Academy Award nominations. 45 percent Indian cinema revenue comes from south: Resul Pookutty

“India’s Daughter” was directed, written and produced by British director Leslee Udwin. Though the documentary was banned in India, it was globally beamed on March 4 last year.

“Unfreedom”, which espouses homosexuality, is the debut film of Florida, US-based director Raj Amit Kumar. The film, starring Adil Hussain and Victor Banerjee, is also banned in the country by the censor board.

“Unfreedom” is a thriller chronicling a lesbian love story set in New York and New Delhi and is said to be inspired by Faiz Ahmad Faiz’s poem, “Ye Dagh Dagh Ujala”. The film is expected to hit North American halls on May 29.

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Agencies
August 4,2020

New Delhi, Aug 4: Almost two months after the demise of late Bollywood actor Sushant Singh Rajput, actor Preity Zinta on Tuesday watched his last film 'Dil Bechara' for the second time and said it was an 'emotional roller coaster'.

The 'Kal Ho Na Ho' actor shared a picture of one of the scenes from the film on Instagram and thanked film director Mukesh Chhabra for doing justice to the 'Kai Po Che!' actor's last film.

"Saw #Dilbechara again Thank you @castingchhabra for doing full justice to Sushant's last movie," she wrote in the caption.
"It was surreal, a tearjerker and an emotional roller coaster all the way," she added.

She also praised Sushant's co-actor Sanjana Sanghi for doing a "fab job" in the film which happens to be her debut flick.

"@sanjanasanghi96 U and the rest of the cast did a fab job. Congratulations to all of you. #Bittersweet #MissU," the 45-year-old actor further wrote.

Produced by Fox Star Studios, 'Dil Bechara' has been adapted from the famous John Green novel 'The Fault In Our Stars.'

Rajput was found dead at his Mumbai's Bandra residence on June 14.

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News Network
January 30,2020

Mumbai, Jan 30: A day after a woman filed a complaint against Ganesh Acharya alleging that he had forced her to watch pornography, actor Tanushree Dutta said Bollywood should boycott the choreographer.

A 33-year-old woman, an assistant choreographer, has written to the National Commission for Women (NCW) alleging that Acharya used to make her watch porn videos whenever she visited his office in suburban Andheri.

She also alleged that Acharya and two women assaulted her during a function of the Indian Film and Television Choreographers Association (IFTCA) held in suburban Andheri on Sunday. A complaint has been filed in this regard with Amboli police.

"It's time Bollywood and the other Indian film industries boycott choreographer Ganesh Acharya completely. Hiding behind the male superstars who work with this despicable man, he has been abusing his power and position to harass, bully and take advantage of vulnerable young newcomers to the industry," Dutta said in a statement here.

Dutta had alleged that her co-star Nana Patekar harassed and misbehaved with her while shooting for a song for their 2008 film "Horn Ok Pleasss", and Acharya, who was the choreographer, introduced new steps which were "intimate".

Recalling the trauma she faced, Tanushree said even though Acharya was party to all the harassment she faced on the 'Horn ok Pleasss" set, he went on to spoil her name and reputation.

"Nobody had any regard for me and how much I had suffered psychologically and financially because of the turmoil I went though due to these people. I left the industry because I was so scared and hurt over the atrocious treatment meted out to me on 'Horn ok Pleasss' set.

"I had worked very sincerely to get to where I got in life and so went in shock for many years, over the whole episode on that set almost 12 years ago, that led to an attack on my car. They didn't just break my car, they broke my spirit that day," Dutta said, in reference to the attack on her car in 2008.

She expressed her displeasure over how "leading men" and "heroes" of Bollywood continued working with Acharya, whose most recent work includes "Simmba", "Zero", "Sanju" among others.

"Even after all the information of fraud, non payment of dues, sexual harassment of dancers, bullying and intimidation and even physical abuse of dancers is coming out about Ganesh Acharya in the media, if the actors, directors and producers still work with him, it would mean that they themselves are engaging in such acts also.

"It's a warning to the film industry to stay the hell away from Ganesh Acharya otherwise your own reputation will be joined to his character. I'm sure many more girls and boys will come out about his misbehaviour and shady business, opening floodgates in the future," she added.

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News Network
January 13,2020

Mumbai, Jan 13: On the ongoing protests against new Citizenship Law, Bollywood actor Zeeshan Ayub said that everyone has been exposed and the common man has understood everything and the right-wing people cannot make a fool out of them by giving vague statements.

Talking to ANI, Zeeshan said, "Law is supposed to give the citizenship but the way in which the criteria have been changed is the trouble here."

Disagreeing to the continuous statements put forward by the BJP government that CAA is not a hindrance to the citizenship, the actor further said, Things are clear now, people have now understood the facts, the people and the intention behind are now exposed,.. they can't make a fool out of common people any more."

Zeeshan said it actually the other way round, those people are the ones who are misleading the general public by fluctuating their own statements. "Home minister said something, the next day something else is being said in the Ram leela..people are getting confused., the 'Ranjahanna' actor added.

He further said, "Earlier it was Hindu-Muslim propaganda, but that didn't work, so now you are making it a case between two political parties.. basically you are changing your own statements." When asked about his take on the ongoing JNU Violence, the actor said the members of the alleged political party itself have come out and explained their part in the case and yet no action has been taken.

The actor finally said that people should develop a sense of humanity.

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