Sridevi: The diva who lit up Indian cinema screen

Agencies
February 25, 2018

Mumbai, Feb 25: Those expressive eyes and the mischievous smile sent hearts aquiver and lit up the cinema screens, making Sridevi Bollywood's first female superstar.

Sridevi's sudden death at the age of 54 in Dubai due to cardiac arrest yesterday has left family and fans in shock and grief. This 'Chandni' left the world too soon.

The actor, wife of producer Boney Kapoor, died late at Saturday night reportedly due to cardiac arrest in Dubai, where she had gone along with her family to attend her nephew Mohit Marwah's wedding.

In an impressive career, spanning five-decades, the actor ruled the commercial cinema space in the '80s and '90s like no heroine had done before.

In an industry dominated by male superstars, Sridevi reversed the trend by her sheer acting prowess. Her name, most of the times, was a guarantee enough for a film's success.

An extremely shy person in real life, Sridevi came alive in front of the cameras, playing a variety of roles. Such was her popularity that her style and dance moves would be copied by her fans country over. She was 'Miss Hawa Hawaaii' and 'Chandni' for them.

Sridevi started acting at the age of four and made her debut with M A Thirumugham's "Thunaivan". She continued acting in Tamil, Telugu, Malayalam and Kannada films but it was her career in Bollywood that made her a household name in the country.

She made her Bollywood debut as a child artiste in 1975 hit "Julie" but continued ruling the South Indian film industry where she established herself as a leading heroine with films such as "16 Vayathinile", "Sigappu Rojakkal", "Meendum Kokila" and "Moondram Pirai".

In Bollywood, she made her debut in 1978 as a lead actor in "Solva Sawan".

She gained commercial success with the 1983 film "Himmatwala" opposite Jeetendra, which also established her as one of the best dancers in cinema. She was grace-personified dressed as an apsara (a celestial beauty in Hindu mythology) performing on the hit track 'Nainon mein sapna'.

The year 1983 also saw Sridevi give stellar performances in both critically acclaimed and box-office hits such as "Sadma", where she played the role of a woman who loses her memory.

Both she and actor-turned-politician Kamal Haasan played the roles in the Hindi remake of their 1982 Tamil movie, "Moondram Pirai". The climax of the heart-wrenching movie was deemed as poetic as the entire plot, with the song 'Ae zindagi gale laga le' as an ode to the philosophy of uncertainty in life.

Sridevi followed it up with a number of commercial hits such as "Mawaali", "Tohfa", "Masterji" and "Nazrana".

In 1987 came Shekhar Kapur's "Mr India", a film which was produced by her future husband Boney Kapoor.

Sridevi gave a memorable performance as crime reporter Seema Sohni. She was one of the few female actors who left the audience spellbound with both her comic timing and sensuality.

How her undercover scribe transformed into Ms Hawa Hawaaii, thanks to her dancing skills in one of the popular songs, is one of the most memorable scenes of the film.

Owing to the cult status the song went on to achieve, the Kavita Krishnamurthy number has been recreated a number of times in films such as "Shaitan" and most recently in Vidya Balan's "Tumhari Sulu".

And so will 'Kaate nahi kat-te', an iconic sultry number which saw the actor romance an invisible man in a song revelling in a never-before-seen boldness and fantasy.

Filmmaker Yash Chopra cast her in the title role of "Chandni" in the 1989 film, another iconic film of her career. Such was her performance in the film that fans came to recognise her with the name of Chandni.

Impressed with her performance in the film, Chopra cast her again in "Lamhe" in a dual role, where she played the mother and the daughter.

It did not do well at the box office at that time but has come to be known one the best films of Sridevi, Chopra and Anil Kapoor's careers. The film was said to be ahead of its times as it dealt with a woman falling for an older man who is in love with her dead mother.

Her other major box office hits of the era were "Chaalbaaz", where she played the role of twins, "Nagina", and "Khuda Gawah" opposite Amitabh Bachchan.

Her pairing with Anil Kapoor, her "Mr India" co-star and brother-in-law, was particularly successful and she would work with him again in "Laadla" and "Judaai".

After "Judaai", Sridevi took a break from acting to focus on her marriage with Boney Kapoor. She had two daughters -- Janhvi and Khushi -- with Kapoor.

The actor made a successful comeback to cinema 15 years later with Gauri Shinde's "English Vinglish", playing a housewife who learns English after feeling left out in her family.

She also had a starring role in Tamil film "Puli" and followed "English Vinglish" with another successful outing in "Mom", which also featured Nawazuddin Siddiqui and Akshaye Khanna.

The actor's elder daughter Janhvi is on the cusp of her own cinematic journey with "Dhadak", a remake of the Marathi blockbuster "Sairat". Unfortunately, Sridevi will not be there to witness it.

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News Network
July 16,2020

Washington, Jul 16: Actor Chris Evans, better known as 'Captain America', made a six-year-old boy's day by sending him a personalised video message lauding his heroic act of saving his younger sister from a dog attack.

According to The Hollywood Reporter, the aunt of the young boy (Bridger Walker from Cheyenne) posted on Instagram the story of how the boy saved his sister on July 9 and was horribly injured in the process.

She shared the story on the photo-sharing platform on Sunday and also posted few photos featuring the brother-sister duo as well as pictures of the injuries on Walker's face.

"After receiving 90 stitches (give or take) from a skilled plastic surgeon, he's finally resting at home," wrote the aunt (Nikki Walker).
"We love our brave boy and want all the other superheroes to know about this latest hero who joined their ranks," she added.

Moved by the young boy's story, Evans made a direct video message appreciating the boy for what he did, and how he is no less than a superhero.

He also promised to send the young kid an authentic 'Captain America' shield as a reward for his selfless, heroic act.

Evans' video message to the young boy was shared by the aunt on her Instagram profile.
In the video, Evans is saying, "Pal, you're a hero, what you did was so brave, so selfless -- your sister is so lucky to have you as a big brother.

Your parents must be so proud of you," Evans said in a video message that the family shared Wednesday. "Keep being the man you are, we need people like you. Hang in there, I know recovery might be tough, but based on what I've seen, I don't think there's much that can slow you down."

Towards the end, the 39-year-old actor told the boy he was sending the 'Captain America' shield to him, as the world needs more bravehearts like the little boy.

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News Network
May 11,2020

Mumbai, May 11: Model-cum-actress Poonam Pandey was on Sunday booked by Mumbai Police for violating the coronvirus-induced lockdown norms, an official said.

An FIR was registered against Panedy and a person accompanying her by the Marine Drive Police.

She was found roaming in her high-end car at Marine Drive without any reason, he said.

"A case has been registered against Pandey and Sam Ahmad Bombay (46) under sections 269 (Negligent act likely to spread infection of a disease dangerous to life) and 188 (Disobedience of order duly promulgated by public servant) of the Indian Penal Code (IPC) and under provisions of the National Disaster Act," senior police inspector Mrityunjay Hiremath said.

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News Network
June 26,2020

New Delhi, Jun 26: Actor Sushant Singh Rajput’s death has exposed the deep faultlines in the Hindi film industry with issues such as bullying, nepotism and discrimination emerging from tinsel town’s rarely discussed dark corners into the spotlight of introspection and debate.

The days since the death of the 34-year-old actor, whose body was found in his Mumbai apartment on June 14, have split the glamour industry down the middle – between ‘insiders’ and ‘outsiders’, 'us' vs 'them', and those born to fame and those who sweated for it.

That Rajput, who came from a middle class home in Patna and made his mark in mainstream Hindi cinema in what could be the classic fairytale, ended his life led to soul searching about power structures in Bollywood and also angry accusations at the biggies who call the shots.

'Outsider' Manoj Bajpayee said the structural shift that everyone in the industry wants to see will begin once the powerful abolish the "insider-outsider" divide.

"Nepotism has been in the debate for a few years now. It'll change only if each and every individual who is positioned well, who is established and powerful starts making efforts to make it healthy and democratic for all the talented people who are coming in," Bajpayee said.

“We will have to work very hard to turn this industry into a fraternity where each and everyone is welcomed," he said. Dibakar Banerjee, who directed Rajput in Detective Byomkesh Bakshy!, added that outsiders need to put in twice the amount of work as compared to star children to convince the industry, the public and the box office of their talent.

"The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite," he told news agency.

Rajput was considered that rare actor, after Shah Rukh Khan perhaps, to have transitioned from television to Bollywood stardom and his death opened the proverbial can of worms.

Detective Byomkesh Bakshy! was produced by Yash Raj Films, which also backed Rajput’s Shuddh Desi Romance. As rumours swirled about unfair contract details, the powerful production house and other industry bigwigs and star children such as Karan Johar, Alia Bhatt and Sonam Kapoor faced ire from not just the public but even some of their colleagues.

The untimely death of the young actor had clearly not just touched a chord but triggered a rallying cry for change.

An out of context, old clip from Johar's chat show Koffee with Karan in which Bhatt is seen joking about Rajput and Kapoor confesses not knowing him fuelled the anger.

Hashtags like #BoycottKhans, #boycottnepotism and #JusticeForSushantSinghRajput started trending online a day after the actor's death with many calling for a boycott for the films made by Johar and featuring star children.

An online petition on Change.org asking fans to boycott Johar, YRF and Salman Khan has gathered almost 38 lakh signatures so far.

Reflecting the split in filmdom, Johar unfollowed everyone on Twitter except eight people, including Prime Minister Narendra Modi, Shah Rukh Khan and Amitabh Bachchan.

Hate comments also made actor Sonakshi Sinha, daughter of veteran actor-politician Shatrughan Sinha, deactivate her Twitter account last week.

Kapoor, too, disabled the comments section on her Instagram page and that of her father, veteran actor Anil Kapoor.

The public's angst found resonance in Bollywood with many in the fraternity saying the industry needs to introspect on how it treats outsiders.

Actors Gulshan Devaiah and Sushmita Sen, directors Hansal Mehta and Onir and singers Sonu Nigam and Kumar Sanu were amongst the many people who spoke out on the deeply disturbing issues that Rajput’s death had thrown up.

Mehta made a distinction between nepotism and bullying. 

He said his son Jai Mehta was an assistant director in his own film Shahid and also in Anurag Kashyap's Gang of Wasseypur series. He stepped inside the door because of his father but got ahead because he is talented.

“So when people take off on nepotism they do not really address the elephant in the room. They belittle the real battle -- the battle is between the powerful and the rising, between old and new, between rigidity and change, between secure and insecure,” Mehta said.

The director also criticised those bullying people in the guise of criticism.

“People in power (inherited/earned) have no business bullying those perceived to be less powerful or dependent on them,” he said, adding that the debate had been narrowed down to target certain people not for reform or the larger good.

According to Sen, nepotism is a truth as old as the industry.

“I think competition is a great thing but it should be a fair one for everyone… We have lived with it for many years. If it needs to change then all of us need to take responsibility, no one person,” she told PTI.

Onir said calling out nepotism does not mean denying talent just because someone belongs to the industry.

“It is about empowering all those deserving and talented denied opportunity by blatant discrimination. It’s about marginalising talent and creating a non-inclusive space,” he said.

Devaiah, known for his roles in Shaitan and A Death in the Gunj, said there is a lot of "toxicity" in showbiz because of the power structures but actors need to safeguard themselves from getting into a position where they can "lose control".

The debate was just not about actors but also the music industry.

“I have a request for music companies. Today, Sushant Singh Rajput has died. An actor has died. Tomorrow you might such news about a singer, a composer or a lyricist. The state of affairs in the music industry... there is a bigger mafia in the music industry than the film industry…,” singer Sonu Nigam said in a heartfelt video after Rajput’s death.

His colleague Kumar Sanu also uploaded a video on Facebook this week, saying he can sense a "revolution".

"Since his demise, I can see a different revolution emerging. Nepotism exists everywhere. It's a little more in our industry. You (the audience) make us who we are… Filmmakers or the top people (in the industry) cannot decide. It is in your hand to make us," he said.

As the debate intensified, Aligarh scriptwriter Apurva Asrani said some ‘woke’ friends were trying to crush the movement the actor’s death had sparked.

“Claiming to want dignity for him, they want others to suffer indignity in silence,” he tweeted, sharing a thread in which other such as Shekhar Kapur Ranvir Shorey and Abhay Deol also discussed nepotism and the camp culture in Bollywood.

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