Supreme Court refuses to stop Kambala for now; final hearing on Mar 12

Agencies
February 12, 2018

New Delhi, Feb 12: The Supreme Court of India on Monday, February 12, refused to pass an interim order to stop Kambala, a popular buffalo racing sport prevalent in coastal Karnataka. The Kambala race, held between November and March, involves a pair of buffaloes tied to a plough and anchored by one person.

A bench comprising A M Khanwilkar and D Y Chandrachud, however, fixed March 12 for a final hearing on the plea by animal rights body PETA in the matter.

Senior advocate Siddharth Luthra, appearing for the People for the Ethical Treatment of Animals, said the state ordinance allowing Kambala has lapsed and the buffalo race has no legal sanction at present.

To pave the way for the festival, the state cabinet had on January 28 last year decided to amend the Prevention of Cruelty to Animals Act, (Central Act 59 of 1960), enacted to prevent infliction of unnecessary cruelty and suffering on animals.

Bullock cart races are held in parts of north Karnataka and in the coastal districts of Udupi and Dakshina Kannada.

The Kambala race, held between November and March, involves a pair of buffaloes tied to a plough and anchored by one person.

They are made to run in parallel muddy tracks in a competition in which the fastest team wins.

It is believed to be held to propitiate the gods for a good harvest, besides being a recreational sport for farmers.

PETA has opposed the upcoming Kambala festival on grounds of cruelty to animals. Calling for banning the sport, it said the agitators have taken a leaf out of the pro-jallikattu protesters' book.

Earlier, another animal rights' body, Federation of Indian Animal Protection Organisations (FIAPO), had approached the apex court challenging the bill to legalise traditional buffalo races in Karnataka.

Comments

Hari
 - 
Monday, 12 Feb 2018

Kambala is not just a bull race.. It's our pride.. we cant expreess our feeling with just words.. It's beyond words

Danish
 - 
Monday, 12 Feb 2018

Those who oppose kambala ban, should think about in poor animals' point of view. Suppose if animals doing such act with human, do we enjoy.. still do we support that,,.?

Vinod
 - 
Monday, 12 Feb 2018

Should stop kambala. Kambala is extreme animal torturing. 

Ganesh
 - 
Monday, 12 Feb 2018

We should learn from Tamilans. Entire Tamil Nadu protested against Jellikettu ban. Here in Karnataka, nothing.

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News Network
January 12,2020

Hubballi, Jan 11: Karnataka Industries Minister Jagadeesh Shatter's mother Basvennamma Shivappa Shetter passed away here on Friday evening.

She was 86. She is survived by three sons and a daughter.

The final rituals was held on Saturday, family sources said.

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News Network
March 29,2020

Kasaragod, Mar 29: The ban imposed by Karnataka in crossing state borders to Mangalore even for medical emergencies had cost a life here late on Friday.

According to sources, the ambulance carrying a 70-year-old woman for critical care treatment to Mangalore was blocked at Thalapadi border on Kasaragod-Mangalore National Highway on Friday evening.

A pregnant lady had to deliver in an ambulance recently as the police denied permission to cross over to Mangalore.

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News Network
February 26,2020

Mangaluru, Feb 26: The 'Yakshagana' stage in Karnataka is witnessing a curious spectacle with a Muslim woman artiste creating waves with her performances.

Arshiya, the artiste from Vittal in Dakshina Kannada district, is the first woman from the Muslim community to venture into the popular traditional theatre art form.

At one time, women were barred from Yakshagana stages.

A Muslim woman exponent on stage has attracted the attention of 'Yakshagana' lovers in the state.

Arshiya is now getting advanced training in her skills at the Kadali Kala Kendra under Ramesh Bhat here.

Arshiya, who is fond of 'Bannada Vesha' (villain roles), is now known in her stage name 'Tanu Vitla.'

She has already performed various episodes on stage and gained popularity.

Arshiya, currently working in an automobile showroom at Padil, said she was attracted to the art form from a very young age.

The initial enchantment with the art form came as she saw the role of Mahishasura in 'Sri Devi Mahatme Yakshagana Prasanga' (episode) performed near her home town.

She was attracted to all the elements of the art form, which combines music, percussion, dance, dialogues, stage techniques, make-up and costume.

Arshiya said she was also inspired by a teacher in her school at Vittal who trained her for a performance on stage during the school's annual day celebration.

She started performing on local stages at Vittal at the very young age of 10.

Arshiya now performs prominent roles on stage including Mahishasura in Sri Devi Mahatme Prasanga, the role which enamoured her in her childhood.

She also has donned the roles of Nishambhasura, Rakthabeejasura, Srinivas Kalyana, Sudarshanopakyana, Kadamba Kaushike and Shambavi Vijaya.

Her performances at Udupi and Karwar besides Mangaluru have earned her a lot of admirers, who love her 'Asura' roles, thanks to her loud voice.

Arshiya now wants to learn the 'Chende' (percussion instrument), which is an important element in Yakshagana performances.

Arshiya revealed that there was a bit of resistance from her community about her passion for the art form, but she had staunch backing of her family.

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