Swamy model lie exposed: Ministry says Priyanka, Karti have only one DIN

[email protected] (CD Network)
June 29, 2014

New Delhi, Jun 29: The credibility of senior BJP leader Subramanian Swamy, who is considered as one of the most controversial politicians in India, is once again at stake as his allegation against two prominent figures of opposition also proved to be false.

priyanka-karti-subbuPriyanka Gandhi and Karti Chidambaram have only one Director Identification Number (DIN) issued to them, Corporate Affairs Ministry has said contradicting the vociferous claim of senior Bharatiya Janata Party (BJP) leader Subramanian Swamy that they possessed multiple numbers.

The Ministry has also said that other DIN applications (online) made by them had "lapsed" or were "rejected" and not allotted to them. "Priyanka Gandhi, wife of Robert Vadra, is holding only one DIN allotted by Ministry. The DIN application was made online and processed by the DIN cell assisted by service provider company under MCA21.

"The valid DIN number... was allotted on her application dated January 10, 2007," Pankaj Srivastava, Assistant Central Public Information Officer, Office of Regional Director, NR, Noida said in an RTI response dated June 17, 2014 to Bhilwara- based RTI activist SS Ranawat.

"No penalty order was passed by this Directorate as the power to impose is vested with Courts under the provisions of the Companies Act, 1956," the reply said in response to a question seeking a copy of any penalty orders imposed on her.

The issue was raised by Subramanian Swamy who had filed complaints against Priyanka Vadra and Karti Chidambaram with the Ministry alleging that the two had multiple DINs, which is not permissible under the Companies Law.

Karti Chidambaram is the son of former Finance Minister P Chidambaram.

In the case of Karti also, the Ministry said in its response that he is "holding only one DIN allotted by the Ministry. The DIN application was made online and processed by the DIN cell assisted by service provider company under MCA21."

"However, the DIN documents and related information are in the nature of personal information and the disclosure of which has no relationship to any public activity or interest or which would cause unwarranted invasion of the privacy of the individuals as prescribed under section 8(1)(j) of the Right to Information Act," it said.

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SS Ranawat
 - 
Sunday, 29 Jan 2017

This news is totally fake. In fact both the persons have DI number more than one. I have sufficient documentary evidences, which PTI ignored for the reasons best known to them.

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News Network
February 26,2020

Mangaluru, Feb 26: The 'Yakshagana' stage in Karnataka is witnessing a curious spectacle with a Muslim woman artiste creating waves with her performances.

Arshiya, the artiste from Vittal in Dakshina Kannada district, is the first woman from the Muslim community to venture into the popular traditional theatre art form.

At one time, women were barred from Yakshagana stages.

A Muslim woman exponent on stage has attracted the attention of 'Yakshagana' lovers in the state.

Arshiya is now getting advanced training in her skills at the Kadali Kala Kendra under Ramesh Bhat here.

Arshiya, who is fond of 'Bannada Vesha' (villain roles), is now known in her stage name 'Tanu Vitla.'

She has already performed various episodes on stage and gained popularity.

Arshiya, currently working in an automobile showroom at Padil, said she was attracted to the art form from a very young age.

The initial enchantment with the art form came as she saw the role of Mahishasura in 'Sri Devi Mahatme Yakshagana Prasanga' (episode) performed near her home town.

She was attracted to all the elements of the art form, which combines music, percussion, dance, dialogues, stage techniques, make-up and costume.

Arshiya said she was also inspired by a teacher in her school at Vittal who trained her for a performance on stage during the school's annual day celebration.

She started performing on local stages at Vittal at the very young age of 10.

Arshiya now performs prominent roles on stage including Mahishasura in Sri Devi Mahatme Prasanga, the role which enamoured her in her childhood.

She also has donned the roles of Nishambhasura, Rakthabeejasura, Srinivas Kalyana, Sudarshanopakyana, Kadamba Kaushike and Shambavi Vijaya.

Her performances at Udupi and Karwar besides Mangaluru have earned her a lot of admirers, who love her 'Asura' roles, thanks to her loud voice.

Arshiya now wants to learn the 'Chende' (percussion instrument), which is an important element in Yakshagana performances.

Arshiya revealed that there was a bit of resistance from her community about her passion for the art form, but she had staunch backing of her family.

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News Network
March 8,2020

Bengaluru, Mar 8: The Indian Council of Medical Research (ICMR) has identified three more locations to open Viral Research Diagnostic Laboratories (VRDL) including in Mysuru, Hassan, and Shivamogga in Karnataka.

According to a statement issued here on Sunday, these laboratories will start functioning shortly in Mysuru Medical College and Research Institute, Hassan Institute of Medical Sciences, and Shivamogga Institute of Medical Sciences. Besides, the ICMR has also identified sample collection centres in Vijayanagar Institute of Medical Science in Ballari and Kalaburgi Institute of Medical Sciences.

B G Prakash, State Joint Director (Communicable Diseases), said that the new Laboratories will help to ease the load on the two designated laboratories in Bengaluru. Currently, the virology laboratory in Bangalore Medical College and Research Institute and the NIV branch in Rajiv Gandhi Institute of Chest Diseases are doing COVID-19 tests in Karnataka.

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January 21,2020

Yadgir, Jan 21: A bag was found abandoned at the Yadgir Bus Stand on Tuesday morning that left the commuters in panic.

After receiving the information, a police team, along with a sniffer dog, rushed to the spot. When the bag was checked, the police found clothes and cash in it.

It is stated that a passenger might have left the bag in a hurry to catch the bus.

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