Tanushree files sexual assault complaint against Nana; he says she’s lying

Agencies
October 7, 2018

Mumbai, Oct 7: Tanushree Dutta on Saturday filed a police complaint against veteran actor Nana Patekar for allegedly sexually harassing her on the sets of a film in 2008, police said.

Dutta, in a recent interview alleged that Patekar had misbehaved with her while filming a song for the 2008 film ‘Horn ‘OK’ Pleasss.’

She has filed the complaint at the Oshiwara police station against Patekar, choreographer Ganesh Acharya, producer Sameer Siddiqui and director Rakesh Sarang.

According to Dutta's advocate Nitin Satpute, the actor will be giving a statement to the police on Sunday.

"We have filed a police complaint, they are investigating the matter and tomorrow (Sunday) they have called her (Dutta) for recording her statement," Satpute told PTI.

He added that a similar complaint had been filed by the actor back in 2008 as well.

In a letter, Dutta said that she lodged her complaint for the registration of FIR under Sections 354, 354 (A), Section 34 and Section 509 of the Indian Penal Code (IPC).

She further said before shooting the song, which was supposed to be a solo song picturised only on her, she had clearly mentioned that she will not enact or perform any lewd, vulgar or uncomfortable steps.

However, on the fourth day of the shoot, Patekar's behaviour was inappropriate as he was grabbing her by the arms and pushing her around on the pretext of teaching her some steps, the complaint said.

"When he was touching me indecently and unnecessary I felt very uncomfortable because of his behaviour, I felt he has outraged my modesty," the letter read.

Dutta even complained to the choreographer, producer and director hoping some action would be taken and everything would be fine.

But to her surprise, new steps were introduced by Acharya, which were intimate and included Patekar touching her inappropriately, she alleged.

The actor said she was being forced and pressurised to do the steps but after she refused, the producer threatened to defame her.

Everyone was taking side of Patekar, she said.

She then called her parents and manager, who questioned Patekar's actions. However, the producer refused to budge, and Dutta had no choice but to leave the studio, the complaint said.

On the way out, her car was attacked, but with the help of the police she managed to escape from the spot, it added.

“We were then taken to the police station and my statement was recorded but not as per the complaint. Many parts of my complaint were deleted, omitted and avoided,” she alleged.

She also lodged a complaint with CINTAA in March 2008.

"After the above incident I was under tremendous shock and I suffered psychological trauma and was unable to take work and suffered huge monetary loss in crores," Dutta said in the letter.

Tanushree Dutta's lawyer on Saturday said that the actress will move the High Court if the police failed to take adequate action against the accused.

Addressing the media, Advocate Nitin Satpute said, "We have all evidence of the incident and will move the High Court if proper action is not taken by the police."

On being asked why did the actress file a complaint ten years late, Satpute said, "Tanushree had tried to lodge an FIR against Nana Patekar, Ganesh Acharya, the director and producer of the movie in 2008, but police made fool of her by registering a case only against the incident of attack on her vehicle and didn't mention anyone's name. (sic)"

He added, "Since she doesn't know Marathi she was unaware of it. Moreover, she was also in depression due to the harassment that she had undergone. Now that Tanushree has recovered she decided to take action and registered a case against them."

Earlier in the day, Patekar, who was shooting for his upcoming film ‘Housefull 4’ in Jodhpur, landed here Saturday.

"I said this ten years ago... a lie is a lie (Dus saal pehle bol chuka hoon, ab jo jhoot hai woh jhoot hai')," Patekar told reporters here Saturday.

Patekar's lawyer had sent a legal notice to Dutta demanding apology.

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News Network
January 9,2020

Mumbai, Jan 9: Actor Juhi Chawla on Wednesday said instead of constantly criticising the government, one should reflect on own conduct and talk about uniting rather than dividing.

The actor attended an event which aimed to counter "Free Kashmir (narrative), anti-India slogans, false propaganda and clear the misconception."

Juhi said as artistes, it's unfair to be questioned about incidents "just for a reaction" when they should be given time to truly understand the situation.

"We are going to work, thinking how to execute our task, then some incident happens somewhere and suddenly the media asks, 'what do you think about this?' We haven't understood the matter, people haven't understood the matter but you need a reaction.

"Let people understand, whether it's NRC or CAA, and what's is it about, why is this being talked about," Juhi told reporters.

The actor said it is sad that people talk about division more than unity.

"Everyone is quick to talk about dividing. Why don't we talk about uniting? Why does everyone say 'what is the government doing, why is it doing this?' but I say if you point one finger there then three fingers are at you.

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News Network
June 19,2020

New Delhi, Jun 19: With the demise of Bollywood actor Sushant Singh Rajput stirring a debate on nepotism in the film industry, singer Sonu Nigam on Thursday spoke out on the "mafia" of the Indian music industry.

Nigam shared a 7-minute-long Vlog (video blog) on his YouTube channel where he is seen talking about roadblocks in the career of the newcomers created by big music labels and in turn urged them to be kind.

"I want to request everyone and especially our music companies to be kind because today an actor - Sushant Sigh Rajput - has passed away, tomorrow you can hear the same about a singer or a composer or a lyrics writer because unfortunately there is a bigger mafia in the music industry than the film industry," the 46-year-old musician said.

He then talks about how the young and struggling musicians are distressed because of the monopoly of "only two music companies" in the industry that rule and decide everything.

"I came into the industry years ago and at a younger age so I didn't fall in the trap but this new generation is going through a lot," he said.

"They are distressed because the composer would want to work with them, the producer and director would want to work with them but the music company would say 'no this is not our artist.' This is not right that the power is in just two hands - two music companies only - they will decide who will sing who will not sing," he added.

He then stressed on the fact that he is completely out of the music industry but the situation is very grim for the newcomers.

"I am out of it and neither do I have any wish to sing since the last 15 years, I am very happy in my own world but I have seen the frustration in the eyes, in the voice and in the words of new singers, new composers, new lyric writers," he said.

"They cry and if they attempt suicide you too will have to answer the questions. Be a little kinder please, to the newcomers because they are Gandharva (skilled singers), please be a little easy on them," he added.

Nigam then shared a personal experience and without naming anyone described how a powerful actor from the Bollywood industry had control over the music world too.

"It might happen with me that the song I am singing and the same actor who is being questioned these days would say 'don't make him sing' as he has deals with Arijit Singh. So, how can you use your power like that?" he said.

"You call me, ask me to sing, and then get my song dubbed. This is funny especially because I have been working since 1991 in Bombay, I have been working since 1989 in the music industry and if you do this with me then what will you do with the young generation," he added.

The 'Aal Izz Well' singer ended the Vlog urging the big music labels to be "a little more chill" and humane towards the younger lot and warned that the distress might cause the newcomers to attempt suicide.

"Guys you need to chill a little, be a little humane. Please don't torture the younger ones, please step into their shoes, they need you, they need your help, they need your kindness," he said.

"Even directors and producers are not happy because they are not being allowed to make the music that they wish to. This is not right. Creativity should not be only in two hands. Be kind so that more people do not suicide," he added.

The alleged suicide of Sushant Singh Rajput has led to a lot of controversies in the entertainment industry. The investigations in the matter are still underway.

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News Network
February 24,2020

New Delhi, Feb 24: Indian Idol 11 winner is Bhatinda's Sunny Hindustani. Sunny, who mostly sang Nusrat Fateh Ali Khan's songs on the show, won the coveted trophy. The Bhatinda boy took home the Indian Idol 11 trophy along with the prize money of Rs 25 lakh, a car and a singing contract with T-Series.

Sunny's entry on the show was much-talked-about. His soul-soothing voice had mesmerised the judges on the audition day itself as he sang Afreen Afreen. He got a standing ovation and former Indian Idol 11 judge Anu Malik even said that he felt as if Nusrat Fateh Ali Khan himself was performing on the Indian Idol stage. His audition video had gone viral after Anand Mahindra shared it on social media.

On the finale night, Sunny sang a medley of songs, which included Mere Rashke Qamar and Halka Halka Suroor. Ayushmann got emotional seeing Sunny's journey on screen. He said, "Hum na actor bade self-obsessed hote hain. Humein lagta hai hamari struggle sabse achchi hai, sabse badi hai. Inke saamne toh kuch hai he nahi. Jahaan se aye hai, jitna hunar inke paas hai...mujhe lagta hai inki maa sabse ameer hain."

The first and second runner-up of the show Rohit Raut and Ankona Mukherjee got Rs 5 lakh each, while Ridham Kalyan and Adriz Ghosh who were fourth and fifth on the show, took Rs 3 lakh home. Every finalist also received Rs 1 lakh cheque from Lotus Herbals and gift hampers from the sponsors.

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