Udupi: Sri Krishna Leelotsava attracts thousands of devotees

[email protected] (CD Network)
September 6, 2015

Udupi, Sep 6: Thousands of people took part in the procession of the Sri Krishna Leelotsava, popularly called the Vittal Pindi festival, on Car Street here on Sunday.

Udupi ashtami 1

The procession started from the entrance of the Sri Krishna Mutt/Temple at around 3 p.m. Vidyavallabha Tirtha Swami of Paryaya Kaniyur Mutt installed a clay idol, ‘utsava murthy’, of Lord Krishna on the top of the golden chariot.

The idols of Lord Ananteshwara and Lord Chandramouleshwara were placed in the ‘Navaratna Ratha’ ahead of the golden chariot.

These chariots were pulled around Car Street with traditional drum beaters and ‘Huli Vesha’ dancers accompanying them. Vidyavallabha Tirtha, Vidyasagara Tirtha of Krishnapur Mutt and Lakshmivara Tirtha Swami of Shiroor Mutt walked between the two chariots.

There were a large number of people behind and in front of the chariots.

But the main highlight of the festival was mosaru kudike or breaking of earthen pots.

As many as 15 wooden gopuras were constructed around Car Street. As soon as the procession reached a gopura, a person would climb atop it and hang pots containing milk and milk products.

A group of persons dressed in folk costumes would stand below the gopura with long sticks and jostle with one another to break the earthen pots (with the sticks). This process was repeated at all the wooden gopuras.

People applauded them whenever they broke the earthen pots. Mosaru kudike here is different from those arranged at other places, where human pyramids are formed to break earthen pots hung above.

Then, Vidyavallabha Tirtha distributed ladoos and chakkulis at a stage put up near the Ananteshwara Temple Cross Road. Another feature of the festival was the enthusiastic participation of the Huli Vesha groups.

Their vigorous and spirited dancing enlivened the atmosphere.

What caught everyone’s eye was a Huli Vesha dancer dancing on two wooden bars held above the ground by members of his group. Some Yakshagana dancers also displayed their dancing skills during the procession.

After going around the Car Street, the procession culminated at the entrance of the Sri Krishna Mutt/Temple. The clay idol of Lord Krishna was removed from the golden chariot and taken in a golden palanquin and immersed in the Madhwa Sarovara, marking the culmination of the festival.

Udupi ashtami 1

Udupi ashtami 1

Udupi ashtami 1

Udupi ashtami 1

Udupi ashtami 1

Comments

Ashok Eggoni
 - 
Monday, 26 Sep 2016

Thank you coastaldigest for sharing. Indeed it was useful information about Udupi Temple Keep up the work..! Appreciate the time was taken to share the valuable info with the visitors/devotees like us..!

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News Network
July 10,2020

Mysuru, Jul 9: The renowned Mysore Palace has been closed on Thursday after a relative of an employee at the palace was tested COVID-19 positive, an official said.

The palace has been closed for the visitors in the view of rising COVID-19 cases. Authorities have decided to re-open the palace on Monday.

Earlier the Palace was closed for tourists for a week from March 15 to 22, in the wake of the coronavirus outbreak, Mysore Palace committee said.

According to the Union Health Ministry, Karnataka has reported 28,877 COVID-19 positive cases including 16,531 active, 11,876 cured/discharged/migrated while 470 succumbed to the virus.

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News Network
July 6,2020

Jul 6: At least 8 lakh Indians may be forced to leave Kuwait as the country's legal and legislative committee has approved a draft expat quota Bill, reported.

The Bill, which states that Indians should not exceed 15 percent of the population, was determined as constitutional by the National Assembly, local media reported.

It will soon be transferred to the respective committee so that a comprehensive plan is created.

Expats account for 30 lakh of Kuwait's 43 lakh population. Indian community constitutes the largest expat community in Kuwait, totalling 14.5 lakh.

The move comes as the number of Covid-19 cases has spiked in the country, with 49,000 cases being reported so far.

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News Network
February 26,2020

Mangaluru, Feb 26: The 'Yakshagana' stage in Karnataka is witnessing a curious spectacle with a Muslim woman artiste creating waves with her performances.

Arshiya, the artiste from Vittal in Dakshina Kannada district, is the first woman from the Muslim community to venture into the popular traditional theatre art form.

At one time, women were barred from Yakshagana stages.

A Muslim woman exponent on stage has attracted the attention of 'Yakshagana' lovers in the state.

Arshiya is now getting advanced training in her skills at the Kadali Kala Kendra under Ramesh Bhat here.

Arshiya, who is fond of 'Bannada Vesha' (villain roles), is now known in her stage name 'Tanu Vitla.'

She has already performed various episodes on stage and gained popularity.

Arshiya, currently working in an automobile showroom at Padil, said she was attracted to the art form from a very young age.

The initial enchantment with the art form came as she saw the role of Mahishasura in 'Sri Devi Mahatme Yakshagana Prasanga' (episode) performed near her home town.

She was attracted to all the elements of the art form, which combines music, percussion, dance, dialogues, stage techniques, make-up and costume.

Arshiya said she was also inspired by a teacher in her school at Vittal who trained her for a performance on stage during the school's annual day celebration.

She started performing on local stages at Vittal at the very young age of 10.

Arshiya now performs prominent roles on stage including Mahishasura in Sri Devi Mahatme Prasanga, the role which enamoured her in her childhood.

She also has donned the roles of Nishambhasura, Rakthabeejasura, Srinivas Kalyana, Sudarshanopakyana, Kadamba Kaushike and Shambavi Vijaya.

Her performances at Udupi and Karwar besides Mangaluru have earned her a lot of admirers, who love her 'Asura' roles, thanks to her loud voice.

Arshiya now wants to learn the 'Chende' (percussion instrument), which is an important element in Yakshagana performances.

Arshiya revealed that there was a bit of resistance from her community about her passion for the art form, but she had staunch backing of her family.

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