Urdu has become a minority language, laments Sharmila Tagore

February 19, 2017

New Delhi, Feb 19: Veteran actress Sharmila Tagore said that Urdu has "become static" and has been restricted to minority communities.Sharmila-Tagore

The 72-year-old actress, who was speaking at the "Jab Filmein Urdu Bolti Thi" session at the ongoing Jashn-e-Rekhta, said the language today is being spoken by "perhaps Muslims" alone.

"Traditions are vital to understand our history and to visualise a well-informed and balanced future. But Urdu, which has been an integral part of Indian history, has somehow become static. It has become a minority language, spoken by only the Muslims perhaps," Tagore said.
The language, which was once widely spoken in Delhi, bore the brunt of the Partition, which she said, "broke the literary tradition of the country".

While it became Pakistan's official language, in India it was left limited to mere corners of the country.

She went on to say that the language did not belong to any particular religion.
"It is not a language of Muslims only, or Pakistan's language. It is our language...and we would like to keep it like that," Tagore said.

Hailing from a Bengali family, the actress, who made her Bollywood debut with Shakti Samanta's 1964 film, "Kashmir Ki Kali" found it difficult to speak the Hindi prevalent in the industry at the time, let alone the nuances of Urdu.

"My will was negating (me) to learn it. But, I imbibed it and now I feel culturally rich and enhanced," she said.

But, it was her marriage to celebrated cricketer Mansoor Ali Khan Pataudi, who belonged to a traditional Urdu-speaking family that made her understand and learn the language better over the years.

Sharing an anecdote about her ignorance of Urdu literature during her early years in Bollywood, she recounted the instance when she told fellow actor Feroz Khan that her husband had penned a beautiful couplet for her, which was in fact written by Ghalib.

"I recited, 'Dil-e-nadan tujhe hua kya hai, aakhir is dard ki dawa kya hai.' Feroz said, 'You idiot woman, this is Ghalib, for God's sake'," she said.

Talking about the use of Urdu in Bollywood, she said it was actually Hindustani - a combination of Hindi and Urdu - that was widely popular in films.

"The marriage of the sister languages, Hindi and Urdu made the 1940s and 1960s very, very memorable," she said.

The actress was joined by legendary actor Prem Chopra and famous Hindi-Urdu screenwriter Javed Siddiqui on the panel.

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Agencies
January 9,2020

Mumbai, Jan 9: A day after Deepika Padukone visited the JNU campus to express solidarity with students who had been attacked, her film "Chhapaak" made another splash on Wednesday over the name of its antagonist.

While Deepika was the focus of many a discussion on social media and beyond for showing up at a public meeting in the university, the film, based on the life of acid attack survivor Laxmi Agarwal, was also making news for quite another reason.

In what could well be a storm in a 'Twitter cup', "Nadeem Khan" and "Rajesh" began trending on the microblogging site after a magazine article claimed the name of the antagonist had been changed. By 4 pm, 'Nadeem Khan' clocked close to 60,000 tweets and 'Rajesh' close behind with 50,000.

In 2005, Laxmi was disfigured for life when a man called Nadeem Khan and three others allegedly hurled acid at her in Delhi's upscale Khan Market.

In the film based on her life, the narrative remains the same but the names have been changed. So, Laxmi is 'Malti' Agarwal and Nadeem becomes 'Babboo' aka 'Bashir Khan'.

On Wednesday, Swarajya magazine wrote an article headlined, "The Ways Of Bollywood: In Deepika Padukone-Starer Chhapaak, Acid Attacker Naeem Khan Becomes ‘Rajesh'." "As part of a backlash against Padukone's JNU 'meet and greet', social media users researched the names of the characters involved in the movie Chhapaak and conspicuously found the name of main perpetrator Naeem Khan absent," the article alleged.

But in the Meghna Gulzar directed film, there is no mention of any Nadeem or Naeem Khan. Moreover, Rajesh is the name of Malti's boyfriend.

Minister of State for Environment, Forest and Climate Change Babul Supriyo jumped into the controversy, saying it was another example of "absolute hypocrisy".

"...When you say all characters are fictitious and don't have any resemblance with living beings and all of that, this is absolute hypocrisy. When you change the name which also changes the religion, it has been done very deliberately," Supriyo told a TV channel when asked to comment on the controversy.

South Delhi BJP MP Ramesh Biduri also called for a boycott of the movie.

With Deepika grabbing attention by going to JNU, many appreciated her 'silent solidarity' but others criticised her for "supporting the Leftists" and said it was a promotional stunt ahead of the release.

"#BoycottChhapaak" was trending on Twitter as was "#ISupportDeepika".

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News Network
January 28,2020

Mumbai, Jan 28: A 33-year-old woman has written to the National Commission for Women (NCW) alleging that Bollywood choreographer Ganesh Acharya used to make her watch porn videos whenever she visited his office in Mumbai.

In a complaint filed with the police, the woman, an assistant choreographer, has alleged that Acharya and two women assaulted her during a function of the Indian Film and Television Choreographers Association (IFTCA) held in suburban Andheri on Sunday.

Besides Acharya, the complainant, Divya Kotian, has named Jayashree Kelkar and Preeti Lad in her complaint for assault, a police official said on Tuesday.

Calls made to Acharya for his reaction remained unanswered.

In her letter to the NCW, Kotian, a resident of suburban Bhayandar, claimed that Acharya forced her to watch adult videos whenever she visited his office.

In her complaint with Amboli police station, Kotian alleged that Acharya was demanding a commission from her for working in the film industry.

Kotian is also a member of the IFTCA.

Acharya, who was elected as a general secretary of the IFTCA, used to frequently call the complainant at the office in Andheri, the police official said quoting the complaint.

On January 26, when Kotian reached the IFTCA office, Acharya shouted at her and announced that she was being "suspended", he said.

Acharya grew furious after Kotian told him that she is a member of the IFTCA and allegedly asked his team member, Jayashree Kelkar, to slap her, the police official said.

"Kelkar and Preeti Lad hit me in public view which was captured on the CCTV," the complaint stated.

Police have registered a non-cognisable (NC) offence and investigating, the official added.

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Agencies
July 27,2020

Mumbai, Jul 27: Action director Parvez Khan, known for his work in films like Sriram Raghavan's Andhadhun and Badlapur, died on Monday after suffering a massive heart attack. He was 55. 

Parvez, who worked in the industry since 1986, was rushed to Ruby Hospital after he complained of chest pain, his longtime associate Nishant Khan told PTI. "He suffered a major heart attack in the morning. He was rushed to the hospital but was pronounced dead. He didn't have any health issues but felt chest pain last night," Nishant said.

Filmmaker Hansal Mehta, who worked with Parvez in the National Award winning 2013 drama Shahid, said the action director was extremely skilled. "Just heard that action director Parvez Khan is no more. We had worked together in Shahid where he executed the riots sequence in a single take. Very skilful, energetic and a good man. RIP Parvez. Your voice still rings in my ears," Hansal tweeted. 

Parvez started his career by assisting action director Akbar Bakshi in films like Akshay Kumar's Khiladi (1992), Shah Rukh Khan's Baazigar (1993) and Bobby Deol-starrer Soldier in 1998. It was with Ram Gopal Varma's Ab Tak Chhappan in 2004 that he started working independently and went on to have a long-standing collaboration with filmmaker Sriram Raghavan in films such as Johnny Gaddaar (2007), Saif Ali Khan-starrer Agent Vinod in 2012 and Badlapur, featuring Varun Dhawan. He is survived by wife, son, daughter-in-law and a granddaughter.

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