We have always needed funny philosophers: 'Patriot Act' star Hasan Minhaj

Agencies
November 24, 2018

New Delhi, Nov 24: Stand-up comedy's newest star Hasan Minhaj believes his Indian-American-Muslim identity gives him a certain edge, becoming "superpowers" in his "utility box" to help him take on all the "crazy stuff happening in politics and culture".

Minhaj, whose parents migrated to the US from Aligarh, began his comedy career on American late-night talk program, "The Daily Show", and rose to prominence after hosting the White House Correspondents Dinner last year where he roasted US President Donald Trump.

Trump, in a departure from tradition, skipped the event.

Minhaj, 33, followed that high profile act with "The Homecoming King" on Netflix, a huge hit that paved the way for "The Patriot Act with Hasan Minhaj".

"I used to hate being Hasan Minhaj because people could not pronounce my name, people don't know who I am, they don't know anything about Indians, about Muslims. What am I? Now I have all these identities. These are superpowers in my utility box. I can use them at any point. It's cool," he said when asked about using his background as an asset in his comedy.

While "The Homecoming King" was more personal with Minhaj talking about being an immigrant and struggling with his dual identities, his new show focuses on politics, both American and global.

"I definitely think that it (his identity) gives me a comedic edge, for sure. Stand-up comedy is an art form, which involves a single performer on stage, sharing his/her perspective. It is one of the few art forms where individuality and uniqueness are honoured more than anything else," Minhaj told PTI over the phone.

He peppers his conversation with a unique blend of words, bringing in perspectives from American and Indian pop culture.

Minhaj, who often uses Hindi words such as "Log kya kahenge (what will people say) to drive his point home, finds it interesting that all the stuff that he thought was "weird" while growing up has become cool now.

"I used to think this stuff is so weird and then I was like 'No, it's not. It's who I am. I'm an immigrant.' The way I grew up with movies and pop culture... One of the things that I want to do is to add our culture to American popular culture."

"The Patriot Act", a pulpy, satirical take on topics such as America's marriage of convenience with Saudi Arabia (his words), oil, affirmative action and Amazon, is like "taking coffee and making a coffee espresso", he said.

"I realised my strength as a performer is having that longer runway. It takes the plane up and it takes longer to take off. You get to build a larger narrative arc, something that I never really got a chance to do on 'The Daily Show' because as a correspondent, you are servicing the show and the format."

The comedian says he wanted everything that he learnt from the four years he spent on "The Daily Show" to start his own venture of political storytelling.

"The power of both music and comedy as an art form is being able to distil esoteric things into their essence. If you see a great song, a joke or watch a great show, you go, 'that's exactly how I feel, thank you for saying this'. The magic of such shows and political satire is trying to take things that are otherwise esoteric and boring and translate it into something that is a really funny," he said.

In Minhaj's view, comedy has always been an "amazing" art form globally and is seeing a resurgence with the popularity of streaming services like Netflix.

"Comedy is suddenly given the stage and respect that it had in the '90s when cable companies started putting it on TV. It has heightened because of the internet. There are no borders to it, which is exciting. It has always been an important art form. We have always needed funny philosophers."

And comedy can be a great tool in highlighting elements that are important at a time when there are so many divisions everywhere, he said.

"I think with everything that's going on not only in our country but also in India, all the crazy stuff happening in politics and culture, civility, respect and the ability to laugh at yourself are the things that are really important.

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News Network
May 12,2020

Mumbai, May 12: Superstar Salman Khan on Tuesday released his latest romantic single "Tere Bina" featuring Jacqueline Fernandez while in quarantine at his Panvel farm house.

The actor, along with close family and friends from the industry, including Iulia Vantur, Waluscha De Sousa, is living in the farm house. This is the second song Salman has released amid the coronavirus pandemic, after "Pyaar Karona."

"About seven weeks ago, when we came to the farm, we didn't know we will be here under a lockdown. So we wanted to do things to keep ourselves busy. That's when we decided to do these songs. We launched 'Pyaar Karona' and now, we are launching 'Tere Bina'," Salman said in a statement.

The song, sung and directed by Salman, is composed by his friend Ajay Bhatia and written by Shab bir Ahmed.

The actor said he had the song "Tere Bina" with him for quite a while but because it wasn't fitting into any of his film, he decided to release it now.

Jacqueline said she didn't think they would be able to shoot the song, which they finished in four days of evening shoots, with such limitations.

"We are used to shooting songs on a large stage with grand production costs. There are costumes, hair, make up. All of a sudden, we find ourselves with a team of three people. For the first time, I was checking lighting and moving props around. It was a great experience and it taught us how to make the most of what we have," she said.

Salman recently sent out food packets and ration from his farm house to those affected by the lockdown.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
July 23,2020

Mumbai, Jul 23: Mumbai Police will soon issue summons to actor Kangana Ranaut to record her statement in connection with the case related to the suicide of actor Sushant Singh Rajput, officials said on Thursday.

A day after Sushant Singh Rajput's suicide, Kangana Ranaut had released a two-minute video speaking highly of the deceased actor and accusing certain sections of the film industry of not acknowledging the star's talent.

She had also said that some of the last social media posts by the actor made it evident that he was struggling to survive in the industry.

According to the police, statements of 39 people, including film critic Rajeev Masand, director-producer Sanjay Leela Bhansali, and filmmaker Aditya Chopra have been recorded in the investigation so far.

The Mumbai Police had recently said the statements of three psychiatrists and one psychotherapist have been recorded in connection with the suicide investigation.

Rajput was found dead in his Mumbai residence on June 14.

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