We have always needed funny philosophers: 'Patriot Act' star Hasan Minhaj

Agencies
November 24, 2018

New Delhi, Nov 24: Stand-up comedy's newest star Hasan Minhaj believes his Indian-American-Muslim identity gives him a certain edge, becoming "superpowers" in his "utility box" to help him take on all the "crazy stuff happening in politics and culture".

Minhaj, whose parents migrated to the US from Aligarh, began his comedy career on American late-night talk program, "The Daily Show", and rose to prominence after hosting the White House Correspondents Dinner last year where he roasted US President Donald Trump.

Trump, in a departure from tradition, skipped the event.

Minhaj, 33, followed that high profile act with "The Homecoming King" on Netflix, a huge hit that paved the way for "The Patriot Act with Hasan Minhaj".

"I used to hate being Hasan Minhaj because people could not pronounce my name, people don't know who I am, they don't know anything about Indians, about Muslims. What am I? Now I have all these identities. These are superpowers in my utility box. I can use them at any point. It's cool," he said when asked about using his background as an asset in his comedy.

While "The Homecoming King" was more personal with Minhaj talking about being an immigrant and struggling with his dual identities, his new show focuses on politics, both American and global.

"I definitely think that it (his identity) gives me a comedic edge, for sure. Stand-up comedy is an art form, which involves a single performer on stage, sharing his/her perspective. It is one of the few art forms where individuality and uniqueness are honoured more than anything else," Minhaj told PTI over the phone.

He peppers his conversation with a unique blend of words, bringing in perspectives from American and Indian pop culture.

Minhaj, who often uses Hindi words such as "Log kya kahenge (what will people say) to drive his point home, finds it interesting that all the stuff that he thought was "weird" while growing up has become cool now.

"I used to think this stuff is so weird and then I was like 'No, it's not. It's who I am. I'm an immigrant.' The way I grew up with movies and pop culture... One of the things that I want to do is to add our culture to American popular culture."

"The Patriot Act", a pulpy, satirical take on topics such as America's marriage of convenience with Saudi Arabia (his words), oil, affirmative action and Amazon, is like "taking coffee and making a coffee espresso", he said.

"I realised my strength as a performer is having that longer runway. It takes the plane up and it takes longer to take off. You get to build a larger narrative arc, something that I never really got a chance to do on 'The Daily Show' because as a correspondent, you are servicing the show and the format."

The comedian says he wanted everything that he learnt from the four years he spent on "The Daily Show" to start his own venture of political storytelling.

"The power of both music and comedy as an art form is being able to distil esoteric things into their essence. If you see a great song, a joke or watch a great show, you go, 'that's exactly how I feel, thank you for saying this'. The magic of such shows and political satire is trying to take things that are otherwise esoteric and boring and translate it into something that is a really funny," he said.

In Minhaj's view, comedy has always been an "amazing" art form globally and is seeing a resurgence with the popularity of streaming services like Netflix.

"Comedy is suddenly given the stage and respect that it had in the '90s when cable companies started putting it on TV. It has heightened because of the internet. There are no borders to it, which is exciting. It has always been an important art form. We have always needed funny philosophers."

And comedy can be a great tool in highlighting elements that are important at a time when there are so many divisions everywhere, he said.

"I think with everything that's going on not only in our country but also in India, all the crazy stuff happening in politics and culture, civility, respect and the ability to laugh at yourself are the things that are really important.

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News Network
April 6,2020

New Delhi, Apr 6:  In an attempt to pump up Indians with positivity amid the testing times of coronavirus, Bollywood's most prominent actors like Akshay Kumar, Kartik Aaryan, Tiger Shroff, Taapsee Pannu, Kiara Advani, joined hands and launched a hope anthem - 'Muskurayega India.'

The song is set on the optimistic theme that sends out the message that the country will smile again if the country supports each other in the current crisis situation.

An initiative of Akshay Kumar's Cape of Good Films, the video of the song features all the lead actors of the industry including Ayushmann Khurrana, Bhumi Pednekar, Sidharth Malhotra, Vicky Kaushal, Raj Kumar Rao, Ananya Panday, Kriti Sanon, Jacky Bhagnani, and Rakul Preet.
Curated by Jackky Bhagnani's music label JJust Music and composed and sung by the talented Vishal Mishra, 'Muskurayega India' is a symbol of India's spirit of solidarity, battling against the coronavirus pandemic.

The soulful song penned by Kaushal Kishore also features cricketer Shikhar Dhawan and famous Mumbai based Radio Jockey Malishka.
The video of the song starts with Prime Minister Narendra Modi's televised address in which he is seen assuring the country that every Indian will come out victorious from the coronavirus crisis.

The video then features all the prominent faces of the cinema industry giving out the message of hope from their balconies, terrace and other spots of their houses.

The song urges people to stay home and support the people who are working to combat the virus, like police officials, and medical practitioners on duty amid the lockdown.

A locked-down view of some of the most prominent spots in the country like the India Gate, Hawa Mahal, and Mumbai's beaches are also featured in the video.

The song also spreads the message of social distancing and washing of hands to keep the infection away.

The video ends with a rhythm of the national anthem with the celebrities standing still to honour it and finally fades away with the Indian national flag.

As the country battles the novel coronavirus, the song is an attempt to uplift the spirit of togetherness of every Indian during the unprecedented crisis.

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News Network
January 9,2020

New Delhi, Jan 9: A Delhi court Thursday directed the makers of the Deepika Padukone starer feature film 'Chhapaak' to give credit to acid attack survivor Laxmi Agarwal’s lawyer in the movie.

Additional Civil Judge Pankaj Sharma said it was necessary that advocate Aparna Bhat's contribution is acknowledged.

"This Court is of the considered view that facts are indicative that the plea of the plaintiff for interim injunction is well-founded and it is necessary that her contribution be acknowledged by providing on the slide on the actual footage and the images, the line 'Aparna Bhat continues to fight the cases of sexual and physical violence against women' during the screening of the film.

"The said line on screen maybe with a rider that the same is with the court order," the judge said.

Advocate Bhat filed the application saying that despite representing Agarwal in courts for several years and helping in the movie-making, she was not given credit in the movie.

She said the filmmakers took her help in the entire process of writing and shooting the movie, but did not give the credit.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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