Women are no more just eye candy, says Madhuri Dixit

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January 1, 2014
Mumbai, Jan 1: Bollywood diva Madhuri Dixit is set to make a comeback on the screen in a never-seen-before avatar in ready-to-release "Dedh Ishqiya", a hinterland based thriller-drama, and thanks Indian cinema for evolving and making way for strong female characters.

"The more depth in the character the more fun you get to perform," Madhuri said when asked how comfortable she was  with the bold role in "Dedh dixitIshqiya", which brings her out of her comfort zone, Madhuri said in an interview.

"I am so thankful that our cinema has come a long way, and I am happy that women are portrayed as characters and not just eye candy in the films. (Women are) very beautifully portrayed on the screen," she said.

With the lethal combination of oomph and talent, Madhuri rose on the film firmament in the late 1980s and 1990s with blockbusters like "Tezaab", "Ram Lakhan", "Dil", "Beta" and "Saajan".

She is also known for her acting prowess in off beat films "Prahaar" and "Mrityudand", which saw her in a non-glamorous avatar.

After ruling the roost for years, Madhuri shifted base to Denver when she married US-based doctor Sriram Nene in 1999. Her last big hit was "Devdas".

In 2007, she attempted a comeback with "Nach Baliye", which bombed at the box office, and she went back. Four years later, the actress returned to India for good and she hasn't had to hunt for work.

First, she got busy as one of the judges with the fourth and the fifth seasons of the dance reality show "Jhalak Dikhhla Jaa" and then two films - "Dedh Ishqiya" and "Gulaab Gang" - fell into her lap. Interestingly, in both the films, female characters are central to the story lines.

In between, she made a special appearance in the "Ghaghra" song in "Yeh Jawaani Hai Deewani".

Her role in "Dedh Ihsqiya" is certainly a giant leap for the actress. Director Abhishek Chaubey is presenting her as a widow looking for a husband and she organises a poetry competition in her house every year where prospective grooms come and try to woo her.

"For women, it's a great time to be in the industry. When they narrated the script to me, I was very excited. It's a role that appealed to me," said Madhuri who has some bold scenes with Naseeruddin Shah in the film, which also stars Arshad Warsi.

"Begum Para is a beautiful character written by Abhishek. She is a poetic woman. She is a widow and her late husband's wish was that if she ever marries again, she should marry a poet.

"So every year she organises a swayamvar for her. She has been completely unimpressed for two years, but in the third year Babban (Arshad) comes," she said.

Begum Para in "Dedh Ishqiya" marks her second innings in filmdom post marriage and when asked  how important is the film for her, she said: "Everybody wants to see me after a gap. Begum is a strong character. She has many multi-layered kind of a woman. How the film does is very important."

"Dedh Ishqiya" is a sequel to "Ishqiya", a film that made its lead actress Vidya Balan a name to reckon with.

Co-produced by Vishal Bharadwaj and Raman Maroo, "Dedh Ishqiya" will release Jan 10.

Is she getting cold feet?

"I am not nervous, I am very excited about it. The script is very good and I think it's a complete entertainer," said a confident Madhuri.

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News Network
June 9,2020

Mumbai, Jun 9: Actor Sonu Sood, who has been arranging transport for migrant workers stranded in Mumbai and has faced criticism from the Shiv Sena for "enacting a political script written by BJP", was stopped outside the Bandra Terminus in Mumbai by police from meeting labourers.

A Mumbai Police official said the actor was stopped by the Railway Protection Force (RPF) when he reached the station on Monday night to meet some labourers, and added that they have not received any complaint so far in this connection.

The migrant labourers were supposed to take the Shramik Special train from Bandra Terminus to Uttar Pradesh.

Mumbai's Nirmal Nagar police station's senior inspector Shashikant Bhandare told news agency PTI that "The actor was stopped by the RPF, not by us. He wanted to meet labourers who were going to their native place. We have not received any complaint regarding this till now."

Shiv Sena MP Sanjay Raut on Sunday wondered whether the BJP propped up Sonu Sood to "offer help" to migrant workers from north India stranded in Maharashtra amidst the lockdown, with the political motive to show the Uddhav Thackeray government in poor light.

In his weekly column 'Rokhthok' in Shiv Sena mouthpiece 'Saamana', Sanjay Raut questioned the sudden rise of "Mahatma" Sood on the social scene of Maharashtra during the lockdown.

Mr Raut also referred to an alleged "sting operation" against Sonu Sood ahead of the 2019 general elections, saying he had agreed to promote the BJP-led government at various platforms through his official social media accounts.

However, later that day Chief Minister and Shiv Sena president Uddhav Thackeray lauded Sonu Sood's initiative to arrange buses for stranded migrant workers.

The actor met Uddhav Thackeray at the latter's residence 'Matoshree' in suburban Bandra on Sunday night.

On Monday, Defence Minister Rajnath Singh backed Sonu Sood for his work for stranded migrant workers, and questioned the Maharashtra government's criticism of the actor.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
January 10,2020

Mumbai, Jan 10: Superstar Salman Khan on Friday announced that his Eid 2021 release will be titled "Kabhi Eid Kabhi Diwali".

The 54-year-old actor took to Twitter to announce the movie which will be written and produced by filmmaker Sajid Nadiadwala.

"Housefull 4" helmer Farhad Samjhi will be directing the film.

"Announcing my next film... 'Kabhi Eid Kabhi Diwali'. Story and produced by Sajid Nadiadwala. Directed by Farhad Samji. Eid 2021," Salman tweeted.

The actor, whose last release "Dabangg 3" performed moderately at the box office, will next be seen in Prabhudheva's "Radhe". The film will hit the theatres on Eid this year.

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