You get attention in Bollywood only if you're hit: Govinda

February 14, 2017

Mumbai, Feb 14: Govinda has experienced highest of highs in a career spanning three decades, but the actor feels it was during his low phase in Bollywood when he realised that the industry gives attention to only those who are successful.govinda

Govinda's tryst with the big screen began with "Ilzaam", post which he went on to star in some of the big hits of 90s, including "Raja Babu", "Coolie No 1", "Hero No 1" and "Haseena Maan Jaayegi."

orts with "Life Partner", "Kill Dil" and "Happy Ending", the films where he says, nobody saw him as a hero.

"They didn't see me as a full-fledged hero. I was not looking like a hero," Govinda told PTI about the time when he worked on those projects.

"It was very tough for me, that phase. Industry is in few hands, and has always been. It all depends on the release of films and your success. Everything revolves around success. Success hoga to kamaal hoga, tab hi log tumse baat karenge (If you are successful then only people will talk to you)," he added.

The actor feels he "shouldn't have joined politics at all," and admits that his attempts to resurrect himself with potentially big projects were unsuccessful.

"I let go of many projects because I didn't see myself in them. Now it's my time to prove whether those decisions were correct or not. My wife asked me to sign those films which I did, 'Happy Ending' and 'Kill Dil', but they came and went. Nothing happened with my career," he said.

"They were big projects, I was praised, the films were also praised to some extent. Inspite of that they didn't reach to that level. May be it's just fate," he said.

Govinda, who is now all set for the release of "Aa Gaya Hero", says he has put his heart and soul to the film hoping it will do wonders in his career.

"We all start from scratch, take right decisions and move forward. It requires a lot of dedication. I have put all of this in the film," Govinda said.

Directed by Dipankar Senapati, the film has been written and produced by Govinda himself.

The actor insists he had to resort to home production as the projects he was being offered were unlike his kind.

"It was very important for me to come back the way people love me. I was not getting what I deserved. When I did last few films, I thought people are not utilising me the way they can. I am getting used," he said.

"There is no problem in getting used but if you are only praised and film has not done well, then it becomes a subject of market. It moves according to the business of your films."

The actor says there were times when he tried to bounce off some ideas and improvisations that could be done in his roles but the directors were not too keen.

"I was not getting the songs I used to do, the kind of dialogues I used to mouth. I used to try planning a few things on sets but the director used to say, 'No sir, we won't be doing that. You just have these many minutes in the film'.

"This was not working for me, it became very important for me to comeback as a hero," he added."Aa Gaya Hero" is scheduled to release on March 3.

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News Network
April 23,2020

New Delhi, Apr 23: As the holy month of Ramzan is about to begin, several Muslim public figures on Thursday appealed to the community to offer tarawih and hold iftar inside their homes and follow the lockdown regulations imposed to tackle the coronavirus threat.

Television actor Iqbal Khan in a video message appealed to the people to not step out of their houses during Ramzan.

"This time around, whatever you do during Ramzan, you have to do it inside your houses. Do not visit mosques; offer tarawih (late evening prayers offered during Ramzan) at your homes. Your stepping outside will not only put you in a problem but may put your family members in trouble also," said Khan.

"And that will be wrong, do not go outside. If anyone says you have to go outside then they are wrong. Stay home and stay safe and help others stay safe too," he added.

Another TV actor and Tik Tok star Jannat Zubair asked people to avoid any kind of social gatherings so as to ensure the safety of everyone.

"I know we are in a difficult situation but there is no need to panic. We will overcome this and things will be fine. The holy month of Ramzan is going to start, please stay home, offer prayers at your homes and avoid family/friends gatherings for now. It is just a matter of time, things will be fine soon. Stay home and stay safe," she said.
Ramzan is likely to begin from April 24.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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Agencies
June 6,2020

Hollywood star Angelina Jolie feels discrimination and impunity cannot be justified in any way, and says she hopes people in the US can come together to "address the deep structural wrongs in our society".

The Oscar-winning star, who turned 45 on Thursday, also donated $200,000 to the NAACP Legal Defense Fund, reports people.com.

"Rights don't belong to any one group to give to another. Discrimination and impunity cannot be tolerated, explained away or justified. I hope we can come together as Americans to address the deep structural wrongs in our society," Jolie said.

"I stand with the NAACP Legal Defense Fund in their fight for racial equality, social justice, and their call for urgent legislative reform," she added.

Meanwhile, the actress celebrated her birthday amid lockdown with her six children -- Maddox, 18, Pax, 16, Zahara, 15, Shiloh, 14, and 11-year-old twins Knox and Vivienne.

The actress and activist has been active since the COVID-19 pandemic spread around the world and has donated to different organisations.

Jolie previously donated $1 million to No Kid Hungry, the organisation working to feed children during the COVID-19 pandemic.

"I knew that there were problems in America, that there was poverty, but I could not believe when I realised how many school children in America were dependent on a meal to not go hungry. I was so disgusted that we have gotten to this point as a country and that we would let the most vulnerable be in such a state. I can't imagine what it feels like for those parents," she said while opening up about her reason to get associated with the organisation.

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