10 yrs on, SRK and team relive the 'Chak De!' journey

Agencies
August 8, 2017

New Delhi, Aug 8: With its message of patriotism, secularism and women's empowerment, "Chak De! India" continues to be a film for the times 10 years on, says the team of Shimit Amin, Jaideep Sahni and Shah Rukh Khan.

For director Shimit, story writer Jaideep and star Shah Rukh, this is one that will live on, and not just in their filmographies.

Born from Jaideep's anger at the apathy towards women athletes, the film tells the story of an unsung women's hockey team and their disgraced coach Kabir Khan seeking redemption in their world cup victory.

"The film is patriotic without being jingoist, it is cool without being frivolous, it is intense but not boring," Shah Rukh said.

"Chak De!", regarded as one of Indian cinema's most successful and loved sports films, was released on August 10, 2007.

Shah Rukh says he did the film, which he describes as one of the most special in his career, for his father.

"Shimit made it beautifully and I am glad that Adi (producer Aditya Chopra) thought of me as Kabir Khan. They waited for me for more than a year. The heart and the soul of the film are the young girls."

Due to his romantic hero persona, many thought he would not be able to pull off Kabir Khan's character, says Shah Rukh.

"It is one of the few films of mine which opened very poorly. I was really disturbed. My father used to play hockey. The only reason I did this film was because I could use something that my father had taught me. I was emotionally attached with the film. But it did really well after opening poorly."

He was so nervous about the film's future that he left for London. "It was a lovely film and I did not want to hear all that (negativity)."

Shimit says the team approached the story with idealism. "We felt it was a special film and something that would be made on its own. We believed in the idealism of what we were doing. We had this amazing sense that we were going to make the best film that we could. There was no calculation involved."

The director, who went on to make "Rocket Singh", says "Chak De!" did not impress viewers in a test screening. They realised they had a successful film only after its release.

Asked why they picked Shah Rukh for a role that involved no romance, the director says they wanted someone with a certain kind of grace and dignity. "Shah Rukh had that presence. He had that maturity. He also came from a middle class background. There were a lot of things that felt right about him. Adi pitched the film to SRK and he told us that it sounded very interesting to him."

Amongst Shimit's favourite moments from the film is Kabir Khan's "Yeh sattar minute" monologue.

"This was a sports film and we needed a motivational speech. It was exciting to see SRK act that part. He really killed it."

Another favourite scene is Kabir Khan's reaction when the team actually wins -- there are no tears, no hugs just a deep sigh as he turns away from the euphoria on the field.

The director says he is glad that they did not opt for a conventional ending.

"When you come to think of it, this is not a very 'filmy' moment. We had seen a Japanese coach react like that during Olympics. The idea behind the scene was that this person has given so much of himself that he no longer knows how to react.

"He had held himself together for this particular moment and then he just does not know. There is a separation that starts for him right at that moment. He realises that he is no longer a part of this game and has done his bit and it is now over."

For writer Jaideep, the story is a "piece of his heart" he shared with the world.

"As a writer I feel like 'Chak De!' is a piece of my heart which now belongs to everybody. There were things that we felt very emotional about and we wanted to say those things with the film," says the man who also wrote "Khosla Ka Ghosla" and "Company".

The writer says they were very careful in portraying patriotism in the film.

"Patriotism does not mean ignoring our own shortcomings and just going on praising ourselves. It is about seeing the shortcomings and rising above it. Patriotism does not mean criticising people who are different from us or the countries which are different from us."

It all started when he spotted an article about women athletes in the back page of a newspaper, a story, he says, that should have been on the front page.

"Women athletes have always been great. It is just that nobody knew about them. The more time I spent with them the more angry I became. They are not the first people that come to your mind when you think about national heroes. The whole motivation was to create a bridge between them and the rest of the country," Sahni says.

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Agencies
July 3,2020

Mumbai, Jul 3: Renowned Bollywood choreographer Saroj Khan died early on Friday morning due to cardiac arrest. She was 71.

The three-time National Award winner, who had choreographed some of the most memorable songs in Hindi cinema, was not keeping well for some time.

She was admitted to Guru Nanak Hospital in Bandra last Saturday after she complained of breathing issues. The mandatory COVID-19 test done at the hospital showed a negative result.

“She passed away due to cardiac arrest at around 2.30 a.m. at the hospital,” Khan’s nephew Manish Jagwani said.

In a career spanning over four decades, Khan is credited with choreographing more than 2,000 songs, including Dola Re Dola from Sanjay Leela Bhansali’s Devdas, Ek Do Teen from Madhuri Dixit-starrer Tezaab and Ye Ishq Haaye from Jab We Met in 2007.

She last choreographed for Tabaah Hogaye, featuring Madhuri from filmmaker Karan Johar’s production Kalank in 2019.

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Agencies
July 31,2020

New Delhi, Jul 31: After an FIR was registered against her in various sections including abetment of suicide in the Sushant Singh Rajput death case, actor Rhea Chakraborty on Friday said that she has faith in the judiciary and she will get justice.

In a video statement issued by her lawyers, the actor refrained from commenting on "horrible things" being said against her saying that the matter is sub judice. 

“I have immense faith in God and the judiciary. I believe that I will get justice. Even though horrible things are being said about me in the electronic media. I refrain from commenting on the advice of my lawyers as the matter is sub judice. Satyamev Jayate. The truth shall prevail," Chakraborty said in the video statement. 

An FIR was filed by Rajput's father KK Singh against Chakraborty in Bihar under several sections including abetment of suicide.

Days after Rajput's death, Chakraborty said she was the "girlfriend" of the 'Dil Bechara' actor while requesting a CBI inquiry in the case.

Rajput was found dead in his Mumbai residence on June 14.

Chakraborty has also approached the Supreme Court for transfer of investigation to Mumbai in the FIR registered against her in Patna. 

Earlier in the day, targeting Chakraborty over Rajput's death, Bihar Minister and JD-U leader Maheshwar Hazari said she played the role of "vishkanya" and alleged that there is a "big gang" behind the "killing" of the actor.

"There is a big gang behind the killing of Sushant Singh Rajput. Earlier also talented people who went to Mumbai for work were killed. This gang used Rhea Chakraborty. She trapped Sushant Singh Rajput in a love affair, got his money transferred. Later, she started drama of 'bhoot pret' (ghosts) and played the role of a 'vishkanya'. She sabotaged his talent and defamed love," Hazari said.

According to the Maharashtra police, statements of 41 people, including filmmaker Mahesh Bhatt, film critic Rajeev Masand, director-producer Sanjay Leela Bhansali, and filmmaker Aditya Chopra have been recorded in the investigation so far.

Maharashtra Home Minister Anil Deshmukh had said that Mumbai Police are investigating the case and it will not be transferred to the CBI. 

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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