Acting far less demanding than direction, says Nandita Das

Agencies
March 31, 2019

Mumbai, Mar 31: Nandita Das says she enjoys both acting and direction, but being behind the camera gives her more creative fulfilment.

The actor-filmmaker says direction helps her in highlighting her concerns and starting conversations on various socio-political issues.

"It (acting) is less demanding than direction. But while direction is far more time consuming and challenging, it is also more fulfilling, both creatively and emotionally. But each has its merit and I feel no reason to choose as I would like to do both," Nandita told PTI in an interview.

The critically-acclaimed director, who has helmed films like "Firaaq" and "Manto", said one should not be afraid to tell the stories they believe in. 

"For me, art remains a means to an end. I am more of a journey-person, so I don't feel the pressure of reaching anywhere in particular. That comes with the benefit of not being afraid of failure, at least in the conventional sense of the word. 

"If you have strong convictions and courage things automatically follow. When I did 'Fire', I didn't know if I'd have a second film as an actor. Similarly, when I did 'Firaaq', I didn't know I will direct a film," she said.

Nandita will be seen in the new version of "Albert Pinto Ko Gussa Kyoon Aata Hai?", directed by Soumitra Ranade. She describes it as a "conceptual" remake as the makers have only taken the seed of the idea.

"The film is entirely Soumitra's take on how he sees the country today and the angst of the youth. I did it for nostalgia, as the original was an iconic film. It's our tribute to it and I equally did it for Soumitra, who has been a friend for over a decade." 

When Nandita first saw the 1980 cult classic she said she could relate to the angst of the protagonist, which was played by Naseeruddin Shah. 

According to her, the film deals with the pain of Albert, who probably represents many in the society.

Asked about the relevance of the new film, Nandita said the issues of common man from poverty to unemployment still exist. 

"The earlier 'Albert Pinto...' was made during a critical time in our history. It was the post-Emergency era. The Jayaprakash Narayan movement had failed to provide a stable government at the centre. We were at crossroads. 

"Today, we are in a similar predicament, where politics and conversations, have all become so polarised. Divisive forces are distracting us from the real problems of unemployment, poverty and inequity. There is anger simmering among the youth, the farmers, the marginalised, and that is the political undertone that the film has," she said.

Nandita believes, today there is no dearth of issues that can make one angry but one should find ways to make the world a compassionate place. 

"I feel sad that we have normalised blatant inequality and inequity and the divisive powers are further polarising us in the name of nationality, religion, caste, class, gender, sexual preference and more. 

"To find productive ways is a conscious choice if we want a more just and compassionate world. 'Albert...' is a step in that direction. I think the audience will connect with his anger and it will trigger a deeper reflection on their own angst and their will to change things for the better." 

The film releases on April 12.

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News Network
January 9,2020

New Delhi, Jan 9: A Delhi court Thursday directed the makers of the Deepika Padukone starer feature film 'Chhapaak' to give credit to acid attack survivor Laxmi Agarwal’s lawyer in the movie.

Additional Civil Judge Pankaj Sharma said it was necessary that advocate Aparna Bhat's contribution is acknowledged.

"This Court is of the considered view that facts are indicative that the plea of the plaintiff for interim injunction is well-founded and it is necessary that her contribution be acknowledged by providing on the slide on the actual footage and the images, the line 'Aparna Bhat continues to fight the cases of sexual and physical violence against women' during the screening of the film.

"The said line on screen maybe with a rider that the same is with the court order," the judge said.

Advocate Bhat filed the application saying that despite representing Agarwal in courts for several years and helping in the movie-making, she was not given credit in the movie.

She said the filmmakers took her help in the entire process of writing and shooting the movie, but did not give the credit.

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News Network
June 30,2020

California, Jun 30: Online video-sharing platform YouTube on Monday banned several prominent channels, including those belonging to Stefan Molyneux and Richard Spencer.

The company banned six channels for repeatedly violating YouTube's policies.

According to The Verge, other channels banned include American Renaissance (with its associated channel AmRen Podcasts) and the channel for Spencer's National Policy Institute.

YouTube began taking stern measures on supremacist channels in June 2019.

"We have strict policies prohibiting hate speech on YouTube, and terminate any channel that repeatedly or egregiously violates those policies," the Verge quoted a YouTube spokesperson as saying.

"After updating our guidelines to better address supremacist content, we saw a 5x spike in video removals and have terminated over 25,000 channels for violating our hate speech policies," the spokesperson added.

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Agencies
February 10,2020

Hollywood star Joaquin Phoenix finally ended his dry run at the Oscars as he picked up the best actor trophy for his performance in and as "Joker" at the 92nd Academy Awards.

The 45-year-old actor had earlier bagged a BAFTA, a Golden Globe and a Screen Actors Guild Award for his turn as a failed, unhinged stand-up comedian who descends into chaos.

In a lengthy and rambling speech, Phoenix touched upon racism, climate change and gender inequality. He also remembered his brother River Phoenix, who died of a drug overdose at the age of 23 in 1993.

"When he was 17, my brother wrote this lyric. He said, 'run to the rescue with love and peace will follow'," Phoenix said. At the Academy Awards and the entire Hollywood award season, Phoenix had emerged as an undisputed frontrunner even though he was up against the likes of Leonardo DiCaprio ("Once Upon a Time in Hollywood"), Adam Driver ("Marriage Story"), "Antonio Banderas ("Pain & Glory") and Jonathan Pryce ("The Two Popes").

An Oscar had eluded Phoenix for the most part of his career, despite his successful collaborations with Ridley Scott ("Gladiator"), James Mangold ("Walk The Line") and Paul Thomas Anderson ("The Master"), all of which had earned him nominations.

But as Arthur Fleck aka The Joker, Phoenix finally managed to break that jinx and became the second actor to win an Oscar for playing the DC comic book villain after the posthumous best supporting actor win to Heath Ledger in 2008.

As Joker, Phoenix took a deep dive into character, capturing its essence as well as maniacal spirit in both body and soul.

He lost 52 pounds to get into the physicality of Fleck and turned to a pathological disorder to get his distinct laughter right.

Phillips wrote the part keeping Phoenix in mind though the actor took some convincing to play the role.

Phoenix started the film's festival circuit tour on a positive note at Cannes last year that followed by stops at Venice and Toronto.

The film had also courted controversies, owing to its theme of gun violence in the movie as well as Phoenix's temperamental press tour that saw him walking out of an interview midway.

But critics and the fans loved the actor's riveting turn in the movie and his pointed speeches.

At the Golden Globes, he called out the industry for its insensitivity towards climate change and pulled up his peers for using private jets for travel, while at the SAGs, he joked how he would always lose a role to DiCaprio and asked Christian Bale to deliver a bad performance for once in his career.

In his acceptance speech at the BAFTAs, Phoenix acknowledged the lack of diversity in the nominations, calling himself a part of the problem. Phoenix's career most praised performances include "Signs ", "We Own the Night", "Two Lovers", "The Immigrant", "Her", "You Were Never Really Here" and "Inherent Vice".

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