After director Krish, writer Apurva Asrani calls out Kangana Ranaut for hijacking films

Agencies
January 30, 2019

Mumbai, Jan 30: Apurva Asrani has lashed out against Kangana Ranaut following credit controversy that has erupted after Manikarnika – The Queen of Jhansi director Krish claimed that the actor “hijacked” the period drama.

In 2017, Asrani accused Ranaut of discrediting his work on Simran and debunked her claim of converting the movie from “one line screenplay to a full-fledged story”.

Two years and a war of words later, the writer-editor has supported Krish, who has broken silence on his exit from the Rani Lakshmibai biopic, starring Ranaut.

The actor, who turned director with Manikarnika, claimed that she stepped in to fill Krish’s shoes after he was unavailable to re-shoot a chunk of the project.

But the director rubbished the claims, saying they together started and shot the film. He even said that the entire process of the film was done in poor taste.

In a series of tweets, Asrani said Manikarnika had unfortunately gone the Simran way.

The writer warned the director how he will be targeted by Ranaut for speaking up.

“What’s going to hurt more brother Krish is that she will run a vicious smear campaign to destroy your credibility. And worse, a large section of the media, especially the pseudo feminists, will ignore your story like they did when Ketan Mehta and then I claimed she hijacked our films. Sad,” Asrani wrote on Twitter.

The scribe also shared some snippets of Krish’s interview and recalled how Ranaut conspired with the producer to remove him from Simran.

“Director #Krish exposes how #KanganaRanaut hijacked #Manikarnika. This is exactly what she did on ‘Simran’ too. Waited for me to complete the cut (minus patchwork), told me how much she loved it, then had me thrown out by colluding with producer – before she went onto screw up the film,” he recounted.

Krish, in media interviews, has claimed that parts of other actors such as Atul Kulkarni, who plays Tantya Tope in the film, were chopped off to make the movie a one-person show.

Asrani said, watching Krish speak was a “painful, yet cathartic” experience because he had gone through something similar.

“I wrote #Simran with a passion similar to the man in the video (Krish). But an insecure #KanganaRanaut started deleting other actors lines on set and made it about her. Krish explains in frustration how she cut out historical characters from #Manikarnika too,” Asrani added.

The writer-editor also called out his previous frequent collaborator, “Simran” director Hansal Mehta and blamed him along with Ranaut for allegedly triggering his Bell’s Palsy last year.

“Hansal Mehta, THIS is the mindf**k you and Kangana put me through on Simran which led me to a breakdown. If you had the courage to stand up then, we could have weathered many more storms together.

“I salute Krish’s courage and goodness, especially when he talks of his team. #catharsis,” he said.

Director-producer Pooja Bhatt also came to Krish’s defence on the credit row.

“This is so wrong… On every level… This is not the industry I was born to and not the industry I wish to inherit. Eventually it is credit we work for… Money comes and money goes… The first rule of filmmaking is to acknowledge people’s contribution,” she wrote on Twitter.

To this Asrani replied, “Thankyou for finally acknowledging this. I had yearned for your support when she did this to me two years ago too. But still, I’m happy to see this condemnation from you.”

Bhatt went on to apologise for if she came across as “being reticent”.

“The details of that situation, even though spelt out by all seemed murky to me which is why I didn’t jump in. Though I always maintained that Hansal’s silence felt odd and rather unjust,” she added.

Asrani responded to her, claiming even he was duped by Ranaut’s behaviour initially.

“Her game is brutal. She first plays the victim & wins your trust. You give your all, sacrifice all other work, because she seems lovely. Then when you’re ready with a film you nurtured/created, she has you thrown out. Then she uses the press & trolls to character assassinate you,” he said.

Meanwhile, lyricist-dialogue writer of Manikarnika, Prasoon Joshi praised Ranaut for “elevating the film to another level”.

“Kangana hasn’t only given an outstanding performance she’s also elevated the film to another level through her direction and commitment. Let not any controversy take that away from her. It’s been a tough journey and am all for celebrating everyone’s contribution. Here’s to team #Manikarnika,” Joshi tweeted.

Ranaut, who is at the centre of the controversy, is yet to comment on Krish’s remarks.

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News Network
May 28,2020

New Delhi, May 28: On the World Menstrual Hygiene Day, former Miss World Manushi Chhillar on Thursday underlined the need to spread awareness on feminine hygiene.

The 23-year-old star has been roped in by UNICEF to spread awareness on the need to educate girls on personal hygiene.

Chhillar put out a post on Instagram expressing the need to educate girls with all information on maintaining hygiene, constructing adequate sanitation facilities and providing quick access to feminine hygiene products.

Manushi, who is participating in the UNICEF global initiative called the Red Dot Challenge, stated, "Every young girl has the right to accurate information about her body. Without the right information, girls often don't know how to safely manage their period. It's time to break the silence. I am calling all girls, boys, women and men to take the #RedDotChallenge with me. Because of Menstruation Matters. @unicefindia."

Along with the post, Chhillar shared her pictures with red dots on her hand representing the 'Red Dot Challenge.'

The former Miss World runs her own initiative on menstrual hygiene called 'Project Shakti' that works across several states of India.

The beauty queen turned actor will debut in Bollywood with the highly anticipated historical-drama 'Prithviraj' opposite Akshay Kumar. She will be playing the royal princess Sanyogita, whose tales of beauty mesmerised an entire nation.

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News Network
June 26,2020

New Delhi, Jun 26: Actor Sushant Singh Rajput’s death has exposed the deep faultlines in the Hindi film industry with issues such as bullying, nepotism and discrimination emerging from tinsel town’s rarely discussed dark corners into the spotlight of introspection and debate.

The days since the death of the 34-year-old actor, whose body was found in his Mumbai apartment on June 14, have split the glamour industry down the middle – between ‘insiders’ and ‘outsiders’, 'us' vs 'them', and those born to fame and those who sweated for it.

That Rajput, who came from a middle class home in Patna and made his mark in mainstream Hindi cinema in what could be the classic fairytale, ended his life led to soul searching about power structures in Bollywood and also angry accusations at the biggies who call the shots.

'Outsider' Manoj Bajpayee said the structural shift that everyone in the industry wants to see will begin once the powerful abolish the "insider-outsider" divide.

"Nepotism has been in the debate for a few years now. It'll change only if each and every individual who is positioned well, who is established and powerful starts making efforts to make it healthy and democratic for all the talented people who are coming in," Bajpayee said.

“We will have to work very hard to turn this industry into a fraternity where each and everyone is welcomed," he said. Dibakar Banerjee, who directed Rajput in Detective Byomkesh Bakshy!, added that outsiders need to put in twice the amount of work as compared to star children to convince the industry, the public and the box office of their talent.

"The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite," he told news agency.

Rajput was considered that rare actor, after Shah Rukh Khan perhaps, to have transitioned from television to Bollywood stardom and his death opened the proverbial can of worms.

Detective Byomkesh Bakshy! was produced by Yash Raj Films, which also backed Rajput’s Shuddh Desi Romance. As rumours swirled about unfair contract details, the powerful production house and other industry bigwigs and star children such as Karan Johar, Alia Bhatt and Sonam Kapoor faced ire from not just the public but even some of their colleagues.

The untimely death of the young actor had clearly not just touched a chord but triggered a rallying cry for change.

An out of context, old clip from Johar's chat show Koffee with Karan in which Bhatt is seen joking about Rajput and Kapoor confesses not knowing him fuelled the anger.

Hashtags like #BoycottKhans, #boycottnepotism and #JusticeForSushantSinghRajput started trending online a day after the actor's death with many calling for a boycott for the films made by Johar and featuring star children.

An online petition on Change.org asking fans to boycott Johar, YRF and Salman Khan has gathered almost 38 lakh signatures so far.

Reflecting the split in filmdom, Johar unfollowed everyone on Twitter except eight people, including Prime Minister Narendra Modi, Shah Rukh Khan and Amitabh Bachchan.

Hate comments also made actor Sonakshi Sinha, daughter of veteran actor-politician Shatrughan Sinha, deactivate her Twitter account last week.

Kapoor, too, disabled the comments section on her Instagram page and that of her father, veteran actor Anil Kapoor.

The public's angst found resonance in Bollywood with many in the fraternity saying the industry needs to introspect on how it treats outsiders.

Actors Gulshan Devaiah and Sushmita Sen, directors Hansal Mehta and Onir and singers Sonu Nigam and Kumar Sanu were amongst the many people who spoke out on the deeply disturbing issues that Rajput’s death had thrown up.

Mehta made a distinction between nepotism and bullying. 

He said his son Jai Mehta was an assistant director in his own film Shahid and also in Anurag Kashyap's Gang of Wasseypur series. He stepped inside the door because of his father but got ahead because he is talented.

“So when people take off on nepotism they do not really address the elephant in the room. They belittle the real battle -- the battle is between the powerful and the rising, between old and new, between rigidity and change, between secure and insecure,” Mehta said.

The director also criticised those bullying people in the guise of criticism.

“People in power (inherited/earned) have no business bullying those perceived to be less powerful or dependent on them,” he said, adding that the debate had been narrowed down to target certain people not for reform or the larger good.

According to Sen, nepotism is a truth as old as the industry.

“I think competition is a great thing but it should be a fair one for everyone… We have lived with it for many years. If it needs to change then all of us need to take responsibility, no one person,” she told PTI.

Onir said calling out nepotism does not mean denying talent just because someone belongs to the industry.

“It is about empowering all those deserving and talented denied opportunity by blatant discrimination. It’s about marginalising talent and creating a non-inclusive space,” he said.

Devaiah, known for his roles in Shaitan and A Death in the Gunj, said there is a lot of "toxicity" in showbiz because of the power structures but actors need to safeguard themselves from getting into a position where they can "lose control".

The debate was just not about actors but also the music industry.

“I have a request for music companies. Today, Sushant Singh Rajput has died. An actor has died. Tomorrow you might such news about a singer, a composer or a lyricist. The state of affairs in the music industry... there is a bigger mafia in the music industry than the film industry…,” singer Sonu Nigam said in a heartfelt video after Rajput’s death.

His colleague Kumar Sanu also uploaded a video on Facebook this week, saying he can sense a "revolution".

"Since his demise, I can see a different revolution emerging. Nepotism exists everywhere. It's a little more in our industry. You (the audience) make us who we are… Filmmakers or the top people (in the industry) cannot decide. It is in your hand to make us," he said.

As the debate intensified, Aligarh scriptwriter Apurva Asrani said some ‘woke’ friends were trying to crush the movement the actor’s death had sparked.

“Claiming to want dignity for him, they want others to suffer indignity in silence,” he tweeted, sharing a thread in which other such as Shekhar Kapur Ranvir Shorey and Abhay Deol also discussed nepotism and the camp culture in Bollywood.

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News Network
April 28,2020

Los Angeles, Apr 28: A top-secret documentary feature about former first lady Michelle Obama is set to start streaming worldwide on Netflix from May 6.

According to The Hollywood Reporter, the doc shares its title with Michelle Obama's best-selling 2018 memoir "Becoming" and recounts some of the same history of her life.

"Becoming", like the best documentary feature Oscar winner "American Factory", comes from Higher Ground, the production company run by former President Barack Obama and the former first lady, which has an exclusive pact with the streamer.

The documentary marks the feature directorial debut of cinematographer Nadia Hallgren known for her work on "Trouble the Water", the 2008 indie about a couple surviving failed levees, bungling bureaucrats, and their own troubled past and a portrait of a community abandoned long before Hurricane Katrina hit.

"Becoming" also picks up where that story left off by following her on the 34-city tour that she undertook while promoting her book.

"Those months I spent traveling meeting and connecting with people in cities across the globe drove home the idea that what we share in common is deep and real and can't be messed with.

"In groups large and small, young and old, unique and united, we came together and shared stories, filling those spaces with our joys, worries and dreams. We processed the past and imagined a better future. In talking about the idea of 'becoming,' many of us dared to say our hopes out loud," Michelle Obama said in a statement.

The former first lady also addressed the ongoing coronavirus pandemic.

"It's hard these days to feel grounded or hopeful, but I hope that like me, you'll find joy and a bit of respite in what Nadia has made. Because she's a rare talent, someone whose intelligence and compassion for others comes through in every frame she shoots.

"Most importantly, she understands the meaning of community, the power of community, and her work is magically able to depict it.

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