After director Krish, writer Apurva Asrani calls out Kangana Ranaut for hijacking films

Agencies
January 30, 2019

Mumbai, Jan 30: Apurva Asrani has lashed out against Kangana Ranaut following credit controversy that has erupted after Manikarnika – The Queen of Jhansi director Krish claimed that the actor “hijacked” the period drama.

In 2017, Asrani accused Ranaut of discrediting his work on Simran and debunked her claim of converting the movie from “one line screenplay to a full-fledged story”.

Two years and a war of words later, the writer-editor has supported Krish, who has broken silence on his exit from the Rani Lakshmibai biopic, starring Ranaut.

The actor, who turned director with Manikarnika, claimed that she stepped in to fill Krish’s shoes after he was unavailable to re-shoot a chunk of the project.

But the director rubbished the claims, saying they together started and shot the film. He even said that the entire process of the film was done in poor taste.

In a series of tweets, Asrani said Manikarnika had unfortunately gone the Simran way.

The writer warned the director how he will be targeted by Ranaut for speaking up.

“What’s going to hurt more brother Krish is that she will run a vicious smear campaign to destroy your credibility. And worse, a large section of the media, especially the pseudo feminists, will ignore your story like they did when Ketan Mehta and then I claimed she hijacked our films. Sad,” Asrani wrote on Twitter.

The scribe also shared some snippets of Krish’s interview and recalled how Ranaut conspired with the producer to remove him from Simran.

“Director #Krish exposes how #KanganaRanaut hijacked #Manikarnika. This is exactly what she did on ‘Simran’ too. Waited for me to complete the cut (minus patchwork), told me how much she loved it, then had me thrown out by colluding with producer – before she went onto screw up the film,” he recounted.

Krish, in media interviews, has claimed that parts of other actors such as Atul Kulkarni, who plays Tantya Tope in the film, were chopped off to make the movie a one-person show.

Asrani said, watching Krish speak was a “painful, yet cathartic” experience because he had gone through something similar.

“I wrote #Simran with a passion similar to the man in the video (Krish). But an insecure #KanganaRanaut started deleting other actors lines on set and made it about her. Krish explains in frustration how she cut out historical characters from #Manikarnika too,” Asrani added.

The writer-editor also called out his previous frequent collaborator, “Simran” director Hansal Mehta and blamed him along with Ranaut for allegedly triggering his Bell’s Palsy last year.

“Hansal Mehta, THIS is the mindf**k you and Kangana put me through on Simran which led me to a breakdown. If you had the courage to stand up then, we could have weathered many more storms together.

“I salute Krish’s courage and goodness, especially when he talks of his team. #catharsis,” he said.

Director-producer Pooja Bhatt also came to Krish’s defence on the credit row.

“This is so wrong… On every level… This is not the industry I was born to and not the industry I wish to inherit. Eventually it is credit we work for… Money comes and money goes… The first rule of filmmaking is to acknowledge people’s contribution,” she wrote on Twitter.

To this Asrani replied, “Thankyou for finally acknowledging this. I had yearned for your support when she did this to me two years ago too. But still, I’m happy to see this condemnation from you.”

Bhatt went on to apologise for if she came across as “being reticent”.

“The details of that situation, even though spelt out by all seemed murky to me which is why I didn’t jump in. Though I always maintained that Hansal’s silence felt odd and rather unjust,” she added.

Asrani responded to her, claiming even he was duped by Ranaut’s behaviour initially.

“Her game is brutal. She first plays the victim & wins your trust. You give your all, sacrifice all other work, because she seems lovely. Then when you’re ready with a film you nurtured/created, she has you thrown out. Then she uses the press & trolls to character assassinate you,” he said.

Meanwhile, lyricist-dialogue writer of Manikarnika, Prasoon Joshi praised Ranaut for “elevating the film to another level”.

“Kangana hasn’t only given an outstanding performance she’s also elevated the film to another level through her direction and commitment. Let not any controversy take that away from her. It’s been a tough journey and am all for celebrating everyone’s contribution. Here’s to team #Manikarnika,” Joshi tweeted.

Ranaut, who is at the centre of the controversy, is yet to comment on Krish’s remarks.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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News Network
May 8,2020

London, May 8: Actor Florence Pugh says the most terrifying aspect of starring in the upcoming superhero film "Black Widow" was doing the Russian accent.

In the Marvel Cinematic Universe's stand-alone film, the Oscar-nominated actor plays Yelena Belova, a sister-figure to Scarlett Johansson's Natasha Romanoff/ the titular Black Widow who was trained in the Red Room.

"I was scared because my Russian accent was going to be out there and I didn't know what it sounded like.

"I'm also playing a character who no-one's seen before but they've read about her. I didn't know whether people were going to hate me!" Pugh told ELLE UK for its June issue.

The 24-year-old actor also said the idea of joining the MCU itself was quite "daunting".

"When you think of Marvel, it's big and daunting. Especially being a relatively small actor to look at it and go, 'Oh! I'm going to be a part of this', that's a big decision," she said.

"Black Widow", which was scheduled to hit the theatres on May 1, will now release on November 6 due to the coronavirus pandemic.

Directed by Cate Shortland, the film also stars David Harbour and Rachel Weisz.

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News Network
April 28,2020

Los Angeles, Apr 28: A top-secret documentary feature about former first lady Michelle Obama is set to start streaming worldwide on Netflix from May 6.

According to The Hollywood Reporter, the doc shares its title with Michelle Obama's best-selling 2018 memoir "Becoming" and recounts some of the same history of her life.

"Becoming", like the best documentary feature Oscar winner "American Factory", comes from Higher Ground, the production company run by former President Barack Obama and the former first lady, which has an exclusive pact with the streamer.

The documentary marks the feature directorial debut of cinematographer Nadia Hallgren known for her work on "Trouble the Water", the 2008 indie about a couple surviving failed levees, bungling bureaucrats, and their own troubled past and a portrait of a community abandoned long before Hurricane Katrina hit.

"Becoming" also picks up where that story left off by following her on the 34-city tour that she undertook while promoting her book.

"Those months I spent traveling meeting and connecting with people in cities across the globe drove home the idea that what we share in common is deep and real and can't be messed with.

"In groups large and small, young and old, unique and united, we came together and shared stories, filling those spaces with our joys, worries and dreams. We processed the past and imagined a better future. In talking about the idea of 'becoming,' many of us dared to say our hopes out loud," Michelle Obama said in a statement.

The former first lady also addressed the ongoing coronavirus pandemic.

"It's hard these days to feel grounded or hopeful, but I hope that like me, you'll find joy and a bit of respite in what Nadia has made. Because she's a rare talent, someone whose intelligence and compassion for others comes through in every frame she shoots.

"Most importantly, she understands the meaning of community, the power of community, and her work is magically able to depict it.

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