After director Krish, writer Apurva Asrani calls out Kangana Ranaut for hijacking films

Agencies
January 30, 2019

Mumbai, Jan 30: Apurva Asrani has lashed out against Kangana Ranaut following credit controversy that has erupted after Manikarnika – The Queen of Jhansi director Krish claimed that the actor “hijacked” the period drama.

In 2017, Asrani accused Ranaut of discrediting his work on Simran and debunked her claim of converting the movie from “one line screenplay to a full-fledged story”.

Two years and a war of words later, the writer-editor has supported Krish, who has broken silence on his exit from the Rani Lakshmibai biopic, starring Ranaut.

The actor, who turned director with Manikarnika, claimed that she stepped in to fill Krish’s shoes after he was unavailable to re-shoot a chunk of the project.

But the director rubbished the claims, saying they together started and shot the film. He even said that the entire process of the film was done in poor taste.

In a series of tweets, Asrani said Manikarnika had unfortunately gone the Simran way.

The writer warned the director how he will be targeted by Ranaut for speaking up.

“What’s going to hurt more brother Krish is that she will run a vicious smear campaign to destroy your credibility. And worse, a large section of the media, especially the pseudo feminists, will ignore your story like they did when Ketan Mehta and then I claimed she hijacked our films. Sad,” Asrani wrote on Twitter.

The scribe also shared some snippets of Krish’s interview and recalled how Ranaut conspired with the producer to remove him from Simran.

“Director #Krish exposes how #KanganaRanaut hijacked #Manikarnika. This is exactly what she did on ‘Simran’ too. Waited for me to complete the cut (minus patchwork), told me how much she loved it, then had me thrown out by colluding with producer – before she went onto screw up the film,” he recounted.

Krish, in media interviews, has claimed that parts of other actors such as Atul Kulkarni, who plays Tantya Tope in the film, were chopped off to make the movie a one-person show.

Asrani said, watching Krish speak was a “painful, yet cathartic” experience because he had gone through something similar.

“I wrote #Simran with a passion similar to the man in the video (Krish). But an insecure #KanganaRanaut started deleting other actors lines on set and made it about her. Krish explains in frustration how she cut out historical characters from #Manikarnika too,” Asrani added.

The writer-editor also called out his previous frequent collaborator, “Simran” director Hansal Mehta and blamed him along with Ranaut for allegedly triggering his Bell’s Palsy last year.

“Hansal Mehta, THIS is the mindf**k you and Kangana put me through on Simran which led me to a breakdown. If you had the courage to stand up then, we could have weathered many more storms together.

“I salute Krish’s courage and goodness, especially when he talks of his team. #catharsis,” he said.

Director-producer Pooja Bhatt also came to Krish’s defence on the credit row.

“This is so wrong… On every level… This is not the industry I was born to and not the industry I wish to inherit. Eventually it is credit we work for… Money comes and money goes… The first rule of filmmaking is to acknowledge people’s contribution,” she wrote on Twitter.

To this Asrani replied, “Thankyou for finally acknowledging this. I had yearned for your support when she did this to me two years ago too. But still, I’m happy to see this condemnation from you.”

Bhatt went on to apologise for if she came across as “being reticent”.

“The details of that situation, even though spelt out by all seemed murky to me which is why I didn’t jump in. Though I always maintained that Hansal’s silence felt odd and rather unjust,” she added.

Asrani responded to her, claiming even he was duped by Ranaut’s behaviour initially.

“Her game is brutal. She first plays the victim & wins your trust. You give your all, sacrifice all other work, because she seems lovely. Then when you’re ready with a film you nurtured/created, she has you thrown out. Then she uses the press & trolls to character assassinate you,” he said.

Meanwhile, lyricist-dialogue writer of Manikarnika, Prasoon Joshi praised Ranaut for “elevating the film to another level”.

“Kangana hasn’t only given an outstanding performance she’s also elevated the film to another level through her direction and commitment. Let not any controversy take that away from her. It’s been a tough journey and am all for celebrating everyone’s contribution. Here’s to team #Manikarnika,” Joshi tweeted.

Ranaut, who is at the centre of the controversy, is yet to comment on Krish’s remarks.

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Agencies
February 7,2020

Kochi, Feb 7: The younger brother of noted playback singer K J Yesudas was found dead in the backwaters near here, police said.

The body of 62-year old K J Justin, who had reportedly gone missing from his house in Thrikkakara near here on Tuesday evening was found floating in the backwaters near Vallarpadam Container Terminal on Wednesday, they said.

The relatives identified the body, police said adding it was later sent for autopsy at General Hospital here.

A General Hospital spokesperson said the body was handed over to his relatives on Thursday evening after autopsy was performed.

The funeral is expected to be held after the arrival of Yesudas from abroad, police sources said.

Police said the initial investigation suggested it was a case of suicide.

According to police, Jusin's relatives have informed the investigation team that he had been showing signs of suicidal tendency for the last one week as he was allegedly facing some financial problem.

His relatives were not available for comments.

Son of the renowned musician late Augustine Joseph, Justin is survived by his wife.

Justin had been a regular presence at popular ganamela programmes here in the past, sources said.

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News Network
May 10,2020

May 10: Azaan is an integral part of the faith, not the gadget, says veteran writer-lyricist Javed Akhtar, asking that the Islamic call to prayer on loudspeakers should be stopped as it causes "discomfort" to others.

In a tweet on Saturday, Akhtar wondered why the practice was 'halaal' (allowed) when it was, for nearly half a century in the country, considered 'haraam' or forbidden.

"In India for almost 50 years Azaan on the loud speak was Haraam. Then it became Halaal and so halaal that there is no end to it, but there should be an end to it. Azaan is fine but loud speaker does cause of discomfort for others. I hope that atleast this time they will do it themselves (sic)," Akhtar tweeted.

When a user asked his opinion on loudspeakers being used in temples, the 75-year-old writer said everyday use of speakers is a cause of concern.

"Whether it's a temple or a mosque, if you're using loudspeakers during a festival, it's fine. But it shouldn't be used everyday in either temples or mosques.

"For more than thousand years Azaan was given without the loud speaker. Azaan is the integral part of your faith, not this gadget," he replied.

Earlier in March, Akhtar had supported the demand to shut mosques amid the coronavirus outbreak in the country, saying even Kaaba and Medina have been closed due to the pandemic.

He had also appealed to the Muslim community to offer prayers from home in the holy month of Ramzan, which began on April 24.

"I request all the Muslim brothers that now that Ramzan is coming, please say your prayers but make sure that this doesn't cause problems to anyone else. The prayers that you do in the mosque, you can do that at home. According to you, the house, the ground, this all has been made by Him. Then you can do your prayers anywhere," he had said.

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Agencies
July 8,2020

Mumbai: The 11th edition of KASHISH Mumbai International Queer Film Festival is going virtual this year due to the COVID-19 lockdown. The festival is coming up with a full-slate of 157 films from 42 countries.

Tipped as South Asia's biggest LGBTQIA+ film festival, it is the first Indian film festival to come up with a slate of new programs for this year.

The slate of films include 30 films from India, as well as films from countries like Belarus, Iran, Iceland, Lebanon, Macedonia, Malaysia, Puerto Rico, Tunisia, etc.

"We are extremely delighted to launch the registration for the KASHISH 2020 Virtual with a full slate of films as well as panel discussions, filmmaker Q&As, etc, almost replicating the ground event. Only this year not only Mumbaikars but people across India and the world can participate in the festival and enjoy amazing LGBTQIA+ films, discussions and performances!", said Sridhar Rangayan, festival director.

"We are thrilled by almost 95 per cent of the filmmakers whose films were selected to screen at the ground festival, agreeing to screen with us at our online festival. We are overwhelmed by the response from the filmmakers, and we are really glad to reach their films out to the world. This speaks a lot about their trust and support towards the festival", said Saagar Gupta, Director, Programming.

The registrations to attend the festival is now open and details can be viewed at the festival website http://mumbaiqueerfest.com/attend/ along with information about the film line-up. There are early-bird full-festival passes at a modest price in India and outside India. The early-bird offer will be open for a week.

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