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Amitabh Bachchan, Alia Bhatt win top honours at Zee Cine Awards

[email protected] (Agencies)
March 13, 2017

Mumbai, Mar 13: Megastar Amitabh Bachchan and actress Alia Bhatt have bagged the top honours at the Zee Cine Awards 2017.

Bachchan was adjudged Best Actor for his portrayal of an astute lawyer in the courtroom drama Pink at the awards night held last night, while Alia’s role as a migrant from Bihar in Udta Punjab won her the Best Actress trophy.

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Among the other major awards, Pink won Best Film Award (Jury), while Aamir Khan’s sport biopic Dangal won award for Best Film (Viewer’s Choice).

Pink also won Best Dialogue award, penned by its director Aniruddha Roy Choudhury, who also bagged Best Debut Director trophy.

Biopic Neerja that hit the chord with audience as well as critics won six honours. Its director debutante Ram Madhvani won Best Director honour, while actor Jim Sarbh won awards Best Debutante (Male) and Best Actor in a Negative Role for his role of terrorist Khalil.

The Best Supporting Actress award went to Shabana Azmi for Neerja, while it also won Best Production Design and Best Editing awards.

Salman Khan’s wrestling drama won five awards, including Viewer’s Choice Best Actor (Female) to Anushka Sharma and Viewer’s Choice Best Actor (Male) award to Salman.

Neha Bhasin won Best Playback Singer (Female) honour for her soulful rendition of song Jag Ghoomeya, while it also fetched Irshad Kamil the Best Lyricist award.

Trophy for the Best Sound Design award also went to Sultan.

Karan Johar directed Ae Dil Hai Mushkil won three awards including Best Music Director to Pritam, Best Playback Singer (Male) to Arijit Singh for the title track, while chartbuster Channa Mereya won Best Song award.

Ajay Devgn’s directorial venture which had locked horns at the box office with Ae Dil Hai Mushkil, also won three awards in categories Best Action, Best Visual Effects and Best Cinematography.

Multi-starrer Shakun Batra’s Kapoor And Sons bagged two awards, both won by Rishi Kapoor in Best Actor in Comic Role and Best Supporting Actor (Male) categories.

Duo Bosco-Caeser won Best Choreography for film Baar Baar Dekho.

Actress Ritika Singh won Best Debut (Female) award for her role in Saala Khadoos.

The award night saw performance by Kareena Kapoor Khan, who gave a musical tribute to the four Khans of Bollywood - Salman, Shah Rukh, Aamir and Saif, while Alia Bhatt, Varun Dhawan and Sunny Leone also enthralled the gathering.

Hosted by Manish Paul and Bharti, the award ceremony will be aired on Zee Cinema on April 1.

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Agencies
August 7,2020

Mumbai,  Aug 7: Unless Maharashtra Government consents to CBI investigation in the Sushant Singh Rajput's death case, it would be illegal, affecting the federal structure of the country, said actor Rhea Chakraborty's lawyer.

The Central Bureau of Investigation (CBI) has registered and continued the illegality which was perpetrated at the hands of Bihar Police in connection with the case, he added.

"The Bihar Government transferred a case with which it had no jurisdiction to investigate, to CBI instead of the Mumbai Police which is the legal position. The Supreme Court is seized of the issue pursuant to the transfer petition filed by Rhea Chakraborty," said Satish Maneshinde Chakraborty's lawyer.

The Supreme Court has directed all parties to file their replies and Mumbai Police is directed to place the report of investigations, he added.

"Pending the said proceedings the CBI has registered and continued the illegality which was perpetrated at the hands of Bihar Police.

CBI being a premier investigative agency in the country should desist from taking any further steps pending the SC proceedings. Apart from the same unless the Maharashtra Government consents to CBI investigating the case ... it would be totally illegal and beyond any known legal principles, affecting the Federal Structure of the Nation," said Maneshinde.

The Special Investigation Team (SIT) of the CBI that is probing high profile cases of Vijay Mallya and AgustaWestland cases will now investigate the Sushant Singh Rajput's death case.

The investigating agency has registered a case against six accused including Bollywood actor Rhea Chakraborty and others in connection with the Rajput's death.

The sources in CBI said that six accused in the case will be summoned soon for questioning and other persons will also be called for examining which was earlier examined by Mumbai police.

Bihar Chief Minister Nitish Kumar had earlier sent a recommendation to the Central Government for CBI investigation in the case filed in Patna based on the complaint of Sushant's father KK Singh against Rhea Chakraborty under sections including abetment of suicide on July 25.

Sushant was found dead at his Mumbai residence on June 14.

Days after Rajput's death, Rhea Chakraborty said she was the "girlfriend" of the 'Dil Bechara' actor while requesting a CBI inquiry in the case.

Chakraborty has also approached the Supreme Court for transfer of investigation to Mumbai in the FIR registered against her in Patna.

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Agencies
July 28,2020

Mumbai, Jul 28: Delhi Bharatiya Janata Party (BJP) MP Manoj Tiwari has urged Maharashtra Chief Minister Uddhav Thackeray to look into the case of actor Sushant Singh Rajput's death and direct the state police to register an FIR in this connection.

Wishing Thackeray on Monday on his birthday, Tiwari, who has acted in Bhojpuri films, pointed out that over 40 days have passed since the death of Rajput, but an FIR is yet to be registered.

"Many happy returns of the Day @CMOMaharashtra Shri Uddhav Ji, on this day I request with folded hands to give justice to Sushant who died 43 days ago, but no FIR has been registered so far. I hope you will help. Please do justice to millions of SSR fans," he tweeted.

Bollywood actor Rajput was found dead at his Mumbai residence on June 14, which the police said was a case of suicide. His death had triggered an outcry from several quarters alleging that the late actor, who hailed from Bihar, was a victim of nepotism in the film industry.

The lawmaker from Northeast Delhi's Lok Sabha seat, who visited the deceased actor's family in Patna last month had then said: "Sushant's father and sister requested me to take up the issue and get him justice. It was really a sentimental moment for me".

Previously, Tiwari had demanded a CBI investigation into the matter

According to the police, statements of 40 people including film critic Rajeev Masand, director-producer Sanjay Leela Bhansali, and filmmaker Aditya Chopra and actor Rhea Chakraborty have been recorded in the investigation so far.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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