Ant-Man: Scurrying to Join a Superhero Infestation

July 24, 2015

Jul 24: I wish I could assure you that no insects were harmed in the writing of this review, but that would be a lie.

antmanThe ants who are regular summer visitors to my kitchen have lately been sending scouts into the study. One just crawled across my laptop screen, and as I crushed its tiny body between my thumb and forefinger, an alarming thought crossed my mind: They know what I'm up to. Ants are highly intelligent creatures (at least collectively), and are famous for their determination and commitment. Here I was, about to pass judgment on one of their rare forays into popular culture, and here they were, checking up on me.

But to what end? Were they sniffing out bad press in advance, or trying to warn an honest journalist that their species was terribly misrepresented by Ant-Man? In my thoughtless, murderous haste, I hadn't bothered to ask, or to check my victim for a Marvel logo tattooed on its thorax.

So someone else will have to tackle the hot topic of "What Ant-Man Gets Wrong About Ants." Directed by the comedy specialist Peyton Reed (Bring It On, The Break-Up, Yes Man) from a script credited to Edgar Wright, Adam McKay, Joe Cornish and Paul Rudd (who stars), this film is a passable piece of drone work from the ever-expanding Marvel-Disney colony. It provides obligatory, intermittently amusing links to other corporate properties, serving essentially as a sidebar to the Avengers franchise. Like Guardians of the Galaxy, last year's off-brand Marvel hit, Ant-Man dabbles in the bright, playful colors of the superhero spectrum, reveling in moments of cartoonish whimsy and smirky humor.

It's an origin story, which is too bad, but at least relieves a reviewer of tedious explanatory duties. The background is that a brilliant scientist, Dr Hank Pym (Michael Douglas, a fine goateed curmudgeon), has developed a secret particle that makes objects shrink. His onetime protege, Darren Cross (Corey Stoll, a fine bald villain) wants to perfect the invention and put it to nefarious use. A hapless ex-con named Scott Lang (Rudd) gets mixed up with the scientist and his daughter, Hope (Evangeline Lilly), and the next thing you know...

But look at the time! Spoiler alert. OMG and LOL - not so much of the first (unless you are still astonished by the sight of guys in mechanical suits punching each other), but a decent dose of the second. This is mostly thanks to David Dastmalchian, Michael Pena and the rapper TI, who play Scott's buddies with cantankerous Three Stooges energy. Judy Greer and Bobby Cannavale show up as Scott's former wife and her new husband - stepfather to Scott's adorable daughter (Abby Ryder Fortson) - but for fans of these wonderful actors, the main satisfaction will come from the knowledge that they earned some money. (The continued marginalization of the brilliant Greer in expensive studio movies, however, has become a national scandal. Someone needs to convene a task force.)

And Rudd? Well, it's funny. What I mean is that he isn't very funny, which is strange, given his track record in ensemble comedies. He's a pleasant enough hero, registering confusion, amazement and irritation when circumstances require them, but his special charisma gets lost in the suit and drowned out in the hectic noise of the plot.

Ants are not known for individualism, which makes them, in some ways, a less promising platform for superheroism than spiders or bats. When Scott summons swarms of six-legged allies, the effect is underwhelming. But Reed does exploit two important (if obvious) ant characteristics: strength and tininess. Scott's Ant-Man suit allows him to change size instantly, which adds novelty to some of the fight scenes (notably one with Falcon, an Avenger played by Anthony Mackie).

The most ingenious sequence comes near the end, during a climactic battle between two miniaturized dudes, which toggles between their perspective and that of normal-size people. What appears to the combatants to be a noisy, screen-filling, no-holds-barred struggle looks, at human scale, like a minor disturbance in a room full of toys. Perhaps this is a metaphor: Trapped inside this big movie is a small one, trying to get out.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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News Network
June 22,2020

New Delhi, Jun 22: Musician Madonna, who is a mother of six, wished herself on the occasion of Father's Day on Sunday by posting adorable pictures with her kids.

Along with pictures, the 'Crazy For You' singer penned down a beautiful caption, wishing herself and every parent a 'Happy Father's Day' for nurturing and guiding their children in the best way possible.

"Happy Fathers Day to Me and to every parent out there doing their best to Nurture, Guide, Inspire, and Teach! #Lola #Rocco #David #Mercyjames #Estere #Stella," the 61-year-old singer wrote in the caption.

Madonna is the biological mother to two of her six children and has adopted the rest four.

She had adopted her first child Davida Banda back in 2006 and then she adopted a boy in 2009. The last addition to her family were the twins she adopted from Malawi.

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News Network
January 30,2020

Mumbai, Jan 30: A day after a woman filed a complaint against Ganesh Acharya alleging that he had forced her to watch pornography, actor Tanushree Dutta said Bollywood should boycott the choreographer.

A 33-year-old woman, an assistant choreographer, has written to the National Commission for Women (NCW) alleging that Acharya used to make her watch porn videos whenever she visited his office in suburban Andheri.

She also alleged that Acharya and two women assaulted her during a function of the Indian Film and Television Choreographers Association (IFTCA) held in suburban Andheri on Sunday. A complaint has been filed in this regard with Amboli police.

"It's time Bollywood and the other Indian film industries boycott choreographer Ganesh Acharya completely. Hiding behind the male superstars who work with this despicable man, he has been abusing his power and position to harass, bully and take advantage of vulnerable young newcomers to the industry," Dutta said in a statement here.

Dutta had alleged that her co-star Nana Patekar harassed and misbehaved with her while shooting for a song for their 2008 film "Horn Ok Pleasss", and Acharya, who was the choreographer, introduced new steps which were "intimate".

Recalling the trauma she faced, Tanushree said even though Acharya was party to all the harassment she faced on the 'Horn ok Pleasss" set, he went on to spoil her name and reputation.

"Nobody had any regard for me and how much I had suffered psychologically and financially because of the turmoil I went though due to these people. I left the industry because I was so scared and hurt over the atrocious treatment meted out to me on 'Horn ok Pleasss' set.

"I had worked very sincerely to get to where I got in life and so went in shock for many years, over the whole episode on that set almost 12 years ago, that led to an attack on my car. They didn't just break my car, they broke my spirit that day," Dutta said, in reference to the attack on her car in 2008.

She expressed her displeasure over how "leading men" and "heroes" of Bollywood continued working with Acharya, whose most recent work includes "Simmba", "Zero", "Sanju" among others.

"Even after all the information of fraud, non payment of dues, sexual harassment of dancers, bullying and intimidation and even physical abuse of dancers is coming out about Ganesh Acharya in the media, if the actors, directors and producers still work with him, it would mean that they themselves are engaging in such acts also.

"It's a warning to the film industry to stay the hell away from Ganesh Acharya otherwise your own reputation will be joined to his character. I'm sure many more girls and boys will come out about his misbehaviour and shady business, opening floodgates in the future," she added.

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