Ashley Judd Reveals She Was 'Molested At 7, Raped At 14'

January 31, 2017

Mumbai, Jan 31: Two hundred and fifty key voices in the global movement to abolish prostitution systems gathered for a World Congress Against Sexual Exploitation of Women and Girls in the National Capital on Monday, January 30.

Ashley

American actor and activist Ashley Judd, survivor and author Rachel Moran, and Political leader from Chhattisgarh Soni Sori were present at the event, among others.

Actor and activist Ashley Judd spoke against gender discrimination and her own experiences of dealing with sexual assault at the event. The actor, who is India for the next few days, opened up about being a victim of assault as a child.

Judd's visit comes just days after her recital of Nasty Woman at the Women's March held across the United States on Donald Trump's first day of presidency made headlines.

Addressing the media and delegates of the Congress, the actor said the US has a long way to go for gender equality and even opened up about her personal experience.

"I was molested when I was seven years old. I was raped at 14, and then I was raped in 1998. It's a miracle that I wasn't trafficked," she said.

Judd added that there are severe flaws in law on violence against women across the world, and the move for the abolition of trafficking would end harassment. "If us as survivors can come together, we can create change. The onus of the crime should only go to the perpetrator. And laws should give women and girls exit strategies to get out of trafficking," she said.

At the end of her five-minute speech, she spoke in Hindi and urged everyone to rise against sexual exploitation, and decriminalising of prostituted women and girls. "Ab samjhauta nahi," said Judd.

Hollywood has often been accused of discriminating against women, like every other entertainment industry around the world. Ashley shared, "There is a big pay gap in Hollywood, because of gender discrimination, and my life time earnings are 40 per cent less than what I should have earned, had there been pay equality in the industry."

The Congress was organised by Apne Aap Women Worldwide and CAP International, and had representatives from over 30 countries. "We want to fight the injustices that the last girl is subjected to. The last girl who gets into prostitution because of poverty, her gender or her caste. African Americans in the US, Indigenous in Australia and Canada, a refugee in Africa and Europe, all those who are preyed upon by traffickers," said Ruchir Gupta, founder, Apne Aap.

The Congress was held at a time when a new Trafficking Bill is going to be introduced in the parliament. The group is demanding provisions for prevention of trafficking through budget allocations for investment in housing, food and education for girls at risk.

Women's groups in India, however, have objected to the event. An open letter to the delegates signed by SANGRAM--a culmination of nine groups--have slammed the event in a letter. The letter points out: "Organisations like the Coalition for the Abolition of Prostitution International (CAP Int'l) persist in erroneously viewing all women in sex work as victims of trafficking and violence denying them the very right to call themselves workers."

Judd later took to social media to share her experience of being in India. She posted a picture of herself wearing a garland with Javed Akhtar, even though she erroneously spelt his name as 'Jared' Akhtar.

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Agencies
January 4,2020

Mumbai, Jan 4: After the Indian Institute of Technology (IIT) Kanpur constituted a panel to decide whether legendary poet Faiz Ahmed Faiz's poem 'Hum Dekhenge' is offensive to Hindu sentiments, filmmaker Shoojit Sircar had a cryptic take on the burning controversy.

"Best time for the rich & small businesses to make money as most of the population are engaged with a revolutionary poet named Faiz," Sircar said in a tweet.

The poem, penned down by the iconic poet in 1979, came into limelight again recently during the protests against CAA and NRC in IIT Kanpur.

Earlier on Thursday, senior lyricist Javed Akhtar rejected the claims about the poem being 'anti-Hindu'.

IIT Kanpur on Thursday had set up a committee to look into the issue.

The move came after a complaint that the students who took out a peaceful march in the campus on December 17 against the Citizenship Amendment Act and in solidarity with Jamia Millia Islamia students, sung it as a mark of protest, which hurt the sentiments of other communities.

The CAA grants citizenship to Hindus, Sikhs, Jains, Parsis, Buddhists and Christians who faced religious persecution in Pakistan, Afghanistan, and Bangladesh and came to India on or before December 31, 2014.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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News Network
April 10,2020

New Delhi Apr 10:  Actor Salman Khan on Friday thanked people for staying indoors and shared two pictures, first showing Bada Qabaristan's (graveyard) gate which has been closed due to lockdown and the second was of an empty street in Mumbai.

The actor thanked the people for listening to the guidelines and understanding the gravity of this situation amid the 21-day government-imposed lockdown in view of coronavirus outbreak. The tweet by 'Dabangg' actor came soon after the conclusion of Shab-e-Barat.

Shab-e-Barat is observed as a day of forgiveness or atonement in Islam and leads to congregations at graveyards and religious places.

The 54-year-old actor took to Twitter and wrote, "Wah! Thank u for listening n understanding the gravity of this situation the country is in. God bless n protect each n every 1.

Over the past few days, appeals were made to the Muslim community from several quarters to not venture out of their houses to pray on Shab-e-Barat in view of the COVID-19 lockdown.

Earlier, the 'Tiger Zinda Hai' star shared his lockdown experience in a video message with nephew Nirvaan and urged people to take the government's advisory of self-isolation seriously amid the rising cases of coronavirus in the country.

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